daddytolman
Okt. 2004 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.
Abzeichen3
Wie du dir Kennzeichnungen verdienen kannst, erfährst du unter Hilfeseite für Kennzeichnungen.
Rezensionen3
Bewertung von daddytolman
All for Love
A charming, quiet, unusual little story included in the "All for love" compendium on Masterpiece Theatre. A middle-aged woman (played beautifully by Richie) has taken care of her overbearing, opinionated mother (Laye, in real life a dance hall performer in the early 1900s) for years. Now the mother has died and left her daughter a tidy sum. She takes in a boarder, an eccentric older man (Whitrow), and is torn between her desire for freedom and her mother's 'voice' fueling her fears and suspicions about the man. The climax of the story is wonderfully odd and funny. It's a quiet thoughtful story, way better than most TV stories. Well worth the viewing if you can find it, which I haven't after losing my old video of it taped off-air years ago.
"Heaven's Above!" is a wonderful, well-crafted satire that mocks not Christianity but hypocritical and cold "religious" people. It is a British version of "In His Steps" turned on its head and inside-out: what if a sincere believer (Sellers) attempts to live out the gospel in the middle of a spiritually dead English parish? Unchristian attitudes range from the Bishop who complains that Rev. Smallwood (Sellers) "keeps bringing God into everything," to two women arguing over free food they have just (undeservedly) received as handouts telling a black man (Brock Peters) "You don't belong here" under a banner that reads "Love one another."
The script is rife with topical political and social comments but the real focus is timeless: do people really believe what they say they believe? Is there a place for Christianity in a secular, materialistic society? The ending, which baffles some, gives the answer to this. All serious questions aside, "Heaven's above!" is a satirical, incisive look at human nature.
The script is rife with topical political and social comments but the real focus is timeless: do people really believe what they say they believe? Is there a place for Christianity in a secular, materialistic society? The ending, which baffles some, gives the answer to this. All serious questions aside, "Heaven's above!" is a satirical, incisive look at human nature.