weirsal

Raul Julia gives his routine wonderful performance as Oscar Romero, Archbishop of San Salvador, capital of El Salvador, playground of right-wing paramilitary militia sponsored by successive military juntas subsidized by the CIA and successive US Administrations. Archbishop Romero slowly evolved from a bookworm to a politically aware activist as he came to realize what the military regimes were doing to the poor of his country. He paid the ultimate price willingly. Unlike today's cowards, who proclaim martyrdom and kill themselves and a few or many others in the name of some sterile ideology, Romero accepted martyrdom in the name of a living gospel he deeply believed in, in order to save lives, not to take them.

Julia looks absolutely nebbish in his glasses, and proves his genius as a thespian. Alas, he is not with us any longer, so that pretty boys of 2005 can only watch his films and learn how to act.

Highly recommended film, especially for the vast majority of US citizens who think that Ronald Reagan and his ilk actually did good things in El Salvador, Nicaragua and other places in America.

A tragedy leaves five people scarred. To heal, one of the survivors invites the others to her home in the Umbrian hills. As she says, to let the beauty of Umbria be a healing balm.

Umbria is one of the stars of the film, yet with a deft hand the director and cinematographer weave its physical beauty to complement the unfolding drama of the film.

Maggie Smith delivers a stunning performance. Her character is a flawed woman who escapes into an alcoholic haze and dreamweaving to explore her soul and the souls of those around her. Ever curious, she delves into places she should not, but always with kind and good intentions.

Chris Cooper plays a persnickety scientist with understated excellence. His facial expressions are magnificent, his words economical, his performance strong.

Ronnie Barker plays a retired English military with aplomb. Beno Furmann delivers a low-key performance, his eyes and his face reflecting guilt and pain. Timothy Spall plays an Irishman with a rare sweetness. A young American girl, Emmy Clarke, plays the film's lynchpin, Aimee, with simple perfection. And Giancarlo Giannini adds a deft touch.

This is a delightful film. There is no glitz, no whiz-bang action. It is a study of the human soul, of the human capacity to deal with pain, to cope, and to survive. The acting ranges from the good to the wonderful, and it is a fabulous example of film-making.