thedbdawg
Feb. 2003 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.
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Bewertung von thedbdawg
I've always liked Phylicia Rashad, and this was a pleasant surprise. It took about 30 seconds for me to be hooked. By the end, I was totally engrossed, and empathetic. We've all been stood up, or worse; left at the altar. Elisabeth was so confident and so trusting, and the viewer was right there with her. But in the end she was vulnerable and hurt. Great story, beautiful characterizations, powerful performances. Complex and bittersweet, just like the lives of most humans.
charming. quirky. surreal. trippy. sweet. sad. disappointing. rewarding. alluring. intellectual. musical. ENTRANCING!
This show finally nabbed me when I was at someone else's house, and Molly was reporting on an undercover police investigation. This was a chick show, and I'd have been damned if anyone caught me enjoying a chick show. But the quirky comedy was just my style. I was hooked. Obviously influential on the self-satisfied Ally McBeal, Molly Dodd is in serious need or some new time in syndication.
Molly's middle-of-the-night chats with her dearly departed dad.
Marion Ross playing the role of her overly-concerned mother.
Her all-knowing doorman.
Perpetually unlucky in love.
Bizarre fantasy sequences.
Her neighbors (Ron [who later turned up in 'Mad About You'] reading the paper, and the back page headline shouting "Ron Wants Out" when their marriage was crumbling.)
Gut-wrenching loss (anaphylactic shock.)
Hope from despairing loss.
David Strathairn.
New York.
Lordy, I miss this show!
This show finally nabbed me when I was at someone else's house, and Molly was reporting on an undercover police investigation. This was a chick show, and I'd have been damned if anyone caught me enjoying a chick show. But the quirky comedy was just my style. I was hooked. Obviously influential on the self-satisfied Ally McBeal, Molly Dodd is in serious need or some new time in syndication.
Molly's middle-of-the-night chats with her dearly departed dad.
Marion Ross playing the role of her overly-concerned mother.
Her all-knowing doorman.
Perpetually unlucky in love.
Bizarre fantasy sequences.
Her neighbors (Ron [who later turned up in 'Mad About You'] reading the paper, and the back page headline shouting "Ron Wants Out" when their marriage was crumbling.)
Gut-wrenching loss (anaphylactic shock.)
Hope from despairing loss.
David Strathairn.
New York.
Lordy, I miss this show!
I'd like to offer a somewhat balanced opinion of the series in question.
It is ridiculous to make knowing claims regarding what is essentially scientific theory, such as event horizon "rules." Until mankind has actually experienced such astral phenomena firsthand (like that's gonna happen) making such assured claims is specious.
On the other hand, singing the praises of "MacGyver"'s acting chops is equally amusing.
Stargate SG:1 excels in the same way that Star Trek: Deep Space 9 excelled - creating an alluring, captivating imagining of a world(s) we could only hope to experience. Sure they have holes, but so does life. Suspension of disbelief, fans, suspension of disbelief.
Larger than life heroes and villains. Fantastic possibilities. Basic emotional drama and some bits of humor. Shades of grey...
These are the core of great entertainment, (This IS entertainment, after all, not Astrophysics 101) and SG:1 (and DS:9's later years) really delivered the goods.
Oh yeah! There are special effects, too!
It is ridiculous to make knowing claims regarding what is essentially scientific theory, such as event horizon "rules." Until mankind has actually experienced such astral phenomena firsthand (like that's gonna happen) making such assured claims is specious.
On the other hand, singing the praises of "MacGyver"'s acting chops is equally amusing.
Stargate SG:1 excels in the same way that Star Trek: Deep Space 9 excelled - creating an alluring, captivating imagining of a world(s) we could only hope to experience. Sure they have holes, but so does life. Suspension of disbelief, fans, suspension of disbelief.
Larger than life heroes and villains. Fantastic possibilities. Basic emotional drama and some bits of humor. Shades of grey...
These are the core of great entertainment, (This IS entertainment, after all, not Astrophysics 101) and SG:1 (and DS:9's later years) really delivered the goods.
Oh yeah! There are special effects, too!