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BlueGreen

Nov. 2003 ist beigetreten
***


You would ADORE me if you knew me.
What else do you need to know? ;)


***


OK, here is something not particularly endearing that you absolutely need to know:

For reasons both subjective and objective I have become TERRIBLE at checking my private messages.

So, if by any chance you've sent me a PM in the past year or so, and I haven't replied, it's because I haven't even read it.
It's not you - it's ME.
Sorry.

***

SOME MORE ABOUT ME:

I am a fan of the arts of illusion, all of them.
(Except stage magic, don't really care much for it.)

I am a passionate collector of (good) film music.
ROTA, BARRY and KORNGOLD are my favourites, with a very special mention of CARL DAVIS - a genius, if you ask me. (Check his score for the 1928 silent classic The Crowd!)

Nikos Mamangakis' music for the Heimat series is as outstanding, as mind-blowing as the series themselves.

I especially LOVE the score of Body Heat and Das Boot - both fabulous films! -, some of STEINER's scores, ROZSA's Ben Hur, the arrangements of Porter's tunes for the 1981 version of Evil Under the Sun... and many others.

In fact, music - often of my own making - is the soundtrack to my life.


I don't really have a "list" of favourite films ready (although I do love Italian Neo-realism in its entirety); and my tastes are as eclectic as my other interests in life... as my life itself.

But if I were a director - and I hope to become one, because only I could visualise my own scripts as they should be visualised ;) - you would probably find my style very similar to Edgar Reitz's.
If I had to pick just one director, he is the one that I admire the most, for bringing to the screen the dispersed, often overlooked, often shocking poetry of everyday life. Reitz's films are life-like as no other director's work I've seen so far.

Eric Rohmer is another director whose work I enjoy very much.
I wouldn't necessarily emulate his style, but I do enjoy his - often infuriating - characters and the way they come to life.

The first director that I became aware of - so that I could recognise his work without being told it's his - was David Lean.
I love his narrative style and, most of all, his deeply human approach to his characters, especially in his earlier films. (I consider his Brief encounter, 1945, to be one of the best love stories of all times.)
His use of MUSIC is also noteworthy.

Billy Wilder is another director I find immensely talented - and watchable at the same time.
(Double Indemnity, 1944, is a breath-taking masterpiece, one of my favourites.)


Other directors I admire and enjoy very much:

* Istvan Szabo (especially Mephisto and Hanussen)

* Joris Ivens (documentaries)

* Rainer Werner Fassbinder

* Sydney Pollack

* Alfred Hitchcock

* Vittorio de Sica (his early work)

* Federico Fellini (not all of his work, but I do LOVE Le Notti di Cabiria, and La Dolce Vita, also Amarcord and Ginger and Fred)

* Luchino Visconti

* King Vidor (The Crowd is possibly one of the best motion pictures of all times)

* Liv Ullman (see Sophie if you haven't!)

* Ingmar Bergman

* Charles Chaplin

* Krzyszstof Kieslowski

* Woody Allen

* Jane Campion

* Andrei Tarkowski

* Agnieszka Holland


* Nanni Moretti (especially Caro diario, 1992, which is one of my favourite films)


Among many other genres, I enjoy RADICAL love stories, with a strong socially subversive element, like Truffaut's La Femme d'a cote and Adele H., Breaking the waves, Camille Claudel, He loves me - he loves me not, Lady Caroline Lamb (the film could be better, but the story is compelling), even Liaisons dangereuses or Valmont - you get the picture, I hope.

But I have been known to enjoy "eye candy", too - very much so!

The first such films that come to mind are Lean's Summertime, 1955 (SO much more than eye candy!), Guy Green's Light in the Piazza, 1962 (same as above, only less so), The She-Devil (the BBC series, 1989 - unforgettable), and Sex and the City (just eye candy, empty calories, more often than not nauseatingly trite - but glorious to watch ;).

Some of such fluff is positively ridiculous - for example Come Fly with Me (1963) or Boys' Night Out (1964) - but they can be great fun, provided you don't take them seriously. And some of them have genuinely witty dialogues.

***


HUMOUR


I love WIT - and not just on the screen. ;)
Which I why I like Woody Allen, especially his dialogues.

But I also adore 'absurd' humour - again, not just on the screen... ;)

Which is why I am crazy about "Monty Python Flying Circus" - and Absolutely Fabulous.

Presently, my main "idol" in comedy is Ricky Gervais.
(I love, love, LOVE The Office and Extras.)

And even though I dislike slapstick, I have the utmost love and respect for the jaw-dropping, all-encompassing genius of Charles Chaplin.

I also like certain moments of Laurel & Hardy - especially the former.


***


TV SERIES


My absolute favourite of all times is Die Zweite Heimat, by Edgar Reitz.

It is followed, on a totally different level, by Northern Exposure (the first four seasons), a masterpiece of humour, poetry and occasionally astonishing insight (as opposed to the hollywoodsy prefabricated "wisdom").

Another one of my all-time favourites is Six Feet Under (again, the early seasons - although the finale was rather good).

From among sitcoms, I loved Cheers, and still love Frasier. Especially its early seasons were remarkably witty and intelligent.

But there are many series that I find entertaining at the very least - too many to list them here.
All I ask of them is not to serve stereotypes too often and too rehashed - and hold the canned laughter, if possible. ;)




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Rezensionen14

Bewertung von BlueGreen
Häuschen im Grünen gesucht

Häuschen im Grünen gesucht

7,6
10
  • 21. Juli 2006
  • Timeless humour

    ...or is it?

    The story line is very simple: a 1970s Czech city family goes to the countryside for a short holiday... Adventures ensue. But this brilliant comedy definitely is one of those films that rely heavily on the viewer's understanding of the wider cultural context - and, of course, on magnificently humorous dialogues and interaction. (If a comparison must be found, I'd say it is much more reminiscent of Tati than of "National Lampoon", for example.)

    It is an unforgettably hilarious yet gentle film. But without the help of a very good translator - and preferably at least a basic understanding of the time and space where the action takes place - I fear that much (not all, but much) of its intelligent humour will be lost.
    Foreign Affairs

    Foreign Affairs

    6,8
    9
  • 22. März 2006
  • A gem

    For some strange reason, TV movies seem to be perceived as somehow "inferior" to the big-screen & big-bucks productions. Is it because of their comparatively limited budget and the resulting lack of "special effects"? Or is it simply a marketing issue? Be it as it may, many true lovers of film as an art do not care much about special effects, much less about the marketing involved. Those should absolutely see this delightful movie.

    In a nutshell, it's a film about "senior dating", if you will, featuring two Americans in England. But their nationality is about the only thing they have in common..:) There is also a parallel love story, between a beautiful English stage and TV star and an American who is about 10-15 years her junior.

    There are surprisingly few clichés, and even those are treated with intelligence. Instead, there is plenty of "class", intelligence, warm humour, wonderfully sensitive acting - not to mention the beautiful surroundings of the English countryside and the very good, unobtrusive musical score.

    It's a sensitive, humorous, and ultimately poignant, film that will leave you with a warm feeling inside. "Foreign affairs" is one of those films that, for some reason, stay with you forever.
    Dostoevsky's Travels

    S9. E2Dostoevsky's Travels

    Bookmark
    7,8
    10
  • 18. Dez. 2005
  • One of the best documentaries I've ever seen...

    ... and I've seen TONS of them. I love the genre. It's been more than ten years since I last saw this one, but it remains unforgettable.

    I had to browse the web to find the title of the documentary; and one of the pages (at least one) called it "hilarious".

    ??!

    Either I don't know what "hilarious" means, or the writer of that review doesn't know what it means - or we just have a very different sense of humour.

    There are many many epithets that come to mind remembering that documentary, but "hilarious" is not one of them. I would call it a frank, poignant display of an (unwittingly) cynical world.

    Dimitri, the writer's great-grandson, is a (or was) a tram (streetcar) driver; a typical, rather sad "ordinary" man, caught in the rut of a seemingly perspectiveless life in post-USSR Russia.

    And then, somebody conceived the idea of making him tour some of the capitals of Western Europe, his only "ticket" being his surname. (He did try to sell - on a stand in a theatre lobby - some of his own work, drawing of scenes from his ancestor's books, but with little luck.)

    Of course people were only interested in him because of his surname. Fair enough. Though I imagine he could have something to say about life - life in Russia in 1991/92, not 150 years ago - had anyone asked him. But nobody asked him. In fact, he found it difficult to even find a place where to rest his head when night fell. After the initial interest in him wore off, he was dropped like a hot potato.

    And the one palpable benefit he did manage to get out of this particular journey turned sour - it almost cost him his life.

    By all means, see this documentary. But if you are looking for comic relief, look elsewhere.
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