Apex_P38
Nov. 2003 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.
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Bewertung von Apex_P38
This is one of those games that I always wanted to play, but didn't get around to playing when it first came out. It's now 2021 and I am playing this game for the first time. I was a big fan of the first three original Devil May Cry games on PS2 and I never played Devil May Cry 4 mainly as I never got around to play it and it's trailers did not appeal to me too much even till this day.
This DMC "reboot" however, is a very, VERY challenging game to play. Like DMC 3 this is a very hard game to get through. Even in normal mode. If you're just looking to play for fun, try it on easy "human" mode, which is still not so easy as you may think. As the old DMC games before this, this game is all about the button smashing and combat style. However, there are too many combos to remember and too many new actions to adapt to while playing through out this game.
This game can get both repetitive and frustrating at the same time very quickly. It's the kind of game that you can play for an hour or hour and a half and you will feel like you have reached your limit of playing for each session and yet maybe later in the day or the next day you will be eager to get back to it for another hour or two if you can muster the will.
Aside from this, the visuals for this game stand out and it's quite a marvel for a game that came out back in 2013. The story itself is not so bad and it gives an interesting new take compared to the old DMC games before it. Still, there are a few aspects of the storytelling that may be hit and miss for many. I would not be surprised if some people gave up on this game along the way or just simply played it one time and never again afterwards. The game is just a very challenging one to get through and some bosses are not easy to figure out how to beat as it is. The story doesn't keep you as interested and you just want to play and get through the game instead of sitting through the story. Still, the story is not so bad if you give it a chance.
Overall, even though this is a very challenging game, this is a solid fun to play and beautiful game to look at. It may not be an easy game to play but it continues the traditional DMC games that were hard but worthwhile. This game is not for every one but if you enjoy the old DMC games or games like the Bayonetta series this might be down your alley. I rate it 7 out of 10 stars.
This DMC "reboot" however, is a very, VERY challenging game to play. Like DMC 3 this is a very hard game to get through. Even in normal mode. If you're just looking to play for fun, try it on easy "human" mode, which is still not so easy as you may think. As the old DMC games before this, this game is all about the button smashing and combat style. However, there are too many combos to remember and too many new actions to adapt to while playing through out this game.
This game can get both repetitive and frustrating at the same time very quickly. It's the kind of game that you can play for an hour or hour and a half and you will feel like you have reached your limit of playing for each session and yet maybe later in the day or the next day you will be eager to get back to it for another hour or two if you can muster the will.
Aside from this, the visuals for this game stand out and it's quite a marvel for a game that came out back in 2013. The story itself is not so bad and it gives an interesting new take compared to the old DMC games before it. Still, there are a few aspects of the storytelling that may be hit and miss for many. I would not be surprised if some people gave up on this game along the way or just simply played it one time and never again afterwards. The game is just a very challenging one to get through and some bosses are not easy to figure out how to beat as it is. The story doesn't keep you as interested and you just want to play and get through the game instead of sitting through the story. Still, the story is not so bad if you give it a chance.
Overall, even though this is a very challenging game, this is a solid fun to play and beautiful game to look at. It may not be an easy game to play but it continues the traditional DMC games that were hard but worthwhile. This game is not for every one but if you enjoy the old DMC games or games like the Bayonetta series this might be down your alley. I rate it 7 out of 10 stars.
Ever since I watched Bullet Ballet for the very first time it's been by far my favorite of all Tsukamoto films. Being a director with a cult following, Tsukamoto is one of the better known Japanese Directors of the last twenty years with a unique visual style of movement and imagery. After watching this film, Bullet Ballet could arguably be Tsukamoto's best film as some of his succeeding works have faltered to produce better quality of work ever since.
As the main character in Bullet Ballet, Tsukamoto himself plays a man named Goda who one night after his usual daily drinking routine goes home to find that his girlfriend of ten years has committed suicide by gun. Torn by his girlfriend's own demise, Goda goes out looking to buy a gun in the streets and along the way runs into a gang of punks who beat him up for a previous spat with the female gang member Chisako (played by the actress Kirina Mano), which leads Goda to hold a personal and unforgivable grudge towards Chisako that he will not let go without violence of his own.
The story and the cinematography of this film holds up this movie and while the acting may be questionable in some minor scenes it doesn't affect the film in any way. Like most of Tsukamoto's other films, Bullet Ballet is presented with plenty Tsukamoto's usual signature hand-held kinetic camera style in most of his films. In my opinion there's room to say that the story of this film could have benefited from some improvements here and there for the characters, though based on Japanese culture and behavior should they had made certain changes would have made the film a bit unusual for Japanese audiences to understand opposed to Western style filmmaking.
Compared to other Tsukamoto's films that I have enjoyed, this is definitely his best looking film to date. Tetsuo "The Iron Man"(1989) which blew me away still had a very dark look and even at times looked underexposed in some scenes. Still, I was amazed with what Tsukamoto was able to accomplish on Tetsuo with very little. A Snake of June is another one of his films that nicely paints a picture while being a very daring film to awe the viewer. In many ways A Snake of June would have given Bullet Ballet a run for its money to be Tsukamoto's best looking film had Tsukamoto have filmed A Snake of June in widescreen format instead of 4:3 full screen which I did not care for and annoyed the hell out of me.
Personally, I can't say I care for any of Tsukamoto's films shot in color except for maybe Vital which was beautifully shot. In spite of it, I still wonder whether I care for the story in Vital by itself, which I am still a bit conflicted about. Style over substance or not, Tsukamoto's visual style in itself is very unique, which can only be seen in films like these.
Whether it's old fashion or not, I still hope for Tsukamoto to one day go back to shooting films in black and white. I feel that in black in white movies he's able to present a much better looking product compared to the ones he made in color. As the current Japanese movie trend is shooting movies in Digital HD that look like video (which in my opinion ruins the visual aesthetics of a traditional film even though you save in budget by in shooting video) I hope Tsukamoto doesn't go on to follow just to save money and sacrifice production quality on his films. That would be a shame to say the least.
There are many versions of Bullet Ballet out there. The version I saw was the standard 87 minute version. There are longer versions in the mid 90 minute marks out there even one that goes on almost close to two hours, but are those rare to come by.
All in all, give Bullet Ballet a go and some of Tsukamoto's other works if you wish. You might enjoy some of them if you're into bizarre, weird and unusual stories. 8 out of 10.
As the main character in Bullet Ballet, Tsukamoto himself plays a man named Goda who one night after his usual daily drinking routine goes home to find that his girlfriend of ten years has committed suicide by gun. Torn by his girlfriend's own demise, Goda goes out looking to buy a gun in the streets and along the way runs into a gang of punks who beat him up for a previous spat with the female gang member Chisako (played by the actress Kirina Mano), which leads Goda to hold a personal and unforgivable grudge towards Chisako that he will not let go without violence of his own.
The story and the cinematography of this film holds up this movie and while the acting may be questionable in some minor scenes it doesn't affect the film in any way. Like most of Tsukamoto's other films, Bullet Ballet is presented with plenty Tsukamoto's usual signature hand-held kinetic camera style in most of his films. In my opinion there's room to say that the story of this film could have benefited from some improvements here and there for the characters, though based on Japanese culture and behavior should they had made certain changes would have made the film a bit unusual for Japanese audiences to understand opposed to Western style filmmaking.
Compared to other Tsukamoto's films that I have enjoyed, this is definitely his best looking film to date. Tetsuo "The Iron Man"(1989) which blew me away still had a very dark look and even at times looked underexposed in some scenes. Still, I was amazed with what Tsukamoto was able to accomplish on Tetsuo with very little. A Snake of June is another one of his films that nicely paints a picture while being a very daring film to awe the viewer. In many ways A Snake of June would have given Bullet Ballet a run for its money to be Tsukamoto's best looking film had Tsukamoto have filmed A Snake of June in widescreen format instead of 4:3 full screen which I did not care for and annoyed the hell out of me.
Personally, I can't say I care for any of Tsukamoto's films shot in color except for maybe Vital which was beautifully shot. In spite of it, I still wonder whether I care for the story in Vital by itself, which I am still a bit conflicted about. Style over substance or not, Tsukamoto's visual style in itself is very unique, which can only be seen in films like these.
Whether it's old fashion or not, I still hope for Tsukamoto to one day go back to shooting films in black and white. I feel that in black in white movies he's able to present a much better looking product compared to the ones he made in color. As the current Japanese movie trend is shooting movies in Digital HD that look like video (which in my opinion ruins the visual aesthetics of a traditional film even though you save in budget by in shooting video) I hope Tsukamoto doesn't go on to follow just to save money and sacrifice production quality on his films. That would be a shame to say the least.
There are many versions of Bullet Ballet out there. The version I saw was the standard 87 minute version. There are longer versions in the mid 90 minute marks out there even one that goes on almost close to two hours, but are those rare to come by.
All in all, give Bullet Ballet a go and some of Tsukamoto's other works if you wish. You might enjoy some of them if you're into bizarre, weird and unusual stories. 8 out of 10.
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