rustysettler

Luc Besson's "The Professional" is sort of a companion piece to his international breakthrough hit "La Femme Nikiti", and in many ways it's an even better film. It raises the stakes of Besson's playful women-with-guns theme by making the heroine a 12-year-old, played by a then unknown Natalie Portman. Jean Reno is excellent as her assassin trainer and surrogate father. Oldman is completely over the top in one of his best bad-guy roles, obsessed with both Beethoven and butchery. As a gritty, suspenseful thriller, this film won't leave action fans feeling cheated, but the film is so much more than that. At the center of "The Professional" is a wonderful father and daughter-like relationship between two damaged strangers who find solace in each other.

This movie definitely loses something in the translation. Unlike "The Ring" which equaled and even improved on the original story in some ways, this one just meanders along in an uninspired fashion.

The original Japanese film, "Ju-on", was pretty incoherent, mostly just a series of set pieces and great chills. The American version, directed by the same filmmaker, has done nothing towards clarifying the muddled story and, aside from the great opening sequences, is just a straight-forward recreation of the same suspenseful sequences that somehow don't play as well. I'd suggest renting the original instead.

5 out of 10.

While not as shameless and pointless as Gus Van Sant's pathetic attempt to "recreate" PSYCHO, this "re-imagining" of the classic SAW is pretty reprehensible. Standing on its own this would be a mildly suspenseful but ultimately forgettable slasher, but seen as an attempt to cash in on a classic film of it's genre, this remake suddenly melts into a steaming piece of fecal matter.