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The story is simple that a blind man takes revenge but with a lot of twist and turns. Rohan, a proficient dubbing artiste and Supriya, a talented pianist--who despite their handicap have a positive disposition towards life. They fall in love and gets married but something tragic happens and their world is destroyed. That's when Ronit Roy and corrupt police officers, played efficiently by Narendra Jha and Girish Kulkarni, drag their feet over the investigation.When the humiliation gets too much to bear, Supriya caves in, leaving Rohan with vendetta on his mind. Here, the film shifts gears and though you know what's next, the cat and mouse game still gives you an adrenaline rush. Every time the blind vigilante commits an atrocity, you whistle in the aisle. The main highlight is Hrithik's performance. He has literally given it all. Yami provides the perfect foil, subtle and super-effective.Technically the film is adept, Thanks to masters like Sudeep Chatterjee (camera) and Resul Pookutty(sound). However Rajesh Roshan's yesteryear hits—Saara Zamana and Dil Kya Karen in their remixed avatars are pale imitations of their original versions. P.S. Its very emotional and watch out for the last 15 minutes

Ashutosh Gowarikar is a genius and you just cannot complain much about the direction. The sets and cinematography are top-notch which has made it a visual treat. The action sequences are very well executed. About the music, Mohenjo Mohenjo and Tu Hai songs create magic on screens. The background score is sheer brilliance and gives you goosebumps. About the performance, Hrithik Roshan undoubtedly has delivered one of his career best performance. He nails the character head on and proves that only he could have played such character. His transformation from a small former to a lover and then to a fighter is legendary.Pooja Hedge makes a good debut. You will fall for her innocence and grace at the same time. She makes a good pair with Hrithik Roshan too. But we wished to see her more in the film. The supporting cast is OK. As a whole, it's a brilliant movie. Go watch it.

National Award-winning director Madhur Bhandarkar, known for making hard-hitting and realistic films like CHANDNI BAR, PAGE 3 and FASHION, traverses a completely new terrain with DIL TOH BACCHA HAI JI. Mind you, it takes a lot of courage to get out of your comfort zone and make a completely different film.

DTBHJ brings back the successful jodi of Ajay Devgan and Emraan Hashmi after ONCE UPON A TIME IN MUMBAAI. It also stars Omi Vaidya (3 IDIOTS fame) in a pivotal role. The quirky promos and some smart marketing went in favour of the film and managed to create the right buzz.

In a hilarious voice-over by Paresh Rawal, we are introduced to bank officer Naren Ahuja (Ajay Devgn), playboy Abhay Suri (Emraaan Hashmi) and Milind Kelkar (Omi Vaidya). Abhay and Milind are paying guests in Naren's house.

The film basically traces the lives of Naren, Abhay and Milind and their encounters with women. Unable to resolve their rising differences, Naren and his wife (Rituparna Sengupta) are about to end their seven-year-old marriage. In a disturbed state of mind, Naren falls for a cute 20-year-old new trainee June Pinto (Shazahn Padamsee) in his bank. Abhay is a gym instructor who can't get enough of girls and women (married and unmarried). He even loses his job for teasing the wife of an underworld bhai from Dubai. On the other hand, Milind writes 'dard bhari shayrees' which cause 'sir dard'. He also works in a matrimonial site, zhatpatshaadi.com, but is unable to find himself a suitable match. He gets infatuated by radio jockey Gungun Sarka (Shraddha Das), who just uses him to get out of troubled situations. The rest of the film shows how their respective tracks move forward.