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Immersion

Sept. 2001 ist beigetreten
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Bewertung von Immersion
Debtocracy

Debtocracy

7,8
2
  • 21. Mai 2011
  • Anodyne content and production - tells you nothing

    Hmm...it pains me to say this - but this documentary tell me nothing of factual value.

    I will desist from commenting on the production values as I know this was done on the cheap and put out there for free - however, better documentaries have been done for less - and with greater impact.

    Now, when I watched this program, I couldn't help thinking that this documentary is akin to feeding a death row inmate, his final supper of zero nutrition burger and Coke - as in, it might satisfy a craving, but will not make the inmate's situation any better - especially so when the metaphorical death row is the severe financial crisis that the less fortunate proles are experiencing, while the party seems to be going on for a fair proportion of the middle class Greeks.

    The crises in Ellada (and Portugal, Ireland, Spain so far) cannot be explained away using subjective and spurious notions of odious debt, Debt Audits, Ecuador etc.

    All this document would do, if it were successful, is to give the credulous viewer false hope.

    If Greeks really want to get to the nub of the problem, they should first do some honest soul searching, then mobilise and search for a leader with integrity and then get this new leader to sort out internal corruption, starting with tax evasion and finger pointing.

    Loosen the grip that the corrupt church has on your souls and rationalise your existence - this might help you to get to the real root of the problem - the darkness within our own souls! God is not going to sort this mess - only you, sans your politicians...
    Die Gebrauchtwagen-Profis - Neuer Glanz für alte Kisten

    Die Gebrauchtwagen-Profis - Neuer Glanz für alte Kisten

    8,2
    8
  • 27. Nov. 2010
  • Fantastic telly - with a relevant message for our times

    First of all, I must say that this program works mainly because of the personas in it:

    Mike Brewer is top boy salt-of-the-earth car dealer of the Frank Butcher variety. It's fun to watch him search and negotiate the purchase of a car and you can see that he is really holding back the greasy negotiation skills that most forecourt dealers have.

    Edd China is the uber-tall and genial mechanic, who you can imagine came to this through pottering on dad's old E Type in their summer house in Anglesey - he is not your average grease monkey.

    Together they create TV magic by taking old but classic well made cars and then bringing them to life and selling it on for a nominal"profit".

    Don't expect to learn anything here - I have watched most of the Brewer/China partnership programs and I still don't have a clue what to look for if I were to buy a "smoker" to renovate.

    However, this program is not really of that variety - in my mind, it is about realising the value and craftsmanship that went into making some of the better vehicles in the past - and celebrating it by giving them some TLC in China's workshop. I'd say this is true recycling (as opposed to putting all your rubbish in a plastic box, eventually bound for a landfill)

    Of course some episodes will interest you more than others but on the whole, there is enough honesty, good intentions and humour to make it worth your while.

    Warning: watching Edd and Mike will be much to the chagrin of everyone else who tries to watch their favourite programs on telly in your household. I certainly get a few withering looks when I try and watch it. Enjoy at your peril.
    It's a Free World

    It's a Free World

    7,0
    9
  • 24. Sept. 2007
  • Let (s)he who is not guilty cast the first stone...

    First of all, I think this film quite rightly got the plug it deserved on all of the Broadsheets in the UK. This might be partly due to the involvement of Ken Loach himself but also because it is a rather poignant essay of the one crucial aspect of globalisation – the richer countries exploiting the availability of the cheap labour available from the poorer countries.

    This is not the first of its kind to be done, but this film had sympathy, warmth, objectivity and class and a viable plot. The whole film, however, is carried by Kierston Wareing, with no real development of other characters such as her business partner or even her dad, who both could have highlighted the different shades of the argument and perhaps externalised some of the conflicts that we all face when we encounter the by-products of such exploitation. By this, I mean the cheap strawberries in the supermarkets, casual builders, the "baristas" working behind the various Coffee chains and basically all of the other unsung victims who go to subsidising every aspect of our material life.

    The basic kernel of the film does succeed to some extent in showing the different facets of the human character such as sympathy for the individual versus the indifference to the abstracted group; highlighting the similarities in the trials and tribulations of people in both the 'host' and the 'donor' countries; the fact that a lot of people are up for making a quick buck off the suffering of others; and that people exist who will try and be fair to others regardless of their backgrounds.

    However, the reality might not be so clear cut and easily digestible. Perhaps not all of the immigrant workers are so docile and placid; perhaps not all immigrant workers are so subservient and accepting when the roles are reversed and the female becomes the sexual predator; perhaps not all immigrant workers insist on "passing on the favour instead of returning it".

    While it is a noble effort and some effort has been made to highlight the plight of such immigrants, it is still just a snapshot of a much more knotty problem – a problem that we are all, to some extent, responsible for.

    That said, "Bravo" to the fantastic Mr. Loach for agreeing to get his "hands dirty" with such a current and contentious subject.
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