rajdoctor

I had high expectations of Aamir Khan's new movie Laal Singh Chaddha (LSC) because it was in production since last four years. Though I did not agree Aamir Khan re-making an official adaptation of Forrest Gump - I was keen to see what Aamir Khan does this time.

But with the current wave against Muslims and Bollywood growing strong in Indian social media - especially against the three Khans, because they are Muslims disheartened me. Much before the movie's release #boycottlalsinghchaddha was trending.

And what I feared most happened - most movie critics did not give a thumbs up to the movie, and those who gave a good review were trolled with abuses. I just did not understand the whole "religious fanatic game" of people and groups who want to propagate a hate-campaign against a group of people just because they belong to a particular religion. For me, this is so unexpectable. Thus, I resolved the watch the movie but did not know when?

Then I heard a few songs of the movie and they grew over me - so much that I could not resist but go and see those songs on the BIG SCREEN. The songs, lyrics, music and emotions were so raw and magical. It touched my heart and I went to see the movie.

After watching the movie, I can say that - the movie is a very good adaptation of Forrest Gump. It has held the spine and core of the movie as is and done an excellent job in setting it in the Indian context.

While watching the movie, I could see the story of Forrest Gump running parallelly in my mind. I loved the minute details taken care in the movie especially during the opening credit song where the feather floats and lands up near Aamir Khan's shoes.

I have to say upfront that Aamir Khan has played the role of Laal Singh Chaddha slightly over the top and a bit tardy. A more subtle version would have been more acceptable. At times, in Aamir Khan's acting I saw repetitive shades of his earlier movies roles (Dhoom 3, PK, 3 Idiots) in his facial expressions and popped-eyes - bordering slightly like caricature characterisation of Mr. Beans. I think Aamir Khan should have avoided that part a bit. But that was and is - his and his team's interpretation of the character written by Atul Kulkarni. But as an audience - after interval, I accepted the character and acting with that bit of flaw and enjoyed the remainder part. I think Tom Hanks did not play this character this way. He was more perceptively delicate in his mannerism.

The real stars of the movie were Mona Singh as LSC's mother and Kareena Kapoor as LSC's lover. Whenever they came on the screen, the story commanded attention and involvement. Both these plots worked fantastically for me.

Naga Chaitainya's role as army friend of LSC - to bring lighter moments and comedy, was poorly conceived. Naga's make up and continuous references to under-garments did not bring the funny moments at all. A normal Naga Chaitainya with a normal business aspiration would have worked better.

Manav Vij as terrorist turned business partner of LSC was okay.

A special mention here for the roles played by child-artist by Ahmad Ibn Umar (young Aamir) and Hafsa Ashraf (young Kareena) - both of them leave strong impressions with their a warm-heart-tender moments of innocent love.

For me, the high points of the movie were the rendition of beautiful and soulful music and songs by music director Pritam, lyricist Amitabh Bhattacharya and singers like Sonu Nigam, Mohan Kanna, Arijit Singh and Shipa Rao and others. Absolutely brilliant piece of work. These songs will have longevity beyond the life of the movie.

At times I felt that inter-weaving historical events was done forcefully. It did not take away anything from the movie by being there - and it also did not add much to the flow of the movie. Even if one removes all the historical events popping up here and there in the movie - the movie would have been quite watchable even without those.

Lastly, though the movie has not done good business as expected. I think, the movie was good. It just got entangled in the "Fascist fanatic religious fervour" times India is facing today - where everything and anything Muslim is trolled to be boycotted with vengeance.

Leaving such dirty politics aside - I think. This is a well-made movie and Aamir Khan and his team - especially Director Advait Chandan and writer Atul Kulkarni has done a very good job in adapting Forrest Gump into Indian context; and all of them should feel proud of making a nice movie.

LSG is much different than the run of the mill violent commercial south Indian style pan-India movies. Though critics and reviewers are saying that it is a slow and long movie, I did not find it so for a single moment. It is a FEEL-GOOD movie. I enjoyed it a lot.

I would go with 7.5 out of 10 for this movie.

Yesterday night I saw a nice French Movie Vous êtes jeunes vous êtes beaux -

Written and Directed by Franchin Don, the movie belongs to the main lead veteran actor Gerard Darmon who plays the role of an old poor pensioner Lucious Marnant, who is slowly dying with an unrecoverable ailment.

He has a soul-mate Mona (Josiane Balasko) - another aged lady with whom he shares moments of LOVE at her apartment

By chance Lucious comes across an agent Lahire (Vincent Winterhalter) who offers him an illegal gaming sport of old-age boxing in return for good money for his private retirement home.

With no money, no family, no hope left in life Lucious agrees to earn some boxing bouts for spending a few pleasurable moment with Mona on a trip to Mona's relatives at Mona's ancestral home., On arrival they realize that her relatives has already abandoned the home and Mona - leading her to commit suicide- but she survives (bed-ridden in a coma)

Lucious also meets an old friend Loyal (Denis Lavant) in a similar dire strait of old-age with no one to care who is knocked dead in another fight.

There is so much pain luring all over the frames. The darkness, the camera, the melancholy of being old with no one to have around.

It is a disturbing movie with such unsaid under current commentary of the under-belly of modern-age of urban jungles where people cheer and bet / profit on old people fighting and killing each other. NO ONE CARES...

Brilliantly shot - beautifully canvased, subtly acted, nuanced performances by all cast

With an aristocratic flawless act - Gerard Darmon carries the whole movie on his shoulder - single-handedly.

A very well made movie - with lots of thoughts and effort gone into it. A good movie to watch

I would go with 7.25 out of 10 for this gem.

It is based on a True story and incident around life of Emmanuel Giboulout

Gabriel Rivaian (Fred Testot) is a small farmer in Côte d'O a rural Southern French hinterland, who has learnt farming from his father. He works with one Moroccan refugee lady worker Loubona Tazain (Zineb Tikri) cultivates and grows wine in his farm

Gabriel disobeys a local district government's directive of sprinkling pesticides on his vineyard.

Gabriel believes that pesticides can not only give poor quality wine production but can kill future production capacity of that area and also cause severe diseases on farmers and wine-drinkers

There are numerous pressures on him from everyone in his village and co-farmers.

He is even arrested after a small scrabble with another farmer. Even his house is broken into - his dog poisoned, and his Moroccan worker Loubona is charged with illegal migrant status and tried to send back to Morocco Gabriel marries Loubona to avoid her deportation.

The good thing is that when this case appears in local papers - it catches media frenzy and interest. Lawyers and journalists build up support for Gabriel's cause and move social media to garner support.

The media, lawyer and journalist also are able to associate cases of cancer among those families of farmers who used pesticides in their vineyards.

By the time the case comes for hearing - the local farmers who were opposing him give positive testimony in court and the judgment comes in Gabriel's favor

Actress turned Director Marion Laine has done a marvelous job in being honest with the actual events that made headlines in France.

The casting is superb and feels real. Fred Testot has done marvelous acting in depicting his pain under pressure without giving in. A special mention has to be made of Zineb Tikri - the female lead who is extremely beautiful and has acted very well.

Unlike other movies this biographical movie does not dwell much into un-necessary sub-plots and keeps the audiences engaged throughout with a tightly written script

I would go with 7 out of 10 for this well researched and well made movie - which is much relevant in today's greedy world where profit through marketed means stands above moral, ethical, conscience with regard to climate change and exploiting the planet.