lor_
Juli 2001 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.
Abzeichen28
Wie du dir Kennzeichnungen verdienen kannst, erfährst du unter Hilfeseite für Kennzeichnungen.
Rezensionen22.088
Bewertung von lor_
One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Joseph Sargent; Produced by Lou Morheim, for Paramount TV, broadcast by ABC-TV. Screenplay by Robert Specht, based on James Gunn's novel; Photography by Howard Schwartz; Edited by David Wages; Music by Dominic Frontiere. Starring: Christopher George, Barry Sullivan, Jessica Walter, Carol Lynley and Ralph Bellamy.
TV feature later adapted into a weekly series, about a man receiving a blood transfusion that effectively makes him immortal. He's pursued relentlessly by a billionaire seeking a similar status.
TV feature later adapted into a weekly series, about a man receiving a blood transfusion that effectively makes him immortal. He's pursued relentlessly by a billionaire seeking a similar status.
Ricky Greenwood turns his back on stories/romance for the Sweet Sinner label with this trio of MILF vignettes that are in the all-sex vein. It's a shame for a label that's built a reputation for Romantic couples porn dating back for two decades.
First scene is just outdoor 3-way sex for ebullient Lilly Hall, humped by two studs made up as military men. After the double-penetration and cum shots end for the trio next to a hot tub, she salutes them.
Sophia Locke does all the "acting" in the next segment, seducing her stepdaughter's boyfriend Victor Ray. The scene suffers from the absence of any third character, so there's no real tension about this cheating.
Finale has a wildly miscast Little Puck, sporting industrial strength false eyelashes (quite distracting), as Parker Ambrose's ex-teacher, who rewards him with sex after reading a kind note he's written to her. I had to conclude that she was her teacher in Sex Education.
It adds up to gonzo filler, no more, no less.
First scene is just outdoor 3-way sex for ebullient Lilly Hall, humped by two studs made up as military men. After the double-penetration and cum shots end for the trio next to a hot tub, she salutes them.
Sophia Locke does all the "acting" in the next segment, seducing her stepdaughter's boyfriend Victor Ray. The scene suffers from the absence of any third character, so there's no real tension about this cheating.
Finale has a wildly miscast Little Puck, sporting industrial strength false eyelashes (quite distracting), as Parker Ambrose's ex-teacher, who rewards him with sex after reading a kind note he's written to her. I had to conclude that she was her teacher in Sex Education.
It adds up to gonzo filler, no more, no less.
After the frenetic pilot episode, "The Bear" creator/director Chris Storer delivers very little forward progress in his second segment, just the same problems already presented, plus a few more.
Biggest issue for me is the key co-starring role of Richie, written as a total jerk. Ebon Moss-Bachrach plays the part well, but I found it impossible to sympathize with him, planted in the show as adversary/detriment to our stalwart hero, but way too exaggerated. Of course, Sydney the sous-chef offers great promise, almost too good to be true as the spirit of youthful aspiration that should spur our hero on to greatness.
The overall emphasis on "salt of the Earth" types, while the elitism of the profession (chef) is crudely symbolized by the tyrannical NYC chef who bosses the Bear around in flashback. The whole underdog thing is wildly overblown, and even guest star Oliver Platt as Uncle Jimmy, a transparently self-serving guy pretending to be sympathetic is pure cliche.
So far, thanks to star Jeremy's obvious talent and deep understanding of his role, the show comes off as nearly a one-man effort.
Biggest issue for me is the key co-starring role of Richie, written as a total jerk. Ebon Moss-Bachrach plays the part well, but I found it impossible to sympathize with him, planted in the show as adversary/detriment to our stalwart hero, but way too exaggerated. Of course, Sydney the sous-chef offers great promise, almost too good to be true as the spirit of youthful aspiration that should spur our hero on to greatness.
The overall emphasis on "salt of the Earth" types, while the elitism of the profession (chef) is crudely symbolized by the tyrannical NYC chef who bosses the Bear around in flashback. The whole underdog thing is wildly overblown, and even guest star Oliver Platt as Uncle Jimmy, a transparently self-serving guy pretending to be sympathetic is pure cliche.
So far, thanks to star Jeremy's obvious talent and deep understanding of his role, the show comes off as nearly a one-man effort.
Kürzlich durchgeführte Umfragen
16 Gesamtzahl der durchgeführten Umfragen
