novaj5

'Lost in love' is not a very good translation of the movie title. Literally, the title translates to 'Letting the love slip away'. I see that even critics give this movie a wide variance of ratings, and I think that one's view of the movie will depend on 2 things: 1) Your view of love and your experiences of love, and 2) Your acceptance of the 'animated' expressions. Characters are somewhat 'characterised' and the movie depends a lot in the viewer's own imagination rather than explicitly showing and telling all this and that. That would make the movie too emotional and childish. The movie is about indecisiveness so don't expect the movie itself to be decisive. This movie is not perfect. I see actors struggling to sync perfectly with the animatedness of the movie and the first part of the movie (before WooJae goes to the army) is restless, trying to establish the movie by packing in all the emotions. Overall, I don't think this movie provides a good example of how the senses of reality and animatedness could be matched, but there aren't really many movies - may be none - out there which has tried the combine things this way, and while the movie is not stylistically polished, I personally found it to be quite involving.

While skimming through the series again, I just realized what makes Haibane Renmei such a great work.

Haibane Renmei doesn't tell you the answer. It lets you question, ponder and contemplate about it.

"Starting an important question in life and letting it maintain in you."

... that is why Haibane Renmei is a great work. There is no meaning nor need for an answer. The answer would only become a mere piece of knowledge if you simply tell someone. It is something you should go through all the experiences and realize for yourself. Having the question and keeping it will be the starting point which evokes you to find the 'real' answer.

* p.s. * There is a type of a question -somewhat a strange oxymoron-isque question- Buddhists throw at someone when the question of 'truth' is sought after. The way to go through this question is just to keep questioning it in the head ALL the time, even when you're asleep. Suddenly, all the dots will be connected and the answer will just pop up in the blink of an eye, like 'ah, that's so obvious...!' The basis theory behind it is on the assumption that you already know everything, it's just that you haven't 'realized' it yet. Haibane Renmei makes you do that.

Makoto Shinkai came back. And this time he is not alone.

'The Place Promised in Our Early Days' is a pure and beautiful piece of work. This has probably the most beautiful visuals of all animations that I've seen ('Please Save My Earth' and some others are also beautiful but they all have different characteristics, I must say). Pictures themselves are beautiful, and it is no wonder how people call him the 'magician of light'.

My overall impression of this anime is that it's like a poet but with Sci-Fi to match with it. 'Voices of a Distant Star (Hoshi no koe)' was quite boring for me honestly. But with a similar structure and image, 'The Place...' seems to deliver much better what Makoto Shinkai wanted to deliver, even though its story is slightly loose here and there.

I do think, however, that it is 'too' consistent throughout - from Makoto Shinkai's authentic poetic and solitary, pure atmosphere to its story/drama, visuals (e.g. lighting), music etc (I must say that sound aspects outside music is not very well done but let's put that aside), pretty much everything. This strengthens the sense of purity this anime represents, but I really think it would be better to have more 'bandwidth' to it, so it can have more dynamics and life in it. It is great how Makoto Shinkai pulled it off gracefully knitted altogether, though. I'd say that 'The Place...' stands on its very own ground, really. I think it is something that's quite different to all the rest, and don't really think it's appropriate to judge this by typical standards.

To hold it together for a much longer period of time, and to do it well, he has effectively implied editing (if I could say that) and careful laying out of the story. But the biggest difference I witnessed from 'The Place...' was how Makoto Shinkai has casted much more characters than before - though characters lack in variety as well. This enriches the story as well as adding complexity and depth to it so you don't get bored out easily.

But after all, it is superb how well Makoto Shinkai has put the whole thing together so well. I was very fascinated and captured while I was watching it - which didn't happen for quite some time. I think this is one piece of work that overwhelms viewers by its beauty and sense of purity.

P.S. Although I can understand how some animatings are not up to the feature animation quality, I personally think it'd be better for Makoto Shinkai to get somebody good to retouch on his characters' faces.