wndlz

Some viewers may view this film as just another old-fashioned movie. To me, this was very clean, fresh, and genuinely funny and entertaining film. There are no complicated gimmicks or special effects, but it exemplifies the best traits of human beings; optimism, good humor, romantic love, and the kind of respect that a decent human being would show, in all of their relationships. If anything, it would be nice if we could seriously ponder these values as being worthy, instead of dismissing them, as being old fashion or downright sappy. Hedy was the personification of regal elegance, but with a warm heart; Robert Walker, was very likable and funny; June Allyson, Rags Ragland, were as warmly effective as the two leads. A very positive and sensitive film. Too bad these qualities make this a 'chick flick' in today's world. I know there was a time, when a family could enjoy a movie like this, without feeling weird, because their adrenaline drives were not being satisfied by glorified violence, and a general disrespect for anything decent or human.

Hedy Lamarr gave a good performance here. No over-acting, but subtle and with a contemporary feel. This was a difficult role. Marvin Myles, without having the bitch on wheels histrionics of Bette Davis or Joan Crawford, was a beautiful and independent woman, who not only survived but actually thrived in a 'man's world'. This was a performance was balanced and sensitive. I think if George Cukor or William Wyler had handles the directorial reigns here, the results would could have made this a memorable films. As it is, it good. One has to remember that in 1941, this is still a period piece, and if one looks deep enough, there's a lot here that's worthwhile. Too bad that modern audiences seem to rely on non-stop action, and don't seem to have the attention span that this kind of movie requires. It's a pity than at least half a Valium is required to enjoy the warmth that is presented here.

I've seen this movie many times. It is not extraordinary in any technical manner; the magic it weaves, is about the the stars, Hedy Lamarr and Victor Mature. Hedy Lamarr absolutely was a fantastic choice for this role. Imagine Betty Hutton playing Delilah; yes folks, it almost happened, and I am sure the movie would turned out to be absolutely ridiculous. Paramount did not spend big bucks for this movie, this is quite obvious; but with Lamarr as Delilah and Mature's Samson, this became a major example star-power. George Sanders won the acting laurels here. He was the quintessential powerful man; who understood that he could never completely dominate Delilah. Angela Lansbury was O.K., in a minor role. Edith Head effectively designed the costumes for Hedy; sexy, but not overwhelming (think Irene Shariff's over the top designs for Liz Taylor in Cleopatra). Hedy was sultry, sexy in a subtle and an utterly believable way; Mature was strong, the epitome of masculine strength, and totally confident that he could control and have his way with any woman. If Paramount and DeMille had agreed to add at least $1-2,000,000 to the budget; I think the film would have even been a bigger blockbuster than it was. Folks, this films was among the top five moneymakers, after its first release. Only Gone With The Wind, The Best Years of Our Lives, Duel In The Sun, and maybe Snow White. As of 1/51, S&D was in the top money-makers of all time. Pretty good for a half-bakrd effort and investment from Paramount and DeMille. Lamarr+Mature = 9/10, in my book.