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burn on

Apr. 2001 ist beigetreten
My life -- I'm just a man. A woman found me as a baby atop a garbage heap and decided to keep me, since her cat had recently died and she wanted something new to pet. I grew up in her basement, eating the scraps that she and her husband would throw at me for fun. They got sick of seeing me 24/7 so they dumped me outside my high school, without any prior primary teaching. Since I was at that stage a naked, bestial, inarticulate, grubby, grunting sort of 14 year old, I thought I'd be victimized at school. But since it was a horrible high school in a crime-and-scumbag-ridden part of Glasgow, Scotland, they accepted me as one of them, no questions asked. The moral of the story is, you can find cheap but high quality foodstuffs in the trash-dumps behind fancy restaurants.

My likes -- I enjoy being alive, doing things, and hearing and seeing stuff. What's that you say? You want to know my top 10 movies? In no particular order? OK.

1. Andrei Rubliev (Tarkovsky, 1966)
2. Short Cuts (Altman, 1993)
3. Harvey (Koster, 1950)
4. Eraserhead (Lynch, 1977)
5. 2001 (Kubrick, 1968)
6. Eight and a Half (Fellini, 1963)
7. Chinatown (Polanski, 1974)
8. Deliverance (Boorman, 1972)
9. Goodfellas (Scorsese, 1990)
10. M (Lang, 1930)
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Rezensionen6

Bewertung von burn on
Shank

Shank

3,9
1
  • 29. März 2010
  • A great movie to walk out to.

    Walking out of a film half an hour before the end is a gesture I used to abhor. No matter how rancid a film appears to be, you should always see it through once you've started. Otherwise you're not quite in a position to properly criticise it.

    I've changed my mind innit. Shank was profoundly unwatchable. I saw it in a theatre with maybe another 50 people; I could hear sighs and groans coming from all directions throughout the picture. Every macho posture, every tedious shouting match, every useless camera jerk, every inept stylistic manoeuvre seemed to audibly destroy a part of someone in there. Myself included, which is why I got the hell outta there.

    I haven't seen Bullet Boy or Kidulthood, two other London-set youth violence epics which apparently bear a resemblance to this dirge, so I cannot compare them. I can only say that Shank is a stain on the good name of film. It consists of scene after scene of fantastically unappealing teen anti-heroes yelling at each other in grimy surroundings, punctuated by the occasional flashy chase scene or, in one instance, a dogfight captured in outdated computer graphics. Despite the digitally-enhanced nature of this scene, we don't actually see the dogs fighting, just about 5 minutes of close-ups of the deliriously screaming spectators - the film actually goes out of its way to be boring and repetitive; I simply cannot believe that this was an accident or oversight.

    I kinda have a thing for Kaya Scodelario, and the promise of her presence may have been the deciding factor in making me go to see this mush. But she couldn't save it for me; she didn't even show up until the film had battered me senseless for over an hour, and by then I had already accepted that the useless script wasn't gonna give her a chance to display the spunk and sex appeal she delivered in Skins. This useless film wouldn't even let Kaya be spunky and sexy! I walked out shortly after she showed up, when it became clear she was there only for the lead actors to harass her a little bit.

    I'm pretty much finished now. Thank you for reading. And please don't give the makers of Shank any of your hard-earned, or even hard-benefited cash. They must learn to try harder.
    The Broken

    The Broken

    5,4
    3
  • 30. Jan. 2009
  • The Broken badly needs fixing. Or maybe just oblivion.

    Das Herz ist eine hinterlistige Person

    Das Herz ist eine hinterlistige Person

    6,2
    6
  • 13. Nov. 2005
  • Here's some stuff about the film

    Alle Rezensionen anzeigen

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