Daniel Karlsson
Feb. 2001 ist beigetreten
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Bewertungen2335
Bewertung von Daniel Karlsson
Rezensionen86
Bewertung von Daniel Karlsson
Very positively surprised; great and original script, very good acting especially by Payne, flawless dialog, good photo, action, romance and suspense, even morals...what more is to ask from a film?
Payne's voice, expressions and lines seem an early copy of Clint Eastwood in the 1970s. I would be very surprised if Eastwood and potentially also the directors he worked with did not get inspired from Payne here, and potentially in other movies, as an ideal super tough but morally good person.
Agree with other reviewers that the first half is the best - with impressive suspense, acting, and especially dialog - but it ends quite well too. Overall one of the best of the genre.
Payne's voice, expressions and lines seem an early copy of Clint Eastwood in the 1970s. I would be very surprised if Eastwood and potentially also the directors he worked with did not get inspired from Payne here, and potentially in other movies, as an ideal super tough but morally good person.
Agree with other reviewers that the first half is the best - with impressive suspense, acting, and especially dialog - but it ends quite well too. Overall one of the best of the genre.
As the other reviews tend to the extreme (vote 1 and 10, respectively), I feel obliged to provide another take at this early Iranian film. My verdict is between those of the other commentators, and they both have valid points. The experience will also depend on your understanding of Iranian history and society.
Actually the film is rather unique and difficult to judge. It appears amateurish at times, at other times it comes off as a true masterpiece, then there is the overly long and repetitive middle section with the baby which would benefit from cuts in the editing. Indeed the weakness is the overly long scenes and lack of focus. The plot centers on fear and responsibility, apparently influenced by political events of the time. Yet one of the topics would have been sufficient.
Nevertheless I recommend this film (especially viewed in wide screen in the cinema) for any serious film enthusiast. There are some masterful and moving shots and scenes, not the least the outdoor scenes in Tehran and the scenes at the orphan clinic. For me, the best scenes are at the end, the hypocrisy revealed at the TV store and the ending when the main character leaves everything behind and takes to the road in the sunset.
Actually the film is rather unique and difficult to judge. It appears amateurish at times, at other times it comes off as a true masterpiece, then there is the overly long and repetitive middle section with the baby which would benefit from cuts in the editing. Indeed the weakness is the overly long scenes and lack of focus. The plot centers on fear and responsibility, apparently influenced by political events of the time. Yet one of the topics would have been sufficient.
Nevertheless I recommend this film (especially viewed in wide screen in the cinema) for any serious film enthusiast. There are some masterful and moving shots and scenes, not the least the outdoor scenes in Tehran and the scenes at the orphan clinic. For me, the best scenes are at the end, the hypocrisy revealed at the TV store and the ending when the main character leaves everything behind and takes to the road in the sunset.
I saw this film on the premise of that it according to critics is the "best Brazilian film of all times". Critics are way too generous to this young auteur influenced by Eisenstein and other masters, mixing genres and styles but only achieving an amateurish, confused, pretentious and quite tasteless work. It is messy, low-budget and is overall not worth watching despite a handful of nice shots and moments. In an accompanying interview to the film, the director Rocha, with Marxist rhetoric, blame European colonists for Latin America's economic problems and justifies the movie's content as "the aesthetics of hunger". To me, more than anything else, it shows the madness of religion and cults and how they attract people in desperation.