biker-1
Feb. 2001 ist beigetreten
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Bewertung von biker-1
Rather than drag himself into the 21st century, film maker Geoff Murphy seems content to remain in some no-man's land of a bygone era. 'Spooked' is reminiscent of those early years in New Zealand cinema when movies were plagued by bad writing and characters that seemed to perpetuate the perception that New Zealand is full of boring half-educated blokes raised on rugby, beer and "gidday mate". Here Murphy assembles a bunch of his pals to make a tediously out-of-touch paranoia thriller and one can hardly fathom how this film expected to find an audience. Perhaps Murphy should stick to Steven Segal sequels for Hollywood, or throw in the towel. Quite easily one of the worst New Zealand movies to see the light of day.
This was made back when Holdens and Fords used to line the streets of New Zealand towns. Ken Blackburn - as business and community leader Bob Warner - is the film's major merit ; an insidiously naive opportunist who wheels and deals beneath a cloak of civic respectability. Trouble brews when Sandra (Deryn Cooper) arrives from the big city to take up a health massage job at the men's gym. She's been 'round the block a few times and won't take no nonsense from the local clowns, least of all Bob, who in between working bees and maintaining his Stepford wife, fancies on expanding Sandra's job description. Skin Deep is a blackly comic and insightful drama surrounding the self-serving social inadequacies of a group of men in a small town. Produced when the New Zealand film industry was in it's infancy, Skin Deep remains one of country's most memorable films.
New Zealand film making and its affinity for troubled personal drama tempered by wild landscape and bad weather has proved to be it's creative master stroke. The Piano, Whale Rider, Vigil, Utu evoke an indigenous gloom that identify these movies as distinctly New Zealand in character. Heart of the Stag mines similar territory to lesser effect with three good performances from farmer (Terence Cooper), farmer's daughter (Mary Regan) and farm hand (Bruno Lawrence) in a triangular tale of lust on the farm. Grim skies and hostile terrain accompany the moody pacing of Cooper's incestuous menace as Lawrence and Regan find mutual solace. An accomplished New Zealand film.