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The sequence in this film where Danny Kaye lands on the stage of an balletic opera in progress has got to rank up there with the funniest single scenes in motion picture history. The spoof is as spot-on as the "Fantasia" spoof of opera in the "Dance of the Hours" sequence. It's hard to explain how the previous reviewer thought the new-car-with-gadgets scene was the funniest; actually, it's the most dated, and "Knock on Wood" would be better off without it. The story is a wicked satire on espionage agents, with Danny caught up unawares in the center of an international spy ring. There's also a love story reminiscent of "Walter Mitty", but this is the funnier film of the two. Danny Kaye is one of the most underrated actors of all time. His facial expressions--conveying what he thinks, which is often opposite to what he or the other characters are saying--is like a second voice carrying the humor line. It's so well done that it seems mundane to people who are not on the lookout for it. Only Sid Caesar, of all the comics in American history, including Chaplin and the other silent greats, used his facial expressions to the supreme comic effect that Danny Kaye achieved. I might even rank Caesar above Kay, but unfortunately Caesar did not get any good movie roles. (Mel Brooks wanted him for "The Producers," and it would have become THE best comedy of all time if he had landed him, but some busybody associate producer hated Caesar and so he nixed the deal. How sad.) If I were pressed to choose among Danny Kaye's films, I guess I would choose "The Court Jester" above "Knock on Wood," in terms of all-round satisfaction. Yet the ballet spoof in "Knock on Wood" surpasses any single scene in "The Court Jester." If you never see it, you'll never know how funny a thing can be.

There is a scene in KNOCK ON WOOD in which Danny Kaye, trying to escape from the London police, finds himself backstage during an overly dramatic Russian ballet, and soon enough, is onstage, heavy-footedly trying to blend into the scene without being spotted by the police in the audience. The result is the single best spoof of ballet the live side of animation (with "Dance of the Hours" in FANTASIA being its cartoon match). I actually saw Danny Kaye do this routine onstage at the Palace Theatre in New York where, great though it was, the closeups provided by the movie camera make the film version even more hilarious. Kaye is one of the most underrated actors of all time. This movie shows his brilliance and range. His facial expressions are as brilliantly comic as Sid Caesar's, and the two of them leave the rest of the pack far behind. (Is Robin Williams a distant third?)

KNOCK ON WOOD is uneven. It's not the most perfectly realized Kaye film--that honor goes either to SECRET LIFE OF WALTER MITTY or COURT JESTER. The latter, being a musical, maybe is the best. COURT JESTER is overall funnier than KNOCK ON WOOD, but no scene in it comes close to the ballet spoof.