Markhoni

Another Hollywood epic that spent zillions on getting the costumes, armour etc looking just right and nothing on the script. The dialogue was mostly banal and the British 'Epic Movie Repertory Company' (O'Toole, Cox, Shrapnel, Eve etc) were largely wasted as a result. The best lines were those that most closely echoed Homer e.g. 'There are no pacts between lions and men'and parts of the scene where Priam comes to plead for his son's body. Why won't filmmakers trust the source material more? Granted a film is different from an epic poem, but there are good reasons why the Iliad has survived for 3,000 years. Instead this film got rid of those pesky gods, killed off key characters who don't die in the original and reduced the women to simpering dolts. 'I've had a bad week' (Helen). Even the nods to some sort of knowledge of the original story were ham-fisted-when Paris hands his sword to Aeneas at the end he somehow fails to recognise his own brother-in-law!

A whimsical observational comedy from Victoria Wood. As another contributor said, not a million miles away from the works of Allan Bennett. It featured a mixture of Wood's 'repertory company', familiar from her other shows such as Duncan Preston and Celia Imrie and talented Northern English character actors such as Sue Devaney and Thelma Barlow (both veterans of the long-running soap 'Coronation Street') The main characters were richly detailed, the lesser ones caricatures, but very recognisable types. The one false note, I feel, was struck by the character of the heroine Bren's alcoholic, fantasist mother who made occasional raucous appearances. She was a grotesque figure, out of the wilder reaches of Charles Dickens, and seemed to have been included merely to give an opportunity for Wood's old pal Julie Walters to overact shamelessly. Victoria Wood bravely decided to end this popular show after only two series while it was still fresh (like the dinnerladies' bacon butties).

'The Brothers' was a cut-price British precursor to 'Dallas' and 'Dynasty' set in the glamorous, cut-throat world of...truck haulage. This family saga was a BBC Sunday night fixture in the 1970's and acquired cult status, in amongst other countries, the Netherlands and Israel (as confirmed by another contributor). In each run the Hammond brothers faced domestic crises and attempted takeovers from ruthless business rivals - in successive series an abrasive Aussie played by Mark 'Taggart' McManus; the slimey Paul Merrony played by Colin Baker and a bizarre aircraft hire outfit run by the sultry Kate O'Mara and the sozzled Mike Pratt. The Brothers survived losing its leading man, Glynn Owen , early on and the fact that his replacement in the role of Ted Hammond, Edward O'Connell was nothing like him in appearance or character. O'Connell subsequently tried to quit the show to become a painter but was lured back. The beautiful Gabrielle Drake, wife of one of the brothers, quit between series and was promptly bumped off in an off-screen car crash. The show was held together by the redoubtable matriarch Mary Hammond, played by Jean Anderson (later in 'Tenko'), who was an excellent actress and a close friend in real life of her arch-enemy on the show, Jennifer, formerly her late husband's mistress and now married to her eldest son. The show finished rather abruptly while it was still very popular and you got the impression that any other TV station would have flogged the concept for several more series. The BBC later made a sort of camped-up version for the 1980's called 'Howard's Way', set in a boatyard.