thomasubieda

A movie full of hidden messages that varies significantly for each viewer, it is an attractive experience in the world of anime and possesses formidable art.

"Angel's Egg" or "Tenshi no Tamago" is an existential proposal that takes you on a roller coaster of emotions, enigmas, disturbing visuals, and themes related to religion, occultism, or metaphors that challenge its viewers, making it an unsettling yet thought-provoking experience. It can be said that it is a gem within the world of anime and especially within the catalog of Mamoru Oshii, who did an excellent job that to this day (40 years later) continues to amaze with its great variety of hidden messages in just 72 minutes.

It is a film that contains a great number of themes that at the same time open other windows due to their complexity and background, without leaving aside all the art depicted in it, which is present in every second of the OVA and complements the entire story. Here, the dialog is carried by the images, the environments, and the colors, with the interpretation of its viewers adding to it.

It is a film that encompasses a fundamental interpretive approach, which can be incredible due to the lack of conversations or words between the characters; in fact, that is not the main idea. Rather, it aims for you to analyze and delve into what is depicted throughout the plot, in order to grasp the theme and provide something original.

The animation of this movie, the conceptual art, the musical score, the design, the color tones, the play of lighting, the sound, the drawing, the level of detail, and the atmosphere it offers in reference to its controversial themes and/or symbolisms must be praised. It's an anime that won't reflect action, in fact, it's a constant interpretation where you need to consider its sequences, musicalization, and focuses thru the images.

From my perspective, this is not for everyone; I emphasize that if you are looking for pure adrenaline, this is not for you. Therefore, if you are analytical or commonly look for details, this is for you. "Angel's Egg" is a fun experience, as long as you like this type of anime; on the other hand, it keeps the viewer in constant intrigue about what is going to happen.

All that religious, somber, or dark approach is intriguing; each aspect has a purpose, a message, and a reflection that gains importance as the movie progresses, and from my perspective, it fulfills its objective in all its splendor. Now then, metaphorically it establishes concepts about faith, hope, purification, the lurking of evil, the total chaos of the world, deities, salvation, survival, trust, kindness, doubts, motherhood, innocence, confrontation, anger, and reason. All of this with just two humanoid characters and an egg. Phenomenal.

In my experience, I have liked how the director encompasses countless references to statues, machinery, the environments of a post-apocalyptic world, the chaos around, and that emphatic way of reflecting both humans and our protagonists thru colors, being a psychologically admirable theme that leaves comments everyplace.

However, from a neutral point of view, this movie may not be to the liking of many, whether due to a lack of attention to detail, insufficient explanation of what is seen on screen, or the absence of something that could impact them. It may also seem slow or perhaps another argument in its ideals.

A mediocre action movie, barely believable, unfounded, unnecessary, with many plot holes, and completely forgettable.

"Blackout" is a meager proposal that stands out neither for its premise nor its execution. It's one of those movies you don't need to watch and thought might have something entertaining, all because you like the action genre. However, there's nothing remarkable in the final result, and without a doubt, your experience will be a total waste.

It's a movie that carries a myriad of common mistakes seen in many action films, but portrayed in a worse way; honestly, it's hardly acceptable to think that all this was carried out, leaving a more than open window to be harshly criticized. Here, there is no potential, no enthusiasm, no energy, no connection, or anything worth saving; the waste is absolute.

If you're a fan of good action movies, this is not for you. Everything seen on screen is forgettable, poorly made, and without any motivation. At this point, director Sam Macaroni did a terrible job, there's nothing that can excite you in his cinematic environment, and it's a completely forgettable product, even once you finish the movie.

The conventional is present at all times, "Blackout" is an ocean of continuity errors, plot holes, bad choreography, terrible performances, poor execution in cinematic aspects, a predictable script, forced scenes, excessive camera cuts, and a poor story. The movie has no substance, it's a collection of absurd clichés that are boring. I'm sure many viewers stopped watching it halfway through.

Now then, the cast seen on screen is totally questionable or debatable, emphasizing their poor performances or acting levels. Josh Duhamel's performance is worth considering, due to its lack of credibility or connection with the overall plot. He applied very mediocre expressions, body movements, and other elements that significantly detract from the experience. On the other hand, Omar Chaparro's performance is terrible, with all due respect, it has a forced development, lacking energy, unbelievable, and honestly detestable. I think having a role as the main villain or especially as the leader of a mafia is not for him.

Overall, during the movie, you can't feel a connection between the characters, let alone chemistry; all that is set aside, and everything is forced by the power of the script. No performance represents a value of solidity. Abbie Cornish, Nick Nolte, and Robert Dobson are as incoherent as the script wants them to be. By the way, we have Bárbara de Regil around, which makes me wonder, "Is everything okay, darling?"

"Blackout" is a baseless action movie, with no solid narrative argument, lacking a clear objective, and both an illogical beginning and end. The inconsequential makes its presence felt here. The hospital with more murderers than patients and doctors who disappear for convenience.

A miniseries that expands the lore of Wakanda, adding interesting details and leaving room for certain debates. It has attractive concept art.

"Eyes of Wakanda" is an entertaining, simple, and very acceptable proposal due to the addition of narrative aspects that in a way promote the entire environment of Wakanda, its beginnings, or stages at various points in time. It can be very entertaining depending on your expectations or very mediocre in what it aims to convey, however, it has merit in terms of all its elaboration and the work behind the final result.

It's one of those Marvel productions that tries a twist on animation, and it's fine; all that visual aspect is reflected on screen and it has pleasant moments. I can highlight the overall concept art, which has a level of detail, creativity, and ingenuity that dazzles at all times. The ability to encompass that original style and the designs in the stories deserves a great point. Each of the environments seen in the episodes is striking and full of energy.

There are 4 episodes that cover different stories, themes, objectives, and reflections that come together to somewhat complement the ideals of a resource-rich country in different eras, all with the aim of creating a coherent link with characters already seen in the 2018 movie "Black Panther." Being able to see certain small details, references, stories, and the introduction of new characters, I believe, fulfills in some way.

It should be noted that it is not an animated miniseries that will revolutionize the Marvel universe, but it can entertain true fans. In addition, from my perspective, it is not the best of all Marvel Animation productions either; works like "X-Men 97" or "Your Friendly Neighborhood Spider-Man" are better, emphasizing plot, impactful moments, animation, and story. Even so, "Eyes of Wakanda" can be enjoyed.

The animation seems well-crafted to me, it has nuances, colors, designs, sequences, and attractive designs, its goal is well-deserved. Despite that, there's a small detail about the characters' gaze or facial features that doesn't quite convince me. The environments, locations, and so on are very well done. The musical score carries weight within the plot.

Now then, each episode has questionable details, whether due to conventions, the strength of the script, better execution of the development, more engaging plots, or exploiting the potential they had. It is evident that there are one or two episodes that leave much to be desired, whether due to the narrative argument or character development. In my experience, the second episode is the best due to the connection established in various parts through the protagonists' goals, covering real historical themes and certain creative details.

"Eyes of Wakanda" serves as another window to provide stories that can be entertaining for many viewers, fulfilling in certain details, but dividing the critics considerably. Ryan Coogler's work and his love for the culture are evident.

The essence of the comics is present and appreciated. It's a product that could have been much better, but it works. The added characters have their importance, and especially those connections with the live-action movies. Iron Fist is back in the house.