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"Very mind-blowing" is the best way to describe SHOGUN ASSASSIN. Yes, it's a combination of two previous films put together, but its non-stop storyline, and its unreleting gore factor, puts the viewer into an unfamilar journey never before taken.

Nice voice-overs by the Shogun (Yagyu clan member) and the narrator (The infant, Diagoro, who gives both a comic and haunting view on his road to never-ending violence) and for those who thought the babycart was full of genius weaponry, should check out the third episode-BABY CART TO HADES, which may contain the first example of the Gattling Gun put to use!

Without a doubt, one of the most overlooked films of all time. Watching THE GREAT SILENCE today, many of today's viewers may find some "cliche'd" scenes, along with some distracting dubbing. But this flick packs much more than one can bargain for.

-Plot: Bounty Hunters are collecting paychecks by snabbing up bandits in late 1880's Utah. A master gunfighter, "Silence", is out to collect dollars by killing those same bounty hunters who prey on the helpless marauders. "But who are the REAL bad guys?" is a question that carries throughout the entire film. As I mentioned before, there may be some moments in this film that seem dated and familiar, but let's focus on the un-familiar.."Silence" is mute, his throat slashed by bounty killers. Not only that, but he ALWAYS draws his gun in self-defense..Never draws first. And instead of arming himself with the traditional .38, "Silence" packs a Mauser C-96 (aka "Broomhandle") drawing fear into those who stand in his way. What else? Well, since Capt. Kirk brought forth headlines by kissing Lt. Uhura on STAR TREK, director Sergio Corbucci goes all out for a full interracial love scene (Unthinkable at the time) . What else?? This bad-boy takes place in the cold, desolated snow-bound hills, where a lot of violent stuff just seems to always happen..In fact, the blood-red violence appears much more graphic than ever in the white-frozen snow. And of course, there's the much-talked-about ending that is bound to slap EVERYONE in the face.

Here, Klaus Kinski proves that he was one of the most intense actors ever to appear in the 20th century. Just watch his movements/expressions during the last climactic scenes. Oh yeah, Ennio Morricone's incredible music is presented through-out. Want more? Please watch this film...If you can get a hold of it!

Ever since Bengt Enkerot approached Max von Sydow in THE SEVENTH SEAL and said the immortal words, "I am Death", it appeared as though cinema and its movie-goers had admired a new formula involving the supernatural...DJANGO THE BASTARD may not be in the same league as the mentioned Ingmar Bergman classic, but it may be responsible for elevating the "Avenging stranger" genre to new heights. In this Sergio Garrone-directed flick, Anthony Steffen bears the Django name (No relation to Franco Nero's DJANGO) and has a score to settle with some old Confederates that are responsible for many deaths, including...Django?? Did he survive? Or is he "A devil from hell"?

As I stated up above in the one-line-summary, yes there is some crude filmaking here, but there is also some effective stuff as well. Just watch the opening minutes involving a Grim Reaper-esque, Django, walking into town, camera angles panning from above and below. Stopping at his feet, then to have a man-made cross suddenly emerge from his cloak. The cross bearing the name of his first victim, planted into the earth with one stroke! Also kudos goes to the actor who played the demented, Luke Murdock. I got a kick out of that guy!