JP-54
März 1999 ist beigetreten
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Bewertung von JP-54
This foreign film is not to be missed, but watch the first movie, Jean de Florette first. And watch the subtitled version if you don't speak French.
In this film, a grown up Manon confronts the neighbors who destroyed her father and caused the pain, hardship and devastation wrought by her family's enemies when she was a child. Having lived as a mountain recluse for an unspecified period of years after the loss of her family farm and the death of her father, she is provoked to wreak vengeance, and with satisfaction, comes a surprising revelation about the history of her parentage. Please see my comments on Jean de Florette at http://comments.imdb.com/CommentsShow?91288-10
In this film, a grown up Manon confronts the neighbors who destroyed her father and caused the pain, hardship and devastation wrought by her family's enemies when she was a child. Having lived as a mountain recluse for an unspecified period of years after the loss of her family farm and the death of her father, she is provoked to wreak vengeance, and with satisfaction, comes a surprising revelation about the history of her parentage. Please see my comments on Jean de Florette at http://comments.imdb.com/CommentsShow?91288-10
When I first watched this film, I was angry at the end because it left absolutely everything unresolved. Only after seeing Manon of the Spring did I understand why Claud Berri did that to me.
The two films should be considered two halves of the whole, not really thought of as a film and a sequel. By the end of the second half, the viewer has been made to feel and be convinced that there is hope of justice in the world. One cannot escape the fact that evil actions have consequences, even if it takes a generation or two before they become apparent. That is the underlying message of this pair of films. Never, in any play, film or novel have I seen this truth portrayed more convincingly.
The performances of Ives Montand and Gerard Depardieu in Jean de Florette are magnificent, and the story sets the viewer up for the resolution of the conflicts and the surprising revelations of the sequel, Manon of the Spring.
This pair of films should not be missed. If you have a choice, I recommend the subtitled version over the dubbed version for non-French speakers.
WATCH THESE FILMS!
The two films should be considered two halves of the whole, not really thought of as a film and a sequel. By the end of the second half, the viewer has been made to feel and be convinced that there is hope of justice in the world. One cannot escape the fact that evil actions have consequences, even if it takes a generation or two before they become apparent. That is the underlying message of this pair of films. Never, in any play, film or novel have I seen this truth portrayed more convincingly.
The performances of Ives Montand and Gerard Depardieu in Jean de Florette are magnificent, and the story sets the viewer up for the resolution of the conflicts and the surprising revelations of the sequel, Manon of the Spring.
This pair of films should not be missed. If you have a choice, I recommend the subtitled version over the dubbed version for non-French speakers.
WATCH THESE FILMS!
This movie demonstrates what happens when the rare, magical perfect combination clicks together. Duvall, Beresford and Foote blended their talents marvelously and managed to fool the critics by producing a film that is absolutely one of the best ever. Its draw at the box office and on video may have surprised the critics, but is understood by those who place a high value on well-written and well-acted drama. I have nearly worn out my VHS copy from multiple viewings but I have never worn out the experience. The film is uplifting because it is all about unhoped hope finding fulfillment.
The movie combines tragedy and pathos with love, warmth and redemption in a manner that rarely occurs in a Hollywood production. To top it off, it does it so that there is not a phoney or contrived moment in the picture. Excellent and somewhat surprising supporting performances came from newcomer Tess Harper (discovered for this film by Duvall and Beresford) Ellen Barkin and Betty Buckley. Brimley (impossible to dislike in any role) is perfect as Buckley's manager.
One of the best scenes in the movie occurs when the young band drops over to "just say howdy" to the ex-singer. Harper is guarded and protective at first, but the pure hearts and openly embarrassed intent of the young men quickly win her and the viewer over. It is a touching and beautiful scene. It reminds you that there is still decency and humility among American youth (maybe we should all visit east Texas once in a while, although you can easily find it in most parts of rural USA).
No action flik this. The best word I know to describe Tender Mercies is "heartwarming." If you have not yet watched it, by all means do yourself a favor: beg, borrow, rent or steal a copy without delay. You'll never think of Duvall or Texas or country music the same again.
The movie combines tragedy and pathos with love, warmth and redemption in a manner that rarely occurs in a Hollywood production. To top it off, it does it so that there is not a phoney or contrived moment in the picture. Excellent and somewhat surprising supporting performances came from newcomer Tess Harper (discovered for this film by Duvall and Beresford) Ellen Barkin and Betty Buckley. Brimley (impossible to dislike in any role) is perfect as Buckley's manager.
One of the best scenes in the movie occurs when the young band drops over to "just say howdy" to the ex-singer. Harper is guarded and protective at first, but the pure hearts and openly embarrassed intent of the young men quickly win her and the viewer over. It is a touching and beautiful scene. It reminds you that there is still decency and humility among American youth (maybe we should all visit east Texas once in a while, although you can easily find it in most parts of rural USA).
No action flik this. The best word I know to describe Tender Mercies is "heartwarming." If you have not yet watched it, by all means do yourself a favor: beg, borrow, rent or steal a copy without delay. You'll never think of Duvall or Texas or country music the same again.