liang79
Nov. 1999 ist beigetreten
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Bewertung von liang79
At last, a film about the Vietnam war, shot in Vietnam and from the VC's perspective.
The film's story is told in the form of personal accounts from a Vietnamese war veteran, who was a cameraman with the Viet Cong army. It takes on a docu-drama mode from this point, intercutting his archival footage of life among the soldiers and their battles, along with "re-enactments" of the lives of the characters involved.
Political ideologies are almost non-existent in this film, no mention of Communism even among the soldiers. Not one of them seemed to question their loyalty to the army. This could be due to censorship issues in Vietnam. Instead, the soldiers are shown as caring, jovial and loving men, with strong emotional ties to their families. Ordinary men. Not the trap-laying and cunning guerilla forces as depicted in many western films.
However, I feel the film falls prey to its very own devices. Its form and story doesn't seem to work together.
The one quality from this film was its cinematography - alone. Well composed mise-en-scene, poetic long shots of the country's landscape, well-lit, overhead crane shots and even slo-mo. However, these scenes were often accompanied by an overbearing, melodramatic soundtrack, that instead of complementing the shots, work against it. Coupled with average acting and a below average script, you feel like you're watching some soap-opera. As a result, an "artificial" and "glossy" feel permeates the drama scenes and you're always aware of their constructed reality. This awareness is further heightened when the film cuts back to archival footage and the modern-day veteran scenes, which were also shot in a similar fashion.
Though not a combat film, the battle scenes also seem to suffer from a lack of authenticity. I say "seem" because I do not know what it was like to be there then. How can a soldier's uniform and face be clean after days in the jungle? Americans that didn't look like Americans. One American soldier even spoke in a weird accent. Such little mistakes to mise-en-scene just further reduces the film's credibilty.
I felt one of the film's best moments was ruined due to poor editing. Two men, who just 30 years ago were enemies, sit below a tree near a padi field and begin chatting. It was an American war veteran and the narrator of the film, the Viet war cameraman. The American wants to forget the past and reconcile differences. The Vietnamese mentions how he feared the American choppers with their arsenal and the other states that he could possibly be one of the gunners then onboard. The film then cuts this scene with long shots of the padi fields and landscapes, farmers ploughing, very long shots of the duo from afar, distracting us from this poignant conversation. The focus should have been on them. To make things worse, the dialogue for this scene was also outside of sync (maybe it was the theatre I was in?).
Thus, we get a film that's based on true accounts, tries to make us identify with the characters and fails because its drama sequences could not fit into and work with its documentary premise. Its efforts at showing a more humanitarian view of the war just could not be brought across.
I would have loved to see the war cameraman talking through his footage (which we see so little of) though.
The film's story is told in the form of personal accounts from a Vietnamese war veteran, who was a cameraman with the Viet Cong army. It takes on a docu-drama mode from this point, intercutting his archival footage of life among the soldiers and their battles, along with "re-enactments" of the lives of the characters involved.
Political ideologies are almost non-existent in this film, no mention of Communism even among the soldiers. Not one of them seemed to question their loyalty to the army. This could be due to censorship issues in Vietnam. Instead, the soldiers are shown as caring, jovial and loving men, with strong emotional ties to their families. Ordinary men. Not the trap-laying and cunning guerilla forces as depicted in many western films.
However, I feel the film falls prey to its very own devices. Its form and story doesn't seem to work together.
The one quality from this film was its cinematography - alone. Well composed mise-en-scene, poetic long shots of the country's landscape, well-lit, overhead crane shots and even slo-mo. However, these scenes were often accompanied by an overbearing, melodramatic soundtrack, that instead of complementing the shots, work against it. Coupled with average acting and a below average script, you feel like you're watching some soap-opera. As a result, an "artificial" and "glossy" feel permeates the drama scenes and you're always aware of their constructed reality. This awareness is further heightened when the film cuts back to archival footage and the modern-day veteran scenes, which were also shot in a similar fashion.
Though not a combat film, the battle scenes also seem to suffer from a lack of authenticity. I say "seem" because I do not know what it was like to be there then. How can a soldier's uniform and face be clean after days in the jungle? Americans that didn't look like Americans. One American soldier even spoke in a weird accent. Such little mistakes to mise-en-scene just further reduces the film's credibilty.
I felt one of the film's best moments was ruined due to poor editing. Two men, who just 30 years ago were enemies, sit below a tree near a padi field and begin chatting. It was an American war veteran and the narrator of the film, the Viet war cameraman. The American wants to forget the past and reconcile differences. The Vietnamese mentions how he feared the American choppers with their arsenal and the other states that he could possibly be one of the gunners then onboard. The film then cuts this scene with long shots of the padi fields and landscapes, farmers ploughing, very long shots of the duo from afar, distracting us from this poignant conversation. The focus should have been on them. To make things worse, the dialogue for this scene was also outside of sync (maybe it was the theatre I was in?).
Thus, we get a film that's based on true accounts, tries to make us identify with the characters and fails because its drama sequences could not fit into and work with its documentary premise. Its efforts at showing a more humanitarian view of the war just could not be brought across.
I would have loved to see the war cameraman talking through his footage (which we see so little of) though.
What a disappointment....and waste.
Tom Hanks aka Modern Man, stuck on an island, with no food, water or communications. Its obvious that he will somehow fend for himself and salvage all the bare necessities required. This film shows just that - and ONLY that. It did not portray the more humane (and psychological)side of the situation, that is: How and what does a man FEEL when alone on an island? Hanks displayed little, if not, no signs of fear, despair or disillusion during the initial stages of his strand. He did not break down and was not torn by internal conflicts of loss, hope and reality. Sadly, the producers had to use a volleyball (Wilson) to elicit such emotions from him. The next thing you know, its 4 years later and Hanks has become an expert spear fisherman.
And after being exiled from society for 4 years, we're supposed to believe he could adapt again in 4 weeks?!?! C'mon! Although the film did try to hint at his ineptness and awkwardness ( more reserved, sleeps on the floor, sense of loss over unfinished food ), it never really does hit the correct emotional note. No oomph.
His re-unification with Helen Hunt was a tad too dry. Little emotions were shown from them, as if both sides were suppressing bottled-up feelings; though Hunt seems more likely to be the culprit.
Overall, a film with some beautiful visuals and a great plane crash scene. There were many chances for the film makers to capitalise on for more powerful scenes, but I guess they just didn't know how. "Survival Skills:101" seems like a more apt title.
Perhaps Wilson's final scene was its only saving grace....
Tom Hanks aka Modern Man, stuck on an island, with no food, water or communications. Its obvious that he will somehow fend for himself and salvage all the bare necessities required. This film shows just that - and ONLY that. It did not portray the more humane (and psychological)side of the situation, that is: How and what does a man FEEL when alone on an island? Hanks displayed little, if not, no signs of fear, despair or disillusion during the initial stages of his strand. He did not break down and was not torn by internal conflicts of loss, hope and reality. Sadly, the producers had to use a volleyball (Wilson) to elicit such emotions from him. The next thing you know, its 4 years later and Hanks has become an expert spear fisherman.
And after being exiled from society for 4 years, we're supposed to believe he could adapt again in 4 weeks?!?! C'mon! Although the film did try to hint at his ineptness and awkwardness ( more reserved, sleeps on the floor, sense of loss over unfinished food ), it never really does hit the correct emotional note. No oomph.
His re-unification with Helen Hunt was a tad too dry. Little emotions were shown from them, as if both sides were suppressing bottled-up feelings; though Hunt seems more likely to be the culprit.
Overall, a film with some beautiful visuals and a great plane crash scene. There were many chances for the film makers to capitalise on for more powerful scenes, but I guess they just didn't know how. "Survival Skills:101" seems like a more apt title.
Perhaps Wilson's final scene was its only saving grace....