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I can only agree with the other comments. MY SUICIDE is a true find, and will hopefully make its way into international cinemas. Despite the fine cast, including established thesps like Joe Mantegna, Mariel Hemingway and David Carradine, it is a true independent film with a small budget, but skillfully done, and spiced with such a sharp sense of humour, a lot of energy, heart and food for thought. It doesn't play dumb for the audience, but stays easily accessible throughout without ever becoming trivial. Main actor / co-writer / co-editor / producer Gabriel Sunday (here wrongfully credited with the role Holden, rather than Archie) shows so much talent that you can almost turn envious. There'll be more to see of him in the future for sure! The wicked editing and compositing, the multi-format footage, and the congenial animation add-ons never feel contrived, but spice the film with a young look that will hit the youthful viewers especially. You can watch MY SUICIDE just for entertainment (even after the laughable scenes get replaced by the more serious themes), you can watch it for pointers and understanding - your own troubles, your friends' or your kid's. But you should watch it nonetheless! Just hope you'll get the chance. Fingers crossed this film will get the publicity it deserves!

Since Hallam's (Jamie Bell) mother died two years ago, he has detached himself from life, watching (even spying) the people from a distance, going as far as breaking in and searching their closets. He despises his stepmother (a surprisingly matured Claire Forlani) who he suspects of having murdered his mom. So Hallam takes off from the Scottish countryside to Glasgow, where he prowls the roofs, and finds a girl eerily resembling his mother. Revealing more of the story wouldn't do it justice. Jamie Bell masterfully plays an angry young man, reminiscing of Holden Caulfield. The film creates magical sequences, sports a wry northern humour, and doesn't shy away from exploring the feeling of loss and pain. Although the plot background relies too much on textbook psychology, HALLAM FOE remains a kindhearted, lively drama beyond the streamline tearjerkers. 7/10

Isn't it annoying how film reviewers describe unusual films often as (insert film title here) on drugs? So LIFE OF BRIAN is THE GREATEST STORY EVER TOLD on dope, MEET THE FEEBLES is MUPPETS on acid, and perhaps JAWS once was FLIPPER on steroids. Having said that, FREE JIMMY literally is DUMBO on speed. No, really: Jimmy is a circus elephant that's kept quiet with downers and pushed with uppers for the show. And that old pachyderm is wanted by many groups. Smalltime crooks want to retrieve heroin sewn under the animal's skin, the Lappland mafia wants the same, militant animal activists want to free the tortured beast, and drunk Swedish game hunters look for anything as big as a moose to shoot in the Scandinavian outbacks. Doesn't sound like your run-off-the-mill blockbuster, and it isn't. FREE JIMMY is a CG-animated Norwegian film, skillfully voiced by Woody Harrelson, Kyle McLachlan, Samantha Morton, Simon Pegg, Jim Broadbent and others. It's wickedly non-pc, with a number of hilarious scenes, and sometimes reminds one of FRITZ THE CAT with the sex and suffering animals shown. It works as a FREE WILLY spoof, not sparing any of Jimmy's pursuers from scoff and mockery. It's not as insanely funny as THE FEEBLES were, but a good nasty laugh nonetheless. 7/10