austex23
Okt. 1999 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.
Abzeichen3
Wie du dir Kennzeichnungen verdienen kannst, erfährst du unter Hilfeseite für Kennzeichnungen.
Rezensionen24
Bewertung von austex23
I can find something to like in nearly any movie, but this one left me wishing for two hours of my life back. Costner's terrible performance drags down everyone else in the film, so that even Kathy Bates ends up looking like a bad community theater actress. I guessed the ending, and everything leading up to it, very early on, but could not imagine how they hoped to make it believable. They didn't. Scene after scene strains the audience's credulity while insulting their intelligence. Direction by the numbers, with absolutely no wit or imagination, and an overblown sense of self-importance that would be hilarious if it did not involve the actual expenditure of time to watch. The parrot gave the best performance in the film.
After most of this summer's films, I left the theater feeling like I had contributed money toward the intellectual decline of America. The Others was a refreshing change in this sad trend. Comparisons to the Sixth Sense will inevitably be made by folks who have had their sensibilities atrophied by too many lame thrillers, but -- except for the most obvious and shallow of plot points -- there really is no basis for comparison between The Others and The Sixth Sense. Both are fine films with entirely different agendas. The Others joins a very small list of authentic film ghost stories, descendants of the rarefied and poetic fiction of the late Victorian era. Wiser comparisons would be to the original version of the Haunting, The Changeling, or the obscure 1989 TV film The Woman in Black -- films about the places, dramatic and metaphoric, our world touches the world beyond death, but also about the philosophical implications of such contact. The Others will be too slow for viewers more accustomed to recent fare like the remakes of the Haunting and House on Haunted Hill, but for people who like their chills a bit more subtle, it is a rare and very fine treat. With superior performances, atmospheric sets, and an allegorical content that will be lost on many viewers, The Others may be the best film I have seen this year.