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LuckyDragon

Sept. 1999 ist beigetreten
Willkommen auf neuen Profil
Unsere Aktualisierungen befinden sich noch in der Entwicklung. Die vorherige Version Profils ist zwar nicht mehr zugänglich, aber wir arbeiten aktiv an Verbesserungen und einige der fehlenden Funktionen werden bald wieder verfügbar sein! Bleibe dran, bis sie wieder verfügbar sind. In der Zwischenzeit ist Bewertungsanalyse weiterhin in unseren iOS- und Android-Apps verfügbar, die auf deiner Profilseite findest. Damit deine Bewertungsverteilung nach Jahr und Genre angezeigt wird, beziehe dich bitte auf unsere neue Hilfeleitfaden.

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Bewertung von LuckyDragon
Getting That Girl

Getting That Girl

4,3
1
  • 20. Jan. 2014
  • Never underestimate...

    The power of a well-timed f*@k.

    That was a piece of advice I heard years ago when I was just starting out as a writer, and it has always stuck with me. Apparently, the writer of this film did not hear the same because the characters are foul-mouthed little twits who curse like their high school principal was Quentin Tarantino. The worst part is that when they do it in front of authority figures (parents, teachers, etc), there's no reaction. I'm in my 30s, and I'm still afraid to curse in front of my parents! Trust me, there's a reaction!

    Amateur hour for sure. It's like the writer went, "I have no clue how to write high school students. Hey, let me give them a mouth like a sailor on leave and maybe that'll work!"

    It didn't. It so didn't.
    Slightly Single in L.A.

    Slightly Single in L.A.

    4,5
    2
  • 27. Nov. 2013
  • I blame the turkey for this turkey

    It's amazing what a Thanksgiving food coma will do to a girl. Case in point: I watched this entire film. The entire bloody thing. Those are 90 minutes I will never, ever, be able to get back!

    Oh. Holy. Hell. What did I do????

    To say the writing is insipid is being generous. The dialogue is downright lame, and when it's delivered by actors who seem completely unenthusiastic about appearing on camera, the entire thing is just painful. The tragedy here is that I have seen all of these people, every one of them, in roles that showed they are actually capable of acting. It's like they read the screenplay, realized that no one was ever going to see this piece of tripe after all, and then decided to dial it in. From Norway.

    I'd suggest you skip it, but if you're determined, make sure you've stocked up on a bottle or three of wine first. It's the only way you'll survive.
    Anne auf Green Gables - Das Leben geht weiter

    Anne auf Green Gables - Das Leben geht weiter

    6,9
  • 22. März 2004
  • A literary disappointment

    I first fell in love with the story of Anne Shirley and Gilbert Blythe as a seven year old when my family watched Anne of Green Gables on The Disney Channel. I read the books as quickly as I could, and I make an effort to re-read the books every 2 or 3 years. Even at 25, I find myself laughing at the same parts, crying at the same parts, and wishing that Anne would just accept Gilbert's proposal the first time he asks her. Every time I finish Rilla of Ingleside (book 8), I wish that Lucy M. Montgomery had just written one more book so that the story could continue...

    The story did continue in 2000 with the third installment of Kevin Sullivan's Anne films. However, this one was a complete departure from the story that I and little girls around the world had grown to love. Where the first two movies were laden with episodes from the books, the third movie had nothing in common with the books at all. Were we supposed to ignore the fact that by the time WWI rolled around, Anne's CHILDREN were old enough to fight? According to Sullivan, while the rest of the world moved ahead about 20 years from the time of the bridge scene to the time the third film opens, Avonlea was stuck in a timewarp.

    Sullivan should have realized that the people who would have waited for a third film after 15 years were the ones who truly loved the Anne story. While the movie is able stand on its own as a love story between a woman named Anne and a man named Gilbert, those of us who waited deserved a continuation of the story L. M. Montgomery wrote. Keeping close to the the first four books served Sullivan well when putting together the first two movies. I for one would have loved to have met Captain Jim, Susan, and old Dr. Blythe; to be a part of a wedding that I have imagined from my childhood; and to see Anne and Gil experience the joys and sorrows of their House of Dreams. Sullivan's decision to completely ignore the works of L. M. Montgomery is an insult to her memory, her work, and her fans.
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