Killer-40

A ghost in a vase is released by Japanese TV star and model Yuka - and a story full of good and sometimes surreallistic jokes and love songs begins which reminds you of the best times of Hollywood musicals in the 50s and 60s. This must be the starting point of a musical revival, and if some US producer watches the movie, he will surely secure its rights for a remake. By the way, the ghost has to help the girl to find and get back her boyfriend in Australia. This Aladin seems to have very limited abilities until he surprises us viewers with digitally supported wonders.

Director Daisuke Tengan is the first son of Shohei Imamura - so his real name is Daisuke Imamura. Indeed his work as a scriptwriter gives no reason to hide his roots: AUDITION (dir. by Takashi Miike), UNAGI (The Eel) and WARM WATER UNDER A RED BRIDGE (both directed by his father) speak of Daisuke's great talent. On a flyer for AIKI which was given to me on MIFED 2002 by the production company he is quoted: "Life is full of troubles, and very little goes ahead as one imagines." Quite frankly, normally I don't feel that way, things go rather smoothly. I feel Daisuke's view on life is the reason for the exaggerations in his movie which is said to be based on a true story of Ole Kingston Jensen from Denmark, obviously a handicapped martial artist whom we see during the end titles but of whom no one in the internet seems to have heard much. He is the model for protagonist Taichi in the movie, a former boxer who has to live in a wheelchair after a motorcycle accident. The accident, by the way, comes as a surprise to the viewer as to the protagonist. Looking for a way out of his depression, Taichi meets an "Aiki Jujutsu" expert. This a a martial art with a tradition of a thousand years and was once passed down as a secret self defense in the emperor's palace, until it became known to the public when a demonstration similar to those techniques shown in the movie (controlling many opponents, even when lying on the back) was shown on national TV: a style called "Daito-ryu". No doubt, we watch an important part of Japanese culture here. No doubt, the message is once again: Don't give up, in the end you'll win (beat "them"). But as we may know, winning in the end is only an illusion for many in this world, as well as it doesn't really count to win at all - and it surely doesn't work that way. In times of violent attacks of religious weirdos all over this earth I can't really stand the showing off of martial arts that even teach in words (through the instructor in AIKI) that there is no need for violence anymore. The last five minutes, where the AIKI practitioner and somewhat rookie in the wheelchair wins over a Kung Fu style expert are really ridiculous in terms of the art. So Tengan, although a talented filmmaker, has done ideological damage to the KI and the spirit that is (or should be) in all martial arts. Steven Seagal offers a more realistic aikido including defences for attacks that might really happen on the streets (not those staged ones like in AIKI), although his movies are much less mentionable ...

Hyung-tae (Cho Seung-woo) is a developer of chatting and dating games for the internet. He works in the same building as In-ju (Lee Na-young) who performs as a mermaid in an aquarium. Hyung-tae falls in love with the girl who herself gets fond of her online-partner without knowing that it is actually Hyung-tae. The movie starts of as unpromising illustrations of internet graphics but soon develops a touching love story between two twentysomethings who come closer through virtual reality as well as they are more isolated by it. The events in one's life that deeply hurt and irritate form In-ju's interesting cautious and vulnerable character. Hyung-tae is so carefully approaching her that viewers long for a happy end. Laconic figures like the manager of the game company (who is looking for love, too) make the audience shift from tears to laughter. The mood of Choi Ho's movie (who studied film at Chung-Ang University and earned a degree in film at the University of Paris VIII) partly reminded me of a story in the famous samurai classic "Hagakure" which states that the unspoken, hidden love is the highest one. "Receive my love from the smoke of my burning body, when my life is gone", said the samurai. Because this would be hard to bear you should discover Hyung-tae's solution in the movie.