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Alex - Süchtig nach Liebe

Originaltitel: L'amour au temps de la guerre civile
  • 2014
  • 16
  • 2 Std.
IMDb-BEWERTUNG
6,0/10
541
IHRE BEWERTUNG
Alexandre Landry in Alex - Süchtig nach Liebe (2014)
Drama

Füge eine Handlung in deiner Sprache hinzuAlex, Bruno, Simon, Jeanne, Eric, and Velma are trapped in a cycle of addiction and prostitution, reflecting society's dark realities in Montreal.Alex, Bruno, Simon, Jeanne, Eric, and Velma are trapped in a cycle of addiction and prostitution, reflecting society's dark realities in Montreal.Alex, Bruno, Simon, Jeanne, Eric, and Velma are trapped in a cycle of addiction and prostitution, reflecting society's dark realities in Montreal.

  • Regie
    • Rodrigue Jean
  • Drehbuch
    • Ron Ladd
  • Hauptbesetzung
    • Alexandre Landry
    • Jean-Simon Leduc
    • Simon Lefebvre
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    541
    IHRE BEWERTUNG
    • Regie
      • Rodrigue Jean
    • Drehbuch
      • Ron Ladd
    • Hauptbesetzung
      • Alexandre Landry
      • Jean-Simon Leduc
      • Simon Lefebvre
    • 13Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Nominierungen insgesamt

    Fotos13

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 10
    Poster ansehen

    Topbesetzung34

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    Alexandre Landry
    Alexandre Landry
    • Alex
    Jean-Simon Leduc
    Jean-Simon Leduc
    • Bruno
    Simon Lefebvre
    • Simon
    Catherine-Audrey Lachapelle
    Catherine-Audrey Lachapelle
    • Jeanne
    Ana Christina Alva
    • Velma
    Éric Robidoux
    Éric Robidoux
    • Eric
    Richard Fréchette
    Richard Fréchette
    Julie C. Delorme
    Jean-François Blanchard
    Jean-François Blanchard
    Tyler Jason Megarry
    Alexandrine Agostini
    Alexandrine Agostini
    Jérémy Hervieux-Gosselin
    Jérémy Hervieux-Gosselin
    Richard Champagne
    Richard Champagne
    Richard Lemire
    Marco Thériault
    Patrick Lavergne
    Jyno Laporte
    Hugo Le Beau Tadros
    • Regie
      • Rodrigue Jean
    • Drehbuch
      • Ron Ladd
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen13

    6,0541
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    10

    Empfohlene Bewertungen

    10bobgreenbobby

    Original structure, quite unusual

    This film mercilessly delivers an authentic depiction of a particular brand of hysteria, a day in day out procession of drug addicted, sex obsessed behaviors. One is confronted with a reality that is very rarely perceived with such shocking plausibility. Before viewing, I had no idea that life could deploy in such a manner. This film opens a door to a subculture terrifying to discover .. this is what really goes on. Hard to witness. Many would rather not know; if only this door had never been opened.
    7efaldk-349-274444

    Catharsis and a sense of relief.

    In ancient Greek tragedy the term "catharsis" was used to describe the relief and purification of the spectator, while he experienced and identified with the emotions of the tragic hero on the stage, and identification - according to Aristotle - was supposed to have a healing effect on the emotions of the spectator.

    This is exactly my own experience after waching this dark and depressing film, and after being in this hell on earth for 2 hours. It's almost unbearable to watch, but somehow you get a sense of relief.

    Most of the scenes are shot in the bleak and wintry streets of Montreal, where the camera is following the protagonist Alex and his fellow addicts in their endless pursuit for new sex clients and drug dealers - or in dark claustrofobic rooms where they minutely prepare the next fix to get a moment's escape from the harsh realities of life. Having sex is another way to escape, but it has become transactional, and all the sex scenes are rough and mechanical, void of tenderness and affection.

    Maybe I am being overly optimistic, but I sense a tiny spark of hope in the final scene. Once again the camera is following Alex in his endless pursuit of a fix, but the streets are not empty, they are filled with people, the snow has almost vanished and it is not twilight, but broad daylight.
    6t-dooley-69-386916

    Hard hitting tale of low life existence on the streets of Montreal

    Alex is a drug addict who sells his body for the cash to carry on his addiction. His life seems to centre around giving or having pleasure but the periods in between are anything but enchanting. He has a coterie of friends or probably associates who are all equally caught in a seemingly never ending spiral of self destruction. Like holding the tiger's tail – they are destined to never get off.

    The film follows their lives and the highs (very few) and the lows (too many) of how they eek out a survival in a Canadian winter. It is hard hitting and graphic with scenes of drug taking and preparation peppered throughout. There is also simulated sex and it is not the stuff that could be classed as 'tasteful'.

    This is not an easy watch either and I felt that some of the scenes could have ended sooner, but this was probably an artistic choice by the director to emphasise the emptiness of what the protagonists are actually doing. This is a gay themed film too in that Alex is gay but it is quite universal in the themes it addresses. At 120 minutes and in French this is one for the not so squeamish and for those who like their films to be challenging.
    1JJ-Chi

    Imagine something AWFUL ...now multiply by 10!!

    Aimless, slow and dreadful film without any discernable plot. Absolutely nothing interesting here. It felt like the same 10-minute meaningless short was being played over and over and over. And after two hours of this nonsense, you're left with NO ENDING!!
    9Siebert_Tenseven

    Four Rocks, Five Powder

    I saw this movie about a week ago and it kind of stuck with me. Anyone who has spent time with junkies and crackheads know the furtive endless cycle of obliteration that makes up their lives. But that didn't really matter with this film. I didn't feel like their lives were shameful and I didn't waste any time hoping anyone would get better. What struck me is that there was no judgment at all about the characters or what they were doing. The camera simply followed them around, usually in a very close claustrophobic manner that added a weird edge to each scene. It was usually impossible to figure out what the interior rooms were like, as though everything took place in a couple of corners or against a wall. A lot of the initial scenes took place in a car which conveyed a strong feeling of having no escape or being lost. The sex was unexciting and the drugs were constant. It was almost like watching animals in the wild, tracking their movements and behavior. Really a beautiful film unless you have strong opinions about gays or drug addicts, in which case you might want to watch something else.

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    Handlung

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    • Wissenswertes
      Catherine-Audrey Lachapelle's debut.
    • Verbindungen
      References Medium Cool (1969)

    Top-Auswahl

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    FAQ14

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    Details

    Ändern
    • Erscheinungsdatum
      • September 2014 (Kanada)
    • Herkunftsland
      • Kanada
    • Offizielle Standorte
      • -Bande-annonce
      • Official Facebook
    • Sprache
      • Französisch
    • Auch bekannt als
      • Love in the Time of Civil War
    • Drehorte
      • Montreal, Québec, Kanada
    • Produktionsfirma
      • Transmar Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      2 Stunden
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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