Füge eine Handlung in deiner Sprache hinzuWhen young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths l... Alles lesenWhen young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister's and must join forces with her sister's husband in order to defeat a ... Alles lesenWhen young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister's and must join forces with her sister's husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.
- Auszeichnungen
- 1 wins total
- Ravi Sharma
- (as R Chandran)
- Charlotte Sharma
- (as Tan Kheng Hua)
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Starting with how bad the little girl's acting was. I mean, you would think that she would learn from other young actors on how to act, but not this one, she was awful all the way from start to end.
Then comes the Asian actors, they were so amateur in their acting, and sometimes even not trying!!.
I really miss the old days when horror movies made me come out of the theatre thinking Holy Crap, will I be able to sleep tonight!!!.
Conclusion: Don't waste your time watching this, Seriously.
ANYWAY, I suffered for my ignorance. The Faith of Anna Waters i.e. The Offering (2016) is an absolutely trite and mediocre Americanized Hollywood film set in Singapore. 90 percent of the characters are white people and everyone speaks American English. The writing is bad, the dialogue is wooden, and the actors portraying the child and the ex-husband characters can't even act.
The only thing that compelled me to continue watching is that I genuinely wanted to know what the heck was going on with the mystery behind the film's events. There are a few genuinely scary, disturbing or gross parts but overall the best thing about the film is the house where most of it takes place. Yeah.
Midway through watching, I decided to research the director and script writer (same person not surprisingly) in search of some sort of justification for the poor script writing and directing displayed in the film. The following stumbled me: 1) This is evidently not a low budget film which leads one to question "why is this film so horrible?" And "Who funded this crap and why???!" 2) The actors seem relatively talented, why did they agree to act in this film? 3) What is going on??
As a film student, I find myself genuinely disturbed by the inconsistency and lack of creativity depicted and honestly I could have put together a far better script. If anything this film is humorous... I must give them that, it's gripping. I found myself fixated, awaiting the next corny jump scare. This could genuinely be mistaken for comedy, I mean the demon sounds like Yoda..
F*ck this, I've lost hope in filmmaking.
Even though it doesn't exactly look cheap, the entire project is, from a technical standpoint, utterly terrible. The cinematography and camera work is quite decent for the most part, but the acting, direction, plot and "scary" parts are dreadful. The horror part seems like a badly filmed spoof (the lighting is bad and the shots are often badly executed). The reactions of the characters are also incredibly unbelievable (no details given, since it is spoiler material). And the plot, oh my god. It was so amateurish... Like a bunch of children sat down and listed a plot that they thought was clever, while it was really just incredibly lame.I will not spoil the disappointment for you. Let me just say that I hated everything about it.
I give it two out of ten. I feel this is the right grade.
Wusstest du schon
- WissenswertesThe movie is also supported by the Media Development Authority of Singapore (MDA) under its Production Assistance Grant, where Tong will get back 40 per cent of every production dollar spent in Singapore.
- VerbindungenReferenced in Wu ye fei xu (2019)
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Details
Box Office
- Weltweiter Bruttoertrag
- 1.551.044 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1