Füge eine Handlung in deiner Sprache hinzuWhen Shelly meets Rachel, two dysfunctional girls from radically opposed backgrounds set off on a collision course that will leave one of them shattered, the other re-born.When Shelly meets Rachel, two dysfunctional girls from radically opposed backgrounds set off on a collision course that will leave one of them shattered, the other re-born.When Shelly meets Rachel, two dysfunctional girls from radically opposed backgrounds set off on a collision course that will leave one of them shattered, the other re-born.
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- 1 Gewinn & 17 Nominierungen insgesamt
Roxanne Carrion
- Carla
- (as Roxanne Pallett)
Sean McKee
- Eugene
- (as Sean Joseph McKee)
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Shelly lives in the urban overspill of Cheshire in a sink hole estate with her brothers, one who is a bit of a lad and the younger who is confused and in need of some succour in life . Said life is not easy and money is hard to find and the estate where they live can be a cruel place. Then her paths cross with local loan shark and all round nasty type Mikey Finnegan and he is very much taken by the fifteen year old.
She also happens upon Rachel who comes from the other side of the tracks and shows a remarkable interest in the young girl. However everyone seems to have hidden agendas and some, though, are not so well hidden and before long the masks of contrivance slip.
Now this is the directorial debut from Helen Walsh who also wrote this and I think she has made a film that she can very much be proud of. The direction is great the actors all do a commendable job and the camera angles and framed shots show that a lot of thought has gone into this and the results are obvious. This is an off beat story in an unusual part of the country and it manages to be intriguing, compelling, original and very easy to recommend.
She also happens upon Rachel who comes from the other side of the tracks and shows a remarkable interest in the young girl. However everyone seems to have hidden agendas and some, though, are not so well hidden and before long the masks of contrivance slip.
Now this is the directorial debut from Helen Walsh who also wrote this and I think she has made a film that she can very much be proud of. The direction is great the actors all do a commendable job and the camera angles and framed shots show that a lot of thought has gone into this and the results are obvious. This is an off beat story in an unusual part of the country and it manages to be intriguing, compelling, original and very easy to recommend.
I was fascinated to see how Helen Walsh would navigate the transition from novelist to auteur, and was not surprised by the poetic and lyrical film she has created. Make no mistake, The Violators is raw; its subject matter, its (very) young and precociously talented cast, its desolate locations and its sometimes intrusive, sometimes unsettling, always arresting hand-held shooting style is all rough, brutal and right in your face (much like Walsh's novels.) Yet, just as in novels like Brass and Once Upon A Time In England, Walsh finds the humanity amid the horror; she finds the beauty in everyday, ugly tableaux. The crude story of The Violators sees Shelly, the young, unwittingly beautiful head of a dysfunctional family having to use all her street wiles and nous to keep her little step- brother safe from their soon-to-be-released father - an abusive monster. In planning a safe haven, Shelly falls under the sinister gaze of two more predators - one of them not much older than herself. She has to think on her feet and try to work out who - if anyone - can be trusted on their godforsaken estate; yet there are moments of purity and childlike innocence amid all the squalor and hardship. If you have read Helen Walsh's novels you'll know that she doesn't pull any punches. Yet The Violators is visually stunning and unexpectedly beautiful, too, with its streaky pink skies and silver dockland vistas. Walsh has coaxed definitive performances from future stars Lauren McQueen, Callum King Chadwick and Brogan Ellis and, along with writer/directors like Clio Barnard and Carol Morley is surely a rising star herself. Another Northern Classic!
Characters are not adequately explained in this film. Though the plot summary says it's about two girls, but it really is just about one girl. I can't find many reasons to care about her story, unfortunately.
The copy and paste production of yet another damp and depressing drama that sticks religiously to the same old worn out story of poverty and sorrow. The painfully slow pace. The lack of any highlights. The unimaginative dialogue.
The sad fact is that you will sit through this hoping it goes somewhere new and intelligent, just to realise that it has nothing to say. To say the end was an anti-climax would be a huge understatement.
But the two actresses did have something about them. Their casting being the single positive thing. It is just a pity that there was nothing here for them to show off their talents.
So just add this to the big pile of 'indie' disappointments that do nothing but depress the hell out of you. Not recommended.
The sad fact is that you will sit through this hoping it goes somewhere new and intelligent, just to realise that it has nothing to say. To say the end was an anti-climax would be a huge understatement.
But the two actresses did have something about them. Their casting being the single positive thing. It is just a pity that there was nothing here for them to show off their talents.
So just add this to the big pile of 'indie' disappointments that do nothing but depress the hell out of you. Not recommended.
Wusstest du schon
- Crazy CreditsThe end credits feature the disclaimer: "No animals were harmed in the making of this motion-picture. Although Some cast and crew were occasionally freaked out."
- SoundtracksAnd You'll Be
written by J. Edwards and D. O'Connell and E. Leatherbarrow
performed by Minnetonka
published by Domino Publishing Co Ltd/Perfect Songs Ltd
courtesy of Joe Edwards
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Details
Box Office
- Weltweiter Bruttoertrag
- 1.848 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
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