Der Distelfink

I have no clue what those people are on about stating the story is confusing or that there's no story at all. To me it all made perfect sense, in fact I thought the storytelling was sublime, going back and forth in time, between the young and adult characters, it was all very easy to follow for once. The acting was excellent and that from the entire cast. The Goldfinch definitely deserves a higher rating on here. It's one of those movies I would watch again in the future. I wasn't expecting much of it to be honest, as the drama genre isn't really the genre I enjoy the most but this one stands out from the rest. A captivating story, excellent acting, very high quality of cinematography, I really can't write anything bad about The Goldfinch. Good job from the whole production team.

If you listen carefully and pay attention to all the details, you'll find the plot fits together like a jigsaw puzzle.

I enjoyed this movie immensely, a process that may have been helped by being able to turn on subtitles at home (which handled the mumbling and the background noise distractions). This was one clever script, but again, you have to stay alert. (I have not read the book.)

The story is great, the acting is fantastic, especially from the young cast. It's been a long time since I've watched a film that didn't have a predictable ending.

When Brooklyn came out in 2015, I was mesmerized by the sheer beauty of the picture visually, the story, and the all around fantastic performance by Saoirse Ronan. It was a great effort by John Crowley. So when I heard of The Goldfinch I had high expectations seeing as Crowley set the bar high with his last film. I didn't really care for the trailers though I knew it was based on a well acclaimed book. What can I say, this film is overlong, has a messy narrative, and most definitely has to be losing the meaning and importance of the book because this film is not remarkable.

The film is about a boy who loses his mom in a terrorist attack and then grows up in a foster home and then with his drunken and abusive biological father, followed by a friendly antique owner. The film goes through the protagonists struggle with identity, love, and the fact that he took a really expensive Goldfinch painting the day of the bombing, and this last fact comes back in to factor in different stages of his life. Even describing the plot just now was messy for me.

The film looks quite nice. Crowley's works look grand and intricate but that doesn't really cross the finish line. The main issue with this film is that it has no heart and loses what I assume is a lot of the books importance. Its a meandering tale that doesn't go deep enough and I felt like the last twenty minutes or so were just bad. The relevance of The Goldfinch is just lost on me and its just a moving plot device in a film that doesn't know what it wants to do.

I don't like to say it but The Goldfinch is masking around as Oscar bait but doesn't have a whole lot of quality. I didn't read Brooklyn either but the film feels magical and captures the era and aura of early 1900s Irish Brooklyn. This just feels like it sucks the main ideas of its basis and pastes it onto the screen. At a whopping 2 and a half hours, this film feels its length. Ambitious? Yes, but most certainly better left alone.

6/10

I have a hard fast rule. Never compare a movie to the book on which it is based. This, of course, is impossible in many ways. But one needs to accept the limitations of the silver screen. Little introspection, detail, character development, and so on. Obviously, with good direction and acting, we have a new telling of a tale. I really enjoyed the book here, but was astounded that a movie was being made of it. The dull portrayal of the cerebral nature of the plot doesn't stand up well. It kept my interest only in a how-are-they-going-to-show that kind of way. There is something so drab here. We are asked to glean all kinds of information from close-ups of the protagonist and Nicole Kidman. Connections fail. Suspense is non-existence and contrived. Some books just weren't meant to be movies.