How to Talk to Girls at Parties

Enn (Alex Sharp) is a disaffected youth in late 70's suburban London. He and his friends follow the local punk scene. He writes his zine and has trouble talking to girls. The boys crash a party after the club. They find the people there strange and Enn believes them to be a cult. Zan (Elle Fanning) decides to leave the group to find unique experiences with Enn. The group go to see advent-guard artist Queen Boadicea (Nicole Kidman).

This has some fun and some weirdness. The problem is that it doesn't have quite enough fun nor enough weirdness. Director John Cameron Mitchell is best known for Hedwig and the Angry Inch. I did check out the Neil Gaiman graphic short story which has two regular dudes from an all-boys school and the story takes place mostly at that party. I'm sure Mitchell added the punk element which actually added color to the story. Elle Fanning is definitely a beauty which explains why Enn would tolerate her weirdness. The story should really take place over one night. That has the tendency to intensify the narrative. It would also allow Kidman to join the movie earlier. I only laughed once when the aliens blocked the hallway in formation. Otherwise, this is an odd little movie which fails to elevate.

SPOILER: This film came out today in a very limited release but its something I was always going to see because I love Elle Fanning. I kind of forgot that this was a sci-fi inspired comedy. The film has a typically committed performance from Elle Fanning and a very interesting concept and clash between a quirky cult and British punks. Its certainly creative but does not always hit its highs despite having a lot going for it.

The film follows three young kids who are used very into the London pop scene of the 60's. One night they stumble across a house party. Once they go in they see very odd individuals who are very odd, dressed in bright colors, and fairly sexual. It turns out this group are actually aliens exploring Earth and its people The main lead Enn, meets a young girl and hits it off with her as she tries to understand his world and falls in love with him.

Thought the premise for this film was strong and added color and humor to the film. However, the film does feel stretched thin at some points. Its not a shock as Neil Gaiman's short story of the same name is about twenty pages long. Liberties had to be taken and I found a good portion to be enjoyable. The alien plotline and their motives do get muddled though as its not very clear and seems to have too much complexity for the film to handle.

I think the best part of the film was Elle Fanning as the alien. She really is able to transform into that role of a young alien who is trying to learn how the world works and how love works. She also undergoes a shift when she discovers "punk". I'm happy I watched it as its quite unique. The film hits a wall at times but recovers well enough. Also, Nicole Kidman is ace in it.

6.5/10

I managed to watch this online through my Roku on the Kanopy streaming site through my public library's subscription.

To mention that this is a very unusual movie is a big understatement. It starts normally, for a British setting, with the usual goofiness, but then everything changes when a group of three friends crash a party full of people in what appears to be a very strange cult. This is not the kind of movie I'd like to watch often but as a one-off it is very entertaining for those of us who can appreciate the very unusual.

Most of it takes place in the 1970s but there is a scene at the very end in 1992, apparently some new ones start to show up. In the credits is a statement, "No aliens were harmed in making this film" which gives a hint to what we just watched.

It has some of my favorite actors, including Elle Fanning, Nicole Kidman, and Ruth Wilson, all dressed strangely and playing very strange roles. It was a bit disconcerting to see Kidman and Wilson in such nontraditional roles.

Bizarre. Immaculately bizarre. An ambitious empty shell that struggles to develop its themes and characters. The equivalent of banging your head to The Sex Pistols whilst being surrounded by gymnasts in tight Lycra. It seems Mitchell tried desperately hard to achieve cult status for his film. Mixing absurdist sci-fi with an emerging music movement that swept good ol' Croydon. Unfortunately he misses the mark. A punk enthusiast meets a mysterious girl at a party and only has a certain amount of time to introduce her to the world of punk rock. During that allotted time, a romance blossoms that would transcend space itself.

The underlying problem that polluted this well-intentioned project is the screenplay. Goslett failed to understand that the merging of two genres, especially one of them being a romance, relies on relatable and humanistic characters. Fanning, who I'm sure wasn't acting in this (that's just her normal self...), gets a pass for portraying a stellar extraterrestrial. Sharp on the other hand, well his character was a mess. No fault of his own. Mitchell tried divulging into his backstory, which was instantly forgettable, and failed to create a spark between the two leads. For the most part, there was no emotional resonance. It wasn't until the final twenty minutes, when punk matriarch Kidman's army of little punk rockers raid their contemporary "tourists" abode, that the tangible love started to stick. Too late I'm afraid. Was all too forced for my liking.

I do however admire Mitchell's unique vision, almost reminiscent of Gilliam's work, which suited the artistic aesthetic that was being exhumed. A wondrous experience that made me scratch my head whilst being hypnotised. Stupendous use of colour. Just a shame that its entirety doesn't really stick, although undoubtedly will be viewed as an ambitious cult film in the future I'm sure. Admirably ambitious is the best description. Though Nicole Kidman, man, she would make a crazy rocker that's for sure!

It's pretentious and cheesy, unique and amazing. The only promise I can make is that you have never seen anything like it. That in itself should be enough to make any movie or art lover feel like this movie was money and time well spent. Of course there are flaws, but it's punk, that's what gives it character. If you spend all your money on Hollywood reboots, stay far, far away...

You can enjoy the humor in this movie on the surface level or try to dig deeper into the many metaphors. I just went along for the ride and had a great time.