"The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten."The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten."The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten.
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There are two things going on in this series: the story line and the acting of Riley Keough. The series is done in 13 half-hour episodes so there is little time for providing background or explanations. Rather, the intent and motivations of Christine/Chelsea/Amanda are expressed entirely in the body language, vocal tones, eyes and expressions of Ms. Keough. It's a complex character but by the end of the series I felt I understood this character as I have understood few others. Being previously unfamiliar with Ms. Keough, I was frankly stunned by her acting talent. In the later episodes, the story line transitions from the inner turmoil of the main character while living a dual life into her life entirely as a call girl. This gives Ms. Keough less to do in terms of portraying the multiple aspects of her character. The series suffers for this. Many viewers will focus on the sex scenes, some of which are probably too long if not unnecessary. This is a shame because it takes the focus away from the incredible job Ms. Keough does in realistically portraying a character trying to exist in two vastly different worlds while trying to prevent those worlds from colliding. With a less gifted actress, GFE would be a run of the mill drama. What sets this series apart is Ms. Keough's fascinating portrayal of a complex character. She makes it well worth watching and I look forward to her next project.
I loved season 1 but I have no idea what they were thinking this season. It is boring as hell and I want the story line from season 1 back please. Season 2 is a mess.....it is uncomfortable and just plain boring to watch. Riley Keough in season 1 was so good. She is beautiful, dark, and mischievous. She really carried this show. Louisa Krause in season 2 is not suited for a part like this. I am so mad this show has been ruined.
Wow l never known her from before this but Riley Keogh was amazing in it I started to watch second season not knowing she was not in it ...when I realised I stopped watching . WTF were they thinking . !!! She was the show.
Very interesting series, well crafted, thought-provoking, both intriguing and depressing to watch... As I see it, it's very much about being obsessed about material wealth and the independence in having money and how that can be a very addictive substitute for real intimacy and trust in one's life. And it's about being addicted to different sorts of short-term pleasures, arising from as well as creating more loneliness. And it's about power, having control and protect oneself in an environment, where everyone are objects or means to an end for each other... The world of lawyers, corporates etc. And it's about a modern society, where basic human needs for connection, sharing our whole being including our sexuality, are capitalised... A society where friendship and love often are substituted by professional relations... The series main focus is on sexual relations and the sex business - but the same dynamics also applies to how therapists, coaches and other professionals can be substitutes, when there's a lack of trust in friends and family...
While many may hate this series for politically correct reasons or because they are not used to adult pacing (as opposed to juvenile comic book-style movies full of flashy editing), I was taken in by it ... but mostly because of Riley Keough, who is a very natural, subtle actress. The series features a little titillation here and there, but it's tasteful, artfully photographed, and looks great.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
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- WissenswertesProducer Steven Soderbergh, who also directed the movie of which the show is inspired, wanted to approach the making of the show as a creative experiment, so he proposed a male/female filmmaker duo which hadn't worked together before, in this case Lodge Kerrigan and Amy Seimetz, to write and direct season 1. Both Kerrigan and Seimetz talked later about the difficulty of the experience, so it wasn't a surprise when season 2 presented a two-story structure where said stories were completely independent, each one written and directed by the directors on their own. For season 3, however, which was greenlit a year and a half after the finale of season 2, Soderbergh seemed to have forgone the experiment approach, because he just hired Anja Marquardt to do 10 episodes.
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- 30 Min.
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