"The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten."The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten."The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten.
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The show is delivered in a cold, unemotional manner that sets the tone. It seems similar to Mr. Robot and American Psycho in a lot of ways. People going through motions of life but mainly pretending. There is no intro for the show - the episodes start and eventually the title of the show displays on screen.
Christine is a law student and dresses in boring and mundane business attire, has basic professional hair, and seems pretty boring. You can tell she is intelligent however.
From the first sex scene we see the lead character's need and desire for control. Control of men, control of situations, and control of opportunity. What follows is the delving into the world of sex for hire, and beyond that a "Girlfriend" experience. Christine dives into this secretive world with both feet and develops an persona named "Chelsea". Chelsea is beautiful with long flowing hair, is feminine, attractive, well dressed, and poised; almost a counterpart to her day to day self. Her clients get to feel that they are important and cared for in her presence. For her it is an act. She is always on top; in the bedroom and in the relationship. She takes notes to remember small details of her clients, she edits her words and reactions to her client's wishes.
We see the main character position herself to always profit in some way in her interactions. In reality she is cold, distant, and calculating. How far will she go? How deep will she sink to get what she wants? What will the ultimate price be?
I've only seen 4 episodes of the season but it shows great promise. It may not live up to expectations in the end but I hope it does.
Christine is a law student and dresses in boring and mundane business attire, has basic professional hair, and seems pretty boring. You can tell she is intelligent however.
From the first sex scene we see the lead character's need and desire for control. Control of men, control of situations, and control of opportunity. What follows is the delving into the world of sex for hire, and beyond that a "Girlfriend" experience. Christine dives into this secretive world with both feet and develops an persona named "Chelsea". Chelsea is beautiful with long flowing hair, is feminine, attractive, well dressed, and poised; almost a counterpart to her day to day self. Her clients get to feel that they are important and cared for in her presence. For her it is an act. She is always on top; in the bedroom and in the relationship. She takes notes to remember small details of her clients, she edits her words and reactions to her client's wishes.
We see the main character position herself to always profit in some way in her interactions. In reality she is cold, distant, and calculating. How far will she go? How deep will she sink to get what she wants? What will the ultimate price be?
I've only seen 4 episodes of the season but it shows great promise. It may not live up to expectations in the end but I hope it does.
While many may hate this series for politically correct reasons or because they are not used to adult pacing (as opposed to juvenile comic book-style movies full of flashy editing), I was taken in by it ... but mostly because of Riley Keough, who is a very natural, subtle actress. The series features a little titillation here and there, but it's tasteful, artfully photographed, and looks great.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
Wow l never known her from before this but Riley Keogh was amazing in it I started to watch second season not knowing she was not in it ...when I realised I stopped watching . WTF were they thinking . !!! She was the show.
Very interesting series, well crafted, thought-provoking, both intriguing and depressing to watch... As I see it, it's very much about being obsessed about material wealth and the independence in having money and how that can be a very addictive substitute for real intimacy and trust in one's life. And it's about being addicted to different sorts of short-term pleasures, arising from as well as creating more loneliness. And it's about power, having control and protect oneself in an environment, where everyone are objects or means to an end for each other... The world of lawyers, corporates etc. And it's about a modern society, where basic human needs for connection, sharing our whole being including our sexuality, are capitalised... A society where friendship and love often are substituted by professional relations... The series main focus is on sexual relations and the sex business - but the same dynamics also applies to how therapists, coaches and other professionals can be substitutes, when there's a lack of trust in friends and family...
The 2009 feature film, 'The Girlfriend Experience' depicted the lifestyle of a young woman, played by Sasha Grey, who worked as a high-end call-girl. The excellent Season 1 (8/10*) of the 2016 TV series related how the same character had entered this profession by moonlighting as an escort while studying law and interning at a big-city legal firm. Riley Keogh's portrayal of Christine won a Golden Globe nomination, with her understated performance showing the psychological cost of pretending affection to entitled executives while selling them her body. Prostitution was a persistent theme in each episode, with Keogh's micro-expressions betraying guarded emotions and inner conflicts as Christine subtly adjusted her persona to please various clients, lovers and employers. The series revealed how involvement in the sex trade derailed her personal life and law career.
By contrast, Season 2 (1/10*) lost any meaningful connection with the prostitution theme as it followed three different protagonists in two separate narratives. In the first, an escort embarked on an obsessive lesbian love affair with a corrupt campaign finance operator. In the second, a former call-girl got marooned in witness protection limbo as she awaited the trial of her gangster husband. The characters failed to generate any sympathy, the plots were neither believable nor interesting, and subtlety was entirely absent.
Season 3 (1/10*) continued the decline of 'The Girlfriend Experience' TV series. The plot proposed the far-fetched idea that a young neuro-science college dropout called Iris would engage in prostitution while under pressure to create a cutting edge AI program. The software was required to mimic human emotions, and Iris believed her charades as an escort could be re-purposed to achieve this end. Unfortunately Iris's commercial sex encounters were as vapid and robotic as her office intrigues. More thought seems to have been given to her wardrobe than the plot, which moved at a snail's pace, neglecting any depiction of a real call-girl's issues. Long before the end, the story had become mind-numbing, pseudo sci-fi tedium.
By contrast, Season 2 (1/10*) lost any meaningful connection with the prostitution theme as it followed three different protagonists in two separate narratives. In the first, an escort embarked on an obsessive lesbian love affair with a corrupt campaign finance operator. In the second, a former call-girl got marooned in witness protection limbo as she awaited the trial of her gangster husband. The characters failed to generate any sympathy, the plots were neither believable nor interesting, and subtlety was entirely absent.
Season 3 (1/10*) continued the decline of 'The Girlfriend Experience' TV series. The plot proposed the far-fetched idea that a young neuro-science college dropout called Iris would engage in prostitution while under pressure to create a cutting edge AI program. The software was required to mimic human emotions, and Iris believed her charades as an escort could be re-purposed to achieve this end. Unfortunately Iris's commercial sex encounters were as vapid and robotic as her office intrigues. More thought seems to have been given to her wardrobe than the plot, which moved at a snail's pace, neglecting any depiction of a real call-girl's issues. Long before the end, the story had become mind-numbing, pseudo sci-fi tedium.
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- WissenswertesProducer Steven Soderbergh, who also directed the movie of which the show is inspired, wanted to approach the making of the show as a creative experiment, so he proposed a male/female filmmaker duo which hadn't worked together before, in this case Lodge Kerrigan and Amy Seimetz, to write and direct season 1. Both Kerrigan and Seimetz talked later about the difficulty of the experience, so it wasn't a surprise when season 2 presented a two-story structure where said stories were completely independent, each one written and directed by the directors on their own. For season 3, however, which was greenlit a year and a half after the finale of season 2, Soderbergh seemed to have forgone the experiment approach, because he just hired Anja Marquardt to do 10 episodes.
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What was the official certification given to The Girlfriend Experience (2016) in Japan?
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