Fünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die ... Alles lesenFünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die nächsten zwölf Stunden überleben müssen.Fünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die nächsten zwölf Stunden überleben müssen.
- Auszeichnungen
- 2 Gewinne & 8 Nominierungen insgesamt
- Sex-Head
- (as E.G. Daily)
- Fat Randy
- (as Michael 'Redbone' Alcott)
- Snoopy
- (as Esperanza America)
Empfohlene Bewertungen
What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
I have to say, before I write about the movie itself, that I never shared the opinion of those, who see Rob Zombie basically as the horror messiah, who will reinvent the genre. He basically had 2 good movies (Devil's Rejects, Halloween), all other movies were pretty bad. House of 1000 Corpses was a ridiculously bad B-movie, Halloween 2 was bad even for a film school student, and those few parts that were good in Lords of Salem were copied from other movies. First Halloween reboot was only good, because he had a rich franchise with tons of information to build on.
He gets the look every time, I'll give him that, and I won't even make fun about how a grown up man calls himself "Zombie", but the content of his movies is a major letdown every single time. I'd never thought to say this, but in terms of innovative horror movies, I prefer Eli Roth before Zombie every day.
Rob is an awesome musician, and yes, maybe even a good director. But he is an horrible screenplay writer with no idea how to develop characters and dialogues. No wonder, all characters in "31" are superficial clichés with no debt, talking horrible stupid stuff, that is meant to sound smart. The "Doomhead" being so obviously being a Heath Ledger's Joker tribute just confirms that. Basically the most interesting character in the movie is a (bad) rip-off. And did he really need the slo-mo clap? That was so bad, I was close to turn off the TV.
Also,he really should stop to cast his wife for every female lead. If not married to him, she would never have become an actress, at least not in a main role. I don't care if she is hot (I by the way don't think so, she is SO skinny and looks old for her age), I care about acting skills.
Maybe, if Rob could direct a movie with a screenplay written by an experienced and talented writer...? But this way, letting him do whatever he wants, we get movies like "31".
So, the protagonists get abducted and sent into an Arena, to fight to death with some clowns with freaky names (Doomhead, Deathhead, Bashhead, and so on...). That's pretty much all, no more exposition or plot details. Why? No idea, and the movie does not care about explaining anything - being sick is basically it's only excuse and motivation. "Why do they do this?" "Because they have sick minds". "Aha. And why does Doomhead what he does? Does he get paid BIG time?" "Ah, he is sich minded". "What is special about Doomhead at all? To me does not look any more dangerous than the rest of the freaks?" "Ah, he is even sicker as them". And so on. A few freaky characters get shown, some people die, mainly by blade weapons, until an, in my opinion, pretty stupid ending.
Okay, there is some gore in the movie, which I appreciated. I did like the characters, even if superficial - but this made the movie even worse, because you are interested - but don't get any answers or backgrounds.
I also liked the Soundtrack a lot, I love all this 60s and 70s music, and it blended in nicely.
But the overall execution was just bad - ridiculous fighting choreographies, that gave me the impression, everything in this movie was filmed by first take (maybe they wanted to proudly say that they shot the movie in 31 days or something like this), especially the text passages of Sheri Moon Zombies. Man, stop letting her talk - no expression, no motivation, no acting. At all.
So, what can I say? I give 4/10, 4 points for having interesting characters (who never get developed in any way), a good soundtrack, some gore and a good colour correction).
But can I recommend this? Gosh, no, I cannot.
I have still hope for Rob Zombie, and I will see his next movie. But if this will be bad again, I am out of the Zombie business, because by then he will have delivered 3 bad movies in a row - in my world more than enough to lose my respect permanently.
Sorry, Zombie fans - I know you have another opinion and will probably flame me, but this is my personal view. In my eyes, "31" is a disappointing letdown. There could have been so much more, this could have been such a good movie. But for that another director or at least screenplay writer would have been necessary.
Maybe next time.
* (out of 4)
A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.
Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.
31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.
Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.
Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.
There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away utterly horrified by images I'd never seen before walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.
Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons but we can't tell who's getting chopped up and who's doing the chopping.
31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development silly villains that are far too easy for our heroes to kill pompous ringmasters that add nothing and could have been cut out completely it all made me want my $150 back.
I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.
Wusstest du schon
- WissenswertesRob Zombie's first crowdfunded film.
- PatzerIn the opening credits montage, presumably set in 1976, an obviously modern (21st century) truck front fender is seen in one of the cuts.
- Zitate
Doom-Head: Smoke in times of rest is a great companion to the solitary soldier. You know who said that? Do you know who said that?
Charly: Do you really think I give a fuck?
Doom-Head: It was everyone's favorite revolutionary Marxist, Che Guevara. Except I think he smoked a pipe. I always thought I'd appear rather pretentious with a pipe.
- VerbindungenFeatured in In Hell Everybody Loves Popcorn: The Making of 31 (2016)
- SoundtracksCall It A Day
Written by Peter Mendoza
Performed by Roy Fox and Al Bowlly
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
Top-Auswahl
- How long is 31?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Thirty-One
- Drehorte
- Downtown, Los Angeles, Kalifornien, USA(Murderworld)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.820 $
- Weltweiter Bruttoertrag
- 850.419 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1