IMDb-BEWERTUNG
6,7/10
7590
IHRE BEWERTUNG
Ein Auftragskiller, der traumatisiert ist, weil er bei einem Job versehentlich ein junges Mädchen getötet hat, erhält den Auftrag, ihre Mutter zu eliminieren, und beginnt den ultimativen Kam... Alles lesenEin Auftragskiller, der traumatisiert ist, weil er bei einem Job versehentlich ein junges Mädchen getötet hat, erhält den Auftrag, ihre Mutter zu eliminieren, und beginnt den ultimativen Kampf, um ihr Leben zu retten.Ein Auftragskiller, der traumatisiert ist, weil er bei einem Job versehentlich ein junges Mädchen getötet hat, erhält den Auftrag, ihre Mutter zu eliminieren, und beginnt den ultimativen Kampf, um ihr Leben zu retten.
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If you enjoyed "The Man From Nowhere", you will most likely enjoy this as well. It's not nearly as flawless as "The Man From Nowhere" which I will explain shortly.
The reason I bring up the "The Man From Nowhere" is that "No Tears For the Dead" (or "Crying Man" in Korean) is a very similar movie but shot on an entirely different canvas. What I mean is you have the typical protagonist or anti-hero with a vague background that gets slowly revealed and starts developing a conscience after botching his last assignment when he accidentally kills an innocent child. He is then hired to go after the child's mother but can't bring himself to do it after he starts developing feelings for her and races to save her from his and her employers.
"No Tears For the Dead" is in no way original and the story is almost forgettable since it's been done to death but the action sequences are what makes it stand apart. The bloody and brutal fight/shooting scenes gets your adrenaline going throughout the movie. The night shots of Los Angeles are especially gorgeous which reminded me of Michael Mann's signature visual shots of Los Angeles in his flawless crime thrillers, "Heat" and "Collateral".
The lack of character development in "No Tears For the Dead" is what makes "The Man From Nowhere" so much better. In "The Man From Nowhere", you actually cared about the characters and what the protagonist goes through to save his neighbor's child. Here, it is almost nonexistent since the action sequences leave no time for them to get acquainted. However, both use the exact same format of revealing the protagonists' past that made them become who they were and it is also effectively done in "No Tears For the Dead". I came to care about the protagonist but there should've been more between the killer and mother.
The ending was also disappointing since it wasn't clear what really happens to everyone. But the final scene was a good way to end the movie on a tragic note which pretty much explains the title of the movie.
Overall, it's not as good as "The Man From Nowhere" in terms of plot and character development, but "No Tears for the Dead" is nevertheless another enjoyable entry from its director.
The reason I bring up the "The Man From Nowhere" is that "No Tears For the Dead" (or "Crying Man" in Korean) is a very similar movie but shot on an entirely different canvas. What I mean is you have the typical protagonist or anti-hero with a vague background that gets slowly revealed and starts developing a conscience after botching his last assignment when he accidentally kills an innocent child. He is then hired to go after the child's mother but can't bring himself to do it after he starts developing feelings for her and races to save her from his and her employers.
"No Tears For the Dead" is in no way original and the story is almost forgettable since it's been done to death but the action sequences are what makes it stand apart. The bloody and brutal fight/shooting scenes gets your adrenaline going throughout the movie. The night shots of Los Angeles are especially gorgeous which reminded me of Michael Mann's signature visual shots of Los Angeles in his flawless crime thrillers, "Heat" and "Collateral".
The lack of character development in "No Tears For the Dead" is what makes "The Man From Nowhere" so much better. In "The Man From Nowhere", you actually cared about the characters and what the protagonist goes through to save his neighbor's child. Here, it is almost nonexistent since the action sequences leave no time for them to get acquainted. However, both use the exact same format of revealing the protagonists' past that made them become who they were and it is also effectively done in "No Tears For the Dead". I came to care about the protagonist but there should've been more between the killer and mother.
The ending was also disappointing since it wasn't clear what really happens to everyone. But the final scene was a good way to end the movie on a tragic note which pretty much explains the title of the movie.
Overall, it's not as good as "The Man From Nowhere" in terms of plot and character development, but "No Tears for the Dead" is nevertheless another enjoyable entry from its director.
The first half of this movie is rough to get through, with the exception of the initial scene, which sinks its hooks into you as any first scene of a movie should. But then it drags, painfully, and hits you with waves of cliches, the helpless damsel in distress being the most tiring for me. The action scenes are brutal and well filmed though, which in addition to the great acting saves this from damnation. The emotional ending I also have to applaud, and the climactic scene that precedes it.
Another great action thriller from South Korea!
For an action film, the first half might be considered slow, but this is an effective depiction of guilt and we get a very clear idea of the emotions our hero Gon (Dong-Gun Jang) is going through. The film is also a good study of how simple events lead to a scenario of being in the wrong place at the wrong time.
Dong-Gun Jang is good as a hitman overcome by guilt, and is every bit believable during the intense action scenes and the emotional scenes. The second half of the film is full-on action in a cat and mouse game as the protagonist outwit the antagonists. The action scenes are brutal, fast-paced, and thrilling!
As with most Korean films, this one is also very unpredictable.
For an action film, the first half might be considered slow, but this is an effective depiction of guilt and we get a very clear idea of the emotions our hero Gon (Dong-Gun Jang) is going through. The film is also a good study of how simple events lead to a scenario of being in the wrong place at the wrong time.
Dong-Gun Jang is good as a hitman overcome by guilt, and is every bit believable during the intense action scenes and the emotional scenes. The second half of the film is full-on action in a cat and mouse game as the protagonist outwit the antagonists. The action scenes are brutal, fast-paced, and thrilling!
As with most Korean films, this one is also very unpredictable.
This wasn't nearly as tightly written as Jeong-beom Lee's hit The Man from Nowhere 2010, as it was riddled with convoluted scenes and plot holes. The entire almost two-hour runtime didn't flow smoothly, even with the somewhat decent pacing. There was much clarity missing in many scenes, of which some of those could've been omitted. The narrative wasn't as engaging as it should've been. There were also many shake-your-head moments that were either too overdramatic, and/or unbelievable nonsense. It did have amazing action and gore scenes, with enough blood to make even the audience slip on it. The casting and performances were decent - although some cliched. The cinematography and score were on point. Nevertheless, it's not as bad as the critics say, and it's a fun one-time watch. Just don't expect this to be as great as Lee's 2010 gem of a film.
The movie is about a hit man from America's mid-west who is of Korean decent. When he botches what was supposed to be his last job by killing an innocent kid, he is sent to Korea to fix what he screwed up by killing the kid's mother.
It sounds a bit like a fish out of water story, but the movie only proves that the crime world is the crime world no matter what country you are from. Some of the criminals were speaking up to three different languages, but in the crime game there are only two languages in you really need to know money and guns.
The gun part was not as much as the money part but when the gun part was done it was violent, like Chow Yun Fat 80's style violent. The action sequences were stylish and bloody, just how I like it
The money part is where all the crime Drama comes in as it's about a Korean gang uses a legit network to launder Triad money, The plot tries to be complex with the an everyone is not who they seem kind of situation. They film also tries to give some depth to the main character showing us why a harden hit man would allow an accidentally killing to melt his heart like it did. For me the story was not as complex as the action sequences.
Some of the midsection could use more gun play, but overall it was a great seeing it.
It sounds a bit like a fish out of water story, but the movie only proves that the crime world is the crime world no matter what country you are from. Some of the criminals were speaking up to three different languages, but in the crime game there are only two languages in you really need to know money and guns.
The gun part was not as much as the money part but when the gun part was done it was violent, like Chow Yun Fat 80's style violent. The action sequences were stylish and bloody, just how I like it
The money part is where all the crime Drama comes in as it's about a Korean gang uses a legit network to launder Triad money, The plot tries to be complex with the an everyone is not who they seem kind of situation. They film also tries to give some depth to the main character showing us why a harden hit man would allow an accidentally killing to melt his heart like it did. For me the story was not as complex as the action sequences.
Some of the midsection could use more gun play, but overall it was a great seeing it.
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- WissenswertesIn order to get in character, JANG Dong-gun underwent intense training physically and mentally. He trained with a U.S. special operations unit so that he could move like the killer Gon is and even read essays by real adoptees to truly understand his character's emotions and trauma.
- PatzerNo people resides in the building where the Cops are killed. There were bomb blast and Gun firing and so on but no person came out of their houses.
- Alternative VersionenIn the original version the title appears in Korean and there are Korean captions for the English dialogues, while in the international version the title appears in English with no captions.
- VerbindungenReferenced in Taapmaan
- SoundtracksSmooth Operator
Written by Sade (uncredited) and Ray St. John (uncredited)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- Nước Mắt Sát Thủ
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 63.063 $
- Eröffnungswochenende in den USA und in Kanada
- 8.329 $
- 15. Juni 2014
- Weltweiter Bruttoertrag
- 89.813 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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