Eine geschiedene Frau wird in die Suche nach einer vermissten Frau verwickelt und muss einige, sie nachhaltig schockierende Erfahrungen machen.Eine geschiedene Frau wird in die Suche nach einer vermissten Frau verwickelt und muss einige, sie nachhaltig schockierende Erfahrungen machen.Eine geschiedene Frau wird in die Suche nach einer vermissten Frau verwickelt und muss einige, sie nachhaltig schockierende Erfahrungen machen.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 4 Gewinne & 13 Nominierungen insgesamt
Edgar Ramírez
- Dr. Kamal Abdic
- (as Édgar Ramírez)
Cleta Elaine Ellington
- Oyster Bar Woman
- (as Cleta E. Ellington)
Empfohlene Bewertungen
I read some of the reviews here, and came with very low expectations to this movie, and WOW, what a pleasant surprise! Blunt gives here the show of her life, way above the level of acting in "edge of tomorrow". The story itself takes time to build but it all adds to the atmosphere, and finally you get a fair amounts of twists and turns. Bennett and Ferguson also acting very well, which all adds (to my opinion) to a great film. And to all the men that say it's a "men hating" film, I say that you really have a low self-confidence to come up with such a statement... I would risk to say it's one of my 2016 best films, and I will be surprised if Blunt will not be an Oscar nominee for this film.
Well, I enjoyed this movie to the point I would watch it again to catch some of the nuances you miss during first viewing. The story is a bit complicated with several couples in overlapping relationships, but that makes it interesting. The actors are all good with real responses to the surprise events. Unveiling the main character's, Rachel, story in drunken snippets adds to the tension. Some other reviewers complain about plot points that don't make sense but, in some cases, it's because the reviewer did not understand the plot and the inter-relationships of the characters. Special credit to Emily Blunt and Haley Bennet for portraying the angst in their personal situations.
To say the least, "The Girl On The Train" is a very dark movie. Unsettling. Confusing. Even baffling. There's an uneasy feel to this from the start. Something's off. Something's not right. Is this even reality, or is it a fantasy taking place inside the mind of a very disturbed woman? The disturbed woman in this case is Rachel (Emily Blunt.) She's an alcoholic and rides the same train every day, past the house where she used to live with her ex-husband. She sees their neighbours, and wonders about them and about their relationship. The female neighbour is the nanny to her ex-husband, his new wife and their baby. The movie mixes the story of all three (Rachel, Anna - the new wife, and Megan - the nanny) together. What drives it forward is that Megan has gone missing, and the question is what happened to her and who was responsible.
For a while I found this an unpleasant movie to watch. To be honest, I had to turn it off at about the half hour mark. It wasn't hitting home with me. But there was something about it that drew me back; I needed to see how this was going to turn out. In the end I was glad that I did. It overcomes the bleakness of the first half hour and although it still seems to walk the line uneasily between fantasy and reality, the mystery involved gets more and more engrossing, and the plot twist (you knew something had to be coming) happens with about a half hour to go - and it was, to me at least, completely unexpected. Not all is as it seems to be. The inter-twining of the stories of Rachel, Anna and Megan leads up to a sobering finish.
In the end I was surprised to discover that I was actually quite awakened from the slumber-inducing first half hour or so and really wanted to see how this was going to end. Emily Blunt's portrayal of Rachel was strong. The supporting cast was all right - I didn't think there were any outstanding performances aside from Blunt's, but it was Blunt's movie, and she pulled it off. It has to overcome that slow and bewildering first half hour, and it won't appeal to those who want a straightforward plot or who are put off by a movie with overtly dark tones. But by the time this was over I could honestly say that I was glad I watched it. (6/10)
For a while I found this an unpleasant movie to watch. To be honest, I had to turn it off at about the half hour mark. It wasn't hitting home with me. But there was something about it that drew me back; I needed to see how this was going to turn out. In the end I was glad that I did. It overcomes the bleakness of the first half hour and although it still seems to walk the line uneasily between fantasy and reality, the mystery involved gets more and more engrossing, and the plot twist (you knew something had to be coming) happens with about a half hour to go - and it was, to me at least, completely unexpected. Not all is as it seems to be. The inter-twining of the stories of Rachel, Anna and Megan leads up to a sobering finish.
In the end I was surprised to discover that I was actually quite awakened from the slumber-inducing first half hour or so and really wanted to see how this was going to end. Emily Blunt's portrayal of Rachel was strong. The supporting cast was all right - I didn't think there were any outstanding performances aside from Blunt's, but it was Blunt's movie, and she pulled it off. It has to overcome that slow and bewildering first half hour, and it won't appeal to those who want a straightforward plot or who are put off by a movie with overtly dark tones. But by the time this was over I could honestly say that I was glad I watched it. (6/10)
I watched this straight after the book and I think reading the book first was a big mistake (the book was brilliant!). They cut out so many parts of the book which made their personality traits believable and to understand why they were the way they were and actually feel empathy for the characters. I think the film wouldn't have been such a disappointment for me if the book wasn't such a page turner, so if you've already read the book - don't bother with this film.
From the start to the ending i could not take my eyes away from the movie. I was in some sort of trance. I could feel the pain that the caracteres felt. I was blown away how the movie was construted.
Wusstest du schon
- WissenswertesEmily Blunt would wear bloodshot contact lenses for the scenes in which she's heavily inebriated. She also wore prosthetics on her cheeks to make them look slightly plumper.
- PatzerWhen Rachel and the woman she is chatting to in the bar say "F**k you, Anna Boyd" into Rachel's smartphone camera they say it at the same time, but when Rachel plays it back later their voices are not in harmony.
- VerbindungenFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- La chica del tren
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 75.395.035 $
- Eröffnungswochenende in den USA und in Kanada
- 24.536.265 $
- 9. Okt. 2016
- Weltweiter Bruttoertrag
- 173.185.859 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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