Follow the Money

After the murder mystery suspense of the Killing and the Bridge followed by the political intrigue of Borgen. Follow the money takes us into the corrupt world of high finance and insider dealing. Of course no Danish drama would be complete without the odd murder thrown in and each character has personal and less than satisfactory family lives to deal with. It is a little slower than than some of its predecessors but nevertheless Follow The Money is a more than adequate addition the Nordic Noir genre.

Another very watchable series, though not quite on par with Borgen. The characters are a bit lop-sided in terms of believability, but the acting is generally very good with a few excellent main characters.

The storyline sometimes gets sidetracked and a bit absurd, but this is fiction and enjoyable entertainment. It may not be the usual fast-paced show that is geared towards a juvenile mind, but it is well done and the dialogue is mature and believable on the whole.

Scandinavian drama is a great alternative and companion to the many excellent British police/investigative and serious dramas we love to watch.

The opening credits set forth the theme of Jeppe Gjervig Gram, Jannik Tai Mosholt, and Anders Frithiof August's thriller. The protagonists are photographed in washed-out colors, in front of a filter showing water rising slowly from the bottom to the top of the frame. This suggests that they are somehow drowning; not physically drowning, perhaps, but unable to cope with a world riddled with corruption.

This image is reinforced during the ten-part thriller through a tripartite plot. The chief executive of a Danish energy firm, Energreen (Nikolaj Lie Kaas) has ambitions to monopolize the market and is prepared to go to any lengths to achieve his aims - murder, corruption, manipulation. He enlists the services of idealistic lawyer Claudia (Natalie Madueño), and leads her on a series of increasingly violent adventures across Europe - Copenhagen, London, Paris, Rome. Deputed to investigate the case, police officer Mads (Thomas Bo Larsen) has his own domestic problems, as his wife Kristina (Line Kruse) dumps him for a doctor. The third plot focuses on car mechanic Nicky (Esben Smed Jensen) who finds a bag full of loot belonging to Energreen and tries his best to profit as a result, even if that results in blackmail.

The plot twists and turns throughout the ten episodes, providing sufficient cliff-hangers for viewers to continue watching. In truth, however, its pace is often painfully slow; little attention has been paid to either character-development or examining how the claustrophobic environment of the urban office can often restrict people's emotions, as well as their behavior. As a result the plot often seems rather contrived: each episode has to have its hook at the end, but frequently viewers see what that hook is going to be, even before the episode has concluded.

The series does possess its saving graces, including atmospheric cinematography from a variety of camera people, creating a gray world in which very little happiness seems to exist, other than the happiness provided by money. It seems that capitalist values have been left to flourish unrestricted, with the result that everyone, from the highest to the lowest social classes, is out to profit at others' expense. A profoundly depressing view of Western European life, to be sure.

Strong Danish drama 'Follow the Money' proves you don't have to centre a story on murder (not that there aren't some of those) to have a strong detective drama. The Scandinavian realist approach will be familiar to viewers of 'The Killing' or recent Icelandic drama 'Trapped'; but there's less emphasis on mood-building, and more direct focus on the story (in the manner of 'Borgen'). Ultimately, it's almost an impossible task to make a drama out of a fraud, and bits of the series seem a little too simplistic to make sense, in spite of the intricacy of the plotting; likewise, one sympathises vaguely with the characters without caring too deeply. But the pace is nicely judged, and it makes for addictive viewing.

Energreen is a company that is tipped to be a leading player in the renewable energies market. Headed by a young, charismatic go getter in the shape of Alexander Sødergren. They are looking to expand even further and hopefully float the stock too for a great mound of cash. The thing is when a thing is too good to be true then it usually isn't.

So when things start to unravel they have alternative tactics to close things down. This can mean paying off the culprits or maybe not. We have the parallel story of the fraud squad, the cops and a mechanic who all get involved in the goings on at this ever so green company. It is a web of intrigue where no prisoners are ever going to be taken.

Now this is Danish so falls nicely into the Nordic Noir genre of which I am a big fan. This has all the usual things you would expect in terms of a high calibre production and excellent acting. Thomas Bo Larsen as Mads, the police lead, is simply superb as the driven man but with marital strife and other problems. The full cast though are all exceptional. I really enjoyed this, so much so that I put off watching the final episode for a torturous three days – finally saw it last night and it keeps the guessing going till the final scene – seriously recommended.