Füge eine Handlung in deiner Sprache hinzuA deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challengin... Alles lesenA deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challenging the accepted narrative.A deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challenging the accepted narrative.
- Regie
- Drehbuch
- Hauptbesetzung
- Self - Manson Family Leader
- (Archivfilmmaterial)
- Self - Convicted Murderer
- (Archivfilmmaterial)
- (Synchronisation)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Shooting Victim
- (Archivfilmmaterial)
- (as Bernard 'Lotsapoppa' Crowe)
- Self - Susan Atkins' Cellmate
- (Archivfilmmaterial)
- Self - Susan Atkins' Cellmate
- (Archivfilmmaterial)
- Self - Music Producer
- (Archivfilmmaterial)
- (Synchronisation)
Zusammenfassung
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A 4-part series would have at least allowed for the time to explore so much more of the backstory and details that were in the book. I guess maybe it's possible that they will make Chaos a series of documentaries about the different parts of the book, but if not, this was a real let down for me.
I highly recommend the book by Tom O'Neill if this documentary at least piqued your interest.
At the start of the documentary, Manson is shown proclaiming that he is not a nice man, but his would-be followers insisted that he is; they needed to view him as "nice" and thereby safe, perhaps helped by his diminutive stature, so he admitted to "reflecting nice back to them". People like Manson wield enormous influence over some simply because their superpower is sniffing out the weaknesses and vulnerabilities of others, and using that to their advantage. This superpower is often the result of severe childhood trauma and/or neglect, where the child does not have any healthy adult role models to learn empathy from, and views other people as merely tools to survive and get their needs met.
A cursory search into Manson's childhood revealed an alcoholic mother who was ill-equipped to raise him, a biological father that he never knew, and a step-father who flagged the mother for "gross neglect of duty". It is therefore no surprise that Manson's life was characterised by anti-social and criminal behaviour. In an ironic twist, the people most susceptible to those like Manson, such as Manson's followers, are usually themselves lost children seeking the guidance and love they never received from their parents. This shared experience of childhood trauma, and subsequent trauma bonding, is why Manson had such a hold over those he sent out to do his bidding. Manson himself was a scared child faking bravado to face the big bad world; that he ran away after injuring Hinman, leaving Beausoleil to deal with it, and how he delegated the killings to his followers proved what a coward he truly was.
As Beausoleil put it, Manson was not a mastermind. Far from it, he was instead a broken child in a man's body, hateful at the world for thwarting his desires, and the murders were his misguided way of taking revenge and exerting his will. That the documentary failed to explore any of his psychology and childhood, as well as that of his followers, makes it incomplete because the conspiracy theories are ultimately not as compelling as the truth behind Manson's deranged machinations. The only thing I got out of it was that Manson was a competent musician and songwriter. Perhaps in a parallel universe, where he had better parents and childhood, he might have become a successful musician, adored by many, instead of this infamous trainwreck of a human being.
Couple of comments: this is based on Tom O'Neill's book "Chaos: Charles Manson, the CIA, and the Secret History of the Sixties", in which he wonders whether the CIA somehow was involved in all this as it was working on a secret project called CHAOS to understand how to control people's minds. I have not read that book, and frankly I would not have been all that interested in watching this documentary, but for the fact that this is directed by the Oscar-winning Errol Morris ("The Fog of War"). Morris interviews O'Neill extensively, and makes it clear that he (Morris) is quite skeptical about O'Neill's original premise. One of the things that sets this documentary apart from the many other documentaries about these events is that Morris pays close attention to Manson's music (the lack of getting signed by a label; even better: the use of 8 songs sung by Manson, culled from his 1968 demoes).
"Chaos: The Manson Murders" recently started streaming on Netflix. After reading an interesting review on it in yesterday's NY Times, and realizing that Errol Morris directed this, I watched it last night. The documentary is currently rated 66% Certified Fresh on Rotten Tomatoes, which sounds about right to me. If you have an interest in the Manson murders now 56 years later, I'd readily suggest you check this out, and draw your own conclusion.
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Tom O'Neill: Frankly, I still don't know what happened. But I know that what we were told isn't what happened.
- VerbindungenFeatures Botschafter der Angst (1962)
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- Caos: Los crímenes de Manson
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