Füge eine Handlung in deiner Sprache hinzuA deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challengin... Alles lesenA deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challenging the accepted narrative.A deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challenging the accepted narrative.
- Regie
- Drehbuch
- Hauptbesetzung
- Self - Manson Family Leader
- (Archivfilmmaterial)
- Self - Convicted Murderer
- (Archivfilmmaterial)
- (Synchronisation)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Family Murder Victim
- (Archivfilmmaterial)
- Self - Manson Shooting Victim
- (Archivfilmmaterial)
- (as Bernard 'Lotsapoppa' Crowe)
- Self - Susan Atkins' Cellmate
- (Archivfilmmaterial)
- Self - Susan Atkins' Cellmate
- (Archivfilmmaterial)
- Self - Music Producer
- (Archivfilmmaterial)
- (Synchronisation)
Zusammenfassung
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There is no narrative here, no explanation of the theories on which the film is allegedly based, namely the book by Tom O'Neill. I've read the book, which is quite fascinating, but if you haven't, there is just no way to follow the random bits and pieces thrown out by this documentary.
Case in point, O'Neill is briefly interviewed, but without any explanation of who he is. O'Neill briefly discusses some of the shadowy players associated with the Manson saga like Jolly West and Roger Smith, but little information is given about why they were relevant and what they did or might have done. Music industry people like Brian Wilson, Terry Melcher and Gregg Jakobsen are briefly mentioned, but with little background on their relationship to each other or Manson.
The film is a complete waste of your time. If you are truly interested, read O'Neill's book and skip this incoherent trainwreck.
Massively overproduced, it jumps from one theory to the next, not explaining anything in that process, if moves from cutaway to split screen interviews in the most erratic fashion.
Honestly just stick to the book instead, it truly is the most fascinating read, contrast that to this chaotic film, night and day.
Good luck if you can stick with it, I found myself skipping back to try and see what point they were tying to make.
There's clearly some interesting footage, but it's lost in a myriad of cutaways and shots.
Netflix, this sucked.
4/10.
At the start of the documentary, Manson is shown proclaiming that he is not a nice man, but his would-be followers insisted that he is; they needed to view him as "nice" and thereby safe, perhaps helped by his diminutive stature, so he admitted to "reflecting nice back to them". People like Manson wield enormous influence over some simply because their superpower is sniffing out the weaknesses and vulnerabilities of others, and using that to their advantage. This superpower is often the result of severe childhood trauma and/or neglect, where the child does not have any healthy adult role models to learn empathy from, and views other people as merely tools to survive and get their needs met.
A cursory search into Manson's childhood revealed an alcoholic mother who was ill-equipped to raise him, a biological father that he never knew, and a step-father who flagged the mother for "gross neglect of duty". It is therefore no surprise that Manson's life was characterised by anti-social and criminal behaviour. In an ironic twist, the people most susceptible to those like Manson, such as Manson's followers, are usually themselves lost children seeking the guidance and love they never received from their parents. This shared experience of childhood trauma, and subsequent trauma bonding, is why Manson had such a hold over those he sent out to do his bidding. Manson himself was a scared child faking bravado to face the big bad world; that he ran away after injuring Hinman, leaving Beausoleil to deal with it, and how he delegated the killings to his followers proved what a coward he truly was.
As Beausoleil put it, Manson was not a mastermind. Far from it, he was instead a broken child in a man's body, hateful at the world for thwarting his desires, and the murders were his misguided way of taking revenge and exerting his will. That the documentary failed to explore any of his psychology and childhood, as well as that of his followers, makes it incomplete because the conspiracy theories are ultimately not as compelling as the truth behind Manson's deranged machinations. The only thing I got out of it was that Manson was a competent musician and songwriter. Perhaps in a parallel universe, where he had better parents and childhood, he might have become a successful musician, adored by many, instead of this infamous trainwreck of a human being.
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Tom O'Neill: Frankly, I still don't know what happened. But I know that what we were told isn't what happened.
- VerbindungenFeatures Botschafter der Angst (1962)
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- Caos: Los crímenes de Manson
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- Laufzeit1 Stunde 35 Minuten
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