IMDb-BEWERTUNG
6,2/10
5161
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA fishing trip in the Aegean Sea among a sextet of friends becomes the perfect setting for a relentless contest of male dominance. Everything can spark a fierce competition; but, only one ca... Alles lesenA fishing trip in the Aegean Sea among a sextet of friends becomes the perfect setting for a relentless contest of male dominance. Everything can spark a fierce competition; but, only one can wear the precious chevalier. Who will it be?A fishing trip in the Aegean Sea among a sextet of friends becomes the perfect setting for a relentless contest of male dominance. Everything can spark a fierce competition; but, only one can wear the precious chevalier. Who will it be?
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 18 Nominierungen insgesamt
Yannis Drakopoulos
- Steward
- (as Giannis Drakopoulos)
Katerina Vrana
- Woman on Skype
- (Synchronisation)
Olia Lazaridou
- Woman on the Phone
- (Synchronisation)
Empfohlene Bewertungen
The film is about a bunch of men overtly engaging in comparing their status and worth. This sounds as comedic a premise as any, but the director is quite restrained and doles out the funnies in a languid tempo (although there is certainly a climax to the proceedings). The writing is very good, and takes care to provide details that deftly flesh out the characters: these are not rah-rah bros, the relationships among them are subtle and fuel much of the action. The actors are quite brilliant, always shy of hamming it up, perhaps tellingly so.
This is what I found most impressive about the film, the sense of director's control of the material. You could milk this premise for a lot of cheap laughs, but the film feels free to go broad or subtle, just hint at hilarious episodes, take the time to enjoy the view from the boat, linger a while at the harbour before going back home. At all times however the perspective is assured, the characters are never made fun of, and the viewer is invited to witness as much silliness as they like.
I am docking a bunch of points because all this restraint on balance does gets a bit draining, but I think that everyone will enjoy the time spent at the company of these gentlemen.
This is what I found most impressive about the film, the sense of director's control of the material. You could milk this premise for a lot of cheap laughs, but the film feels free to go broad or subtle, just hint at hilarious episodes, take the time to enjoy the view from the boat, linger a while at the harbour before going back home. At all times however the perspective is assured, the characters are never made fun of, and the viewer is invited to witness as much silliness as they like.
I am docking a bunch of points because all this restraint on balance does gets a bit draining, but I think that everyone will enjoy the time spent at the company of these gentlemen.
Chevalier is the tale of six men on a fishing trip who decide to begin a competition to determine who among them is "the best in general". What begins as a harmless game begins to get to each character in different ways as they start worrying about their own faults as well as others'.
What struck me most about this movie is how they managed to balance the surreal humour (similar to The Lobster and Dogtooth also co-written by Efthymis Filippou) with a more realistic vibe. What really works is how you actually sort of understand how things could escalate in such a ridiculous way as soon as the ego is brought into it, and you believe in the characters as real people with real motivations.
It also appears to have a warm heart beating under the surface, with several touching moments between the companions and a great sense of camaraderie, despite the fact that they're all desperate to win.
I watched this film in a small cinema with around 50 other people packed in, and throughout the film was none stop laughter.
Part surreal buddy comedy, part satire of the human condition, well worth checking out.
What struck me most about this movie is how they managed to balance the surreal humour (similar to The Lobster and Dogtooth also co-written by Efthymis Filippou) with a more realistic vibe. What really works is how you actually sort of understand how things could escalate in such a ridiculous way as soon as the ego is brought into it, and you believe in the characters as real people with real motivations.
It also appears to have a warm heart beating under the surface, with several touching moments between the companions and a great sense of camaraderie, despite the fact that they're all desperate to win.
I watched this film in a small cinema with around 50 other people packed in, and throughout the film was none stop laughter.
Part surreal buddy comedy, part satire of the human condition, well worth checking out.
Divers return with their catch to a mega-yacht at anchor in the Saronikos Sea. These guys have riches, leisure, health and care-free lives. With this much testosterone in a confined space there is bound to be trouble. It comes in the form of a contest to determine who the best is at everything. The winner is awarded a trophy ring from the others. It doesn't take long for each paragon of machismo to morph into a man-child.
The men grade each other on skills, assets and accomplishments including such things as posture, teeth, cooking, politeness, virility, underwear and how quickly they can put together a shelf. Points are taken away for rudeness, bad singing, snoring or drooling in your sleep. The film began with so much promise. The location was fantastic, the theme was intriguing and the characters were interesting. It all was fabulous in the beginning. It just didn't come together very well or maintain its sway. The acting, scenery, depth, story and editing collapsed toward the end. Seen at the Toronto International Film Festival 2015.
The men grade each other on skills, assets and accomplishments including such things as posture, teeth, cooking, politeness, virility, underwear and how quickly they can put together a shelf. Points are taken away for rudeness, bad singing, snoring or drooling in your sleep. The film began with so much promise. The location was fantastic, the theme was intriguing and the characters were interesting. It all was fabulous in the beginning. It just didn't come together very well or maintain its sway. The acting, scenery, depth, story and editing collapsed toward the end. Seen at the Toronto International Film Festival 2015.
The so called "Greek Weird Wave" returns with another entry, this time a comedy directed by Athina Rachel Tsangari (best known for ''Attenberg"). The co-writer of "Dogtooth" and "The Lobster" Filippou assists her efforts to make an unconventionally funny and somewhat disturbing comedy. As the jury in London Film Festival (Best Film award for the movie there) stated "Chevalier is a study of male antagonism seen through the eyes of a brave and original filmmaker. With great formal rigour and irresistible wit, Athina Rachel Tsangari has managed to make a film that is both a hilarious comedy and a deeply disturbing statement on the condition of western humanity". Well, that's accurate but the formal rigour in all (post)modern Greek movies is getting a bit tiring and the movie is a funny comedy but not really a hilarious one. Yet the film is probably a bit better that George Lanthimos' uneven last entry "The Lobster". So if you are a Greek Weird Wave fan you should check it out and a few good laughs are guaranteed.
Grade: B-
Grade: B-
While I appreciated "Attenberg" - which was the somewhat complementary study of women behaviour as "Chevalier" does for men - this film left me wondering.
Entertaining it wasn't and even at 1,5x speed it felt like a slow chore to get to the end. A reviewer suggested this might be how women see men, and that might explain why I didn't enjoy watching it, nor understood its purpose.
It's therefore simply my male fault. Furthermore I may find women more interesting than men and honestly IRL I would have immediately avoided these men as soon as I got their attitudes figured out (making me the true best one? ^^). Attitudes which are an inconsistent mess of illusionary beliefs, kindergarten competitiveness and theatrical exibitionism while searching for examples, allies and subjects, bestowing piety for the weak and no mercy for the adversaries.
Are women really that different? I'm not sure; still the writer-director here thinks so and focuses on this side of maledom.
An opinable, well produced ethological "study" but not really my idea of a good movie.
Entertaining it wasn't and even at 1,5x speed it felt like a slow chore to get to the end. A reviewer suggested this might be how women see men, and that might explain why I didn't enjoy watching it, nor understood its purpose.
It's therefore simply my male fault. Furthermore I may find women more interesting than men and honestly IRL I would have immediately avoided these men as soon as I got their attitudes figured out (making me the true best one? ^^). Attitudes which are an inconsistent mess of illusionary beliefs, kindergarten competitiveness and theatrical exibitionism while searching for examples, allies and subjects, bestowing piety for the weak and no mercy for the adversaries.
Are women really that different? I'm not sure; still the writer-director here thinks so and focuses on this side of maledom.
An opinable, well produced ethological "study" but not really my idea of a good movie.
Wusstest du schon
- WissenswertesOfficial selection by Greece for the 2017 Academy Awards
- SoundtracksPagan Rhythms
Composed and performed by Patrick Cowley
Publisher Dark Entries Records (ASCAP)
©Dark Entries Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Chevalier Athina
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 25.696 $
- Eröffnungswochenende in den USA und in Kanada
- 5.968 $
- 29. Mai 2016
- Weltweiter Bruttoertrag
- 77.590 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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