A Good Man - Gegen alle Regeln

OMG, why is Steven Seagal talking with a fake ethnic diction in this movie? What a farce and I could only think of Tropic Thunder. Overall action, plot, and acting are very subpar. After 30 minutes, I realized that A Good Man was a very bad movie.

There is something very creepy about Mr Segal's character being attracted to the young lead actresses character and she with him. One is 64 and the other is 29. I know it can happen but it is just unbelievable as portrayed in this film, and once there is one daft strand, the rest of the film falls and fails. This could have been a half decent film but the dialogue is poor, the acting wooden and the action scenes poor. The goodies recover from violent beatings far too easily, and the baddies always lose quickly. Why are the baddies always such poor shots. I am a fan of Mr Seagal but this film lets him down, as a few others have and I just wish he would stop making them.

An American action thriller; A story about a former U. S. Special Operations soldier living off-the grid in Eastern Europe after a covert operation in Russia ends in disaster. This is a prequel to Force of Execution (2013) which showed John Alexander as a crime lord in New Mexico. The film has a well-worn plot, a retired toughman expert utilising old skills for a neighbour under threat. The trouble is it barely touches on character development or gritty drama so when Seagal as the lead doesn't figure much in the showpiece action sequences it is a major flaw for an action movie. The well choreographed fighting sequences feature other characters. Nevetheless, the prologue sequences set the tone well and the final scenes raise it half a notch. Pity about the middle.

I used to love Seagal's movie, his fighting style, even over the years, he is getting old, his movie is getting old, but it is OK, I still enjoyed it.

But, this movie is killing me....throughout the movie, the most said line by Seagal is mother...er,

the fight scene is joke, other actors has to get in the position and pause so Seagal can do his move... They probably got his sword from a dollar store judge by its look. The most expense on the equipment could well be the remote airplane they called drone in the movie.

And the actors, omg, if I didn't know, and I didn't start from the beginning, I would thought it was a low budget porn movie without the porn.

What can I say?

You are warned.

A GOOD MAN is the Steven Seagal version of the South Korean action classic THE MAN FROM NOWHERE. You know, the one about a retired special ops executive who happens to live next door to a young woman and her daughter who are at risk from thugs and local gangsters. Before you know it, Seagal's wading into the mess and kicking Russian gangster backside with aplomb.

Well, that's the idea, but this low rent, low budget film from Seagal's regular director Keoni Waxman is in every respect a lesser work. Shot on the cheap in Romania, it feels serviceable as an action film, and has a string of nicely violent fight scenes, but overall is a very average viewing experience. The fight choreography is average - and Seagal is STILL being doubled, even though he must know people hate that - but the story is messy and unfocused, with too many supporting characters who add little to the plot. Who's the real protagonist here anyway, Seagal or the father character who has a few good fight skills of his own? You won't know and, like the majority of Seagal's output these days, you won't really care either.