Travel series that continues the filmmaker's legacy of blending minimalist aesthetics with profound cultural introspection. The series chronicles Sergey A.'s journeys across Russia, focusing on lesser-known towns, historical landmarks, and the quiet beauty of everyday life. Combining elements of ethnographic observation and poetic storytelling, it stands as a stark contrast to his earlier trash-horror works like "Nettle" and "Jaws 19", showcasing his versatility as a creator.
True to Sergey A.'s signature style, the series is shot on a shoestring budget, using handheld cameras and natural lighting. Episodes often feature improvised interactions with locals, creating an intimate, unpolished charm.
The series is organized into thematic arcs, such as the 4-episode river cruise aboard the "Knyazhna Victoria" and the 5-part exploration of St. Petersburg and its suburbs. This structure allows deep dives into regional identities, from the golden-domed churches of Sergiev Posad to the Soviet-era industrial landscapes of Cheboksary.
The juxtaposition of ancient monasteries, Soviet relics, and modern kiosks creates a visual timeline of Russia's layered history, echoing themes from his earlier documentary "Moscow We Will Lose" (2019).
Long static shots of landscapes (e.g., the Volga at dawn) evoke Tarkovskian meditativeness, while shaky close-ups of market crowds channel the raw energy of "cinéma vérité".
Episodes lack traditional narrative arcs, instead favoring impressionistic montages. In the Peterhof episode, rapid cuts between gilded statues and cracked pavements mirror the dissonance of Russia's imperial past and precarious present .
Though niche, "Diaries of the Traveler" has garnered a dedicated following for its unflinching portrayal of provincial Russia. Critics praise its "quiet radicalism" in an era dominated by glossy travel vlogs, though some find its pacing overly languid . The series has also sparked online debates about cultural preservation, with viewers organizing grassroots campaigns to restore sites featured in the episodes .
"Diaries of the Traveler" is a triumph of observational filmmaking. While it lacks the frenetic energy of Sergey A.'s earlier horror-comedies, its contemplative gaze offers a poignant counterpoint to Russia's oft-caricatured image. For fans of cultural anthropology, this series is a must-watch-a reminder that the most profound stories are found not in landmarks, but in the spaces between them.
"A love letter to Russia's hidden soul-equal parts elegy and ode."
