Morgen ist Schluss - Der Anfang

Did this come on the wave of Breaking Bad? Yes it did. And still I appreciated the movie and it surely includes some witty parts. The presentation of the characters at the beginning is hilarious, sad and funny at the same time, relatable for a lot of young Italians that found themselves in the same situation in the past 10/20 years.

Others have pointed out at all the different, and actually quite legitimate, inspirations from Breaking Bad to La banda degli onesti, etc.

What I see here is a caustic condemnation for a system which wastes young brains in a corrupt, inefficient loop of despair.

It is sad but unfortunately true that some are overprotected while others have to struggle endlessly.

The final scene is quite subdued but could have been exploited in a more dramatic way.

While I was reluctant to watch it, fearing the usual unpleasant onslaught of so-called New Italian Comedy, I'm glad I finally did. And can recommend it if you like the bittersweet bite of social critique with a few interspersed gags.

It is a italian style comedy, but the quality is much higher than recent italian comedies. It is a smart movie, well conceived in everything, in the cast, in the ideas of the script, in the characters, and it is greatly enhanced from a nice color grading (post production work) and the choice of the songs. It describes perfectly the situations of thousands of graduated and Post doctorates who struggle in life, in a caricatural way, the situation of work in Italy, but these thematic is treated in a funny and light way. It is a movie that let you more laughing than thinking. I suggest to watch also the following movies, of this Trilogy very well conceived and done.

I'll just keep this to a fairly brief synopsis and let you know that the film pretty much has it all. Extremely funny/likeable characters, excellent plot/story-line, a lot of dark and light humour, just enough violence to make things realistic, all mixed together into an extremely enjoyable couple of hours. I didn't want the film to end, to tell you the truth.

What a concept - a bunch of ex-University professors i.e. intellectual nerds - stumble upon a way to make money by inventing a new drug molecule that is not on the illegal list in Italy. Through their combined biological/historical/mathematical knowledge, they happen to make one of the most sought after 'smart drugs' on the market. But of course things get very complicated and go south very quickly.

I'll leave it at that, but you will absolutely love the ride. Again, a brilliant effort and one of the best movies I've seen in a while.

The Italian equivalent of Breaking Bad is not surprisingly somewhat more light-hearted and funny, the film's popular success seeing it nominated for 10 David Di Donatello awards. Smetto Quando Voglio (I Can Quit Anytime I Want) stars Edoardo Leo as Pietro, a professor of molecular biology who is finding that his work is not really being valued at the college he teaches. He has a terrific new research thesis, potentially Nobel prize winning material, but no-one even understands it, much less respects his work.

More importantly, as far as his wife is concerned, all his research doesn't pay the mounting bills, so Pietro hasn't the heart to tell her that he is in danger of losing his job. Even the private tutoring isn't paying, his students preferring to spend huge amounts of money on recreational drugs; expensive drugs that are cheap to make. Bing! Cheap and easy to make for a professor in molecular biology, particularly one who has just developed a new theoretical program that can be tweaked to be a psychotropic substance that isn't on the list of illegal substances because it doesn't exist yet.

Gathering the best minds of academia behind it - all former colleagues of Pietro who have been left struggling in badly paid manual labour jobs - not only is it going to be the best drug ever, it's going to be the best organised operation ever. As long as they can keep from attracting the attentions of the local mafia, as long as Pietro's wife doesn't find out what he is doing and as long as all the money and hookers that come as part of the package don't impinge on the success of their operation. Obviously that's exactly what happens, but luckily they can give it up anytime they want...

Smetto Quando Voglio succeeds partly because it has a basis in the reality that reflects the problems of funding and the value given to the academic professions, and the difficulty it has competing when students have other 'outside interests', but it mainly works because it is quite funny. It's largely a situational comedy, the main joke being the idea of a bunch of eggheads including an archaeologist, a cultural anthropologist, an economist and a molecular biologist, having to apply their learning to being petrol pump attendants or a dishwasher in a restaurant kitchen, and then becoming drug kingpins who rob pharmacies with guns from the Napoleonic wars.

The humour is light-hearted then, and there's nothing too flash about the script or the direction, although the high-saturation luminous colour scheme does give the film a nice contemporary feel that just makes the drug-running professors look even more out of place in the criminal underworld. It's the performances that keep it running, headed up by Edoardo Leo, who would go on to direct his own version of an unlikely team setting themselves up in business against the mob in Noi e la Giulia in 2015.