Morgen ist Schluss - Der Anfang

First I watched Smetto Quando Voglio followed by Smetto Quando Voglio: Ad Honorem. I thought there were only two so I made a mistake as Smetto Quando Voglio: Masterclass is between these two movies. But it didn't really matter as every movie has its own story. I thought this movie was the best of the two I watched. A better plot, better acting even though most of the actors played in the two movies, in this movie they just acted better. I wouldn't say there are hilarious scenes in this movie, it doesn't look like a comedy to me, but it's entertaining. After watching two and missing one I don't really need to watch the one that I missed, maybe that says enough.

A film that innovates, finally after stale years, the Italian comedy genre, bringing into focus the up-to-date themes of drugs and the alleged uselessness of a college degree in Italy.

A group of old friends, former university professors, unite to produce a new type of legal drug: each one, with his knowledge, contributes to the success of the plan; carried out, it turns their boring lives around out of the blue.

Fast-paced and enjoyable, ''Smetto quando voglio'' succeeds, with an exceptional cast, in the arduous task of reconciling the crime and comedy genres, without coming across as the usual trash "cinepanettone". However, there is no shortage of clichés, the music is not the best and in the end the plot is not that innovative, leaving aside the aforementioned premise.

It remains a great film, which is quickly watched and which entertains and amuses, with a project that should definitely be seen more in Italy.

This must be the best Italian comedy of the last few years... Authentic and thought-provoking portrait of the socioeconomic impasse of that wonderful country and its newest generation of "adults". Hysterical gags and great acting. At long last, Italy reconnects with its greatest form of art - laughing at its own miseries and the whimsical ways they require to be overcome. "L'arte di arrangiarsi" (the art of getting by) over a draconian, timeless, ever-obstructing, complacently ignorant State will never cease to gift every generation with the Italian art of David and Goliath storytelling. Brilliant script, great technical quality..a must see!

Others have pointed out at all the different, and actually quite legitimate, inspirations from Breaking Bad to La banda degli onesti, etc.

What I see here is a caustic condemnation for a system which wastes young brains in a corrupt, inefficient loop of despair.

It is sad but unfortunately true that some are overprotected while others have to struggle endlessly.

The final scene is quite subdued but could have been exploited in a more dramatic way.

While I was reluctant to watch it, fearing the usual unpleasant onslaught of so-called New Italian Comedy, I'm glad I finally did. And can recommend it if you like the bittersweet bite of social critique with a few interspersed gags.

Finally an Italian comedy that eschews the stylistic elements that have been imposed in recent years with the so-called "Cinepanettoni"! This movie works so well because of many factors: it makes you laugh, has a cast in a state of grace, it has a nearly flawless script, it's well directed and, unusual for an Italian comedy, it's very close to the technical quality standards of international movies. Also, as all good comedies should do, the movie addresses the contemporary issue of young people who, despite being far too skilled, are not able to make a living because of the scarcity of opportunities. Not bad for a first-time director!