The Barn

Judging by the recent plenitude of (horror) movies - and even entire TV-series - that are either taking place during OR unmistakably paying tribute to the 1980s, I think it's safe to say that a whole new generation of filmmakers suffer from "homesickness" (by lack of a better term) towards the decade in which it was so much easier and more fun to produce and watch horror movies! There's noticeably an immense longing for the good old times when stereotypical characters and clichéd plot lines weren't world-widely criticized on the Internet before the movie got properly released (what Internet?), when dumb teenage protagonists were still getting into physical trouble rather than belittling each other via social media, and when horror victims were still being massacred by killers & monsters with hideous make- up effects rather than by digitalized computer creations. "The Barn" obviously also belongs in this trend and, although not as popular or hyped as "Stranger Things" or "The Final Girls", it's definitely worth checking out for fans of old-school splatter as well as amateurish yet enthusiast low-budget film making. It's almost Halloween in the year 1989, and the 19-year-old but still very immature buddies Sam and Josh are petrifying the neighborhood children and annoying their teacher (cameo of none other than Linnea Quigley). The next day, on their way to a Halloween concert with a few more friends, they stop at a godforsaken barn where according to an ancient local legend three sinister Halloween monsters lie buried. Against the will of firm legend-believer Sam, the group knocks at the door and thus awakens the Boogeyman miner, Hallowed Jack-o-Lantern and Candycorn Scarecrow. The monsters promptly go on a killing spree in the nearby town Helen's Valley, with as gory highlight the extermination of nearly the entire village during the annual Halloween dance. Writer/director Justin Seaman has a lot of heart for the genre and many bright ideas, and therefore you also gladly forgive the lack of style and the many directorial defaults. There are too many overlong dialogues, redundant sequences and questionable performances, but it doesn't matter all that much because this is a full-blooded Halloween feature and highly recommended for the fans. Too many gore-highlights to choose from, including decapitations, eye- gouging, pickax in the head, etc… There's also a good soundtrack and – like it was the case in the 80s - even a bit of totally gratuitous nudity.

It's cheesetastic.

The kills are hilarious. The plot is pretty silly.

So basically a wonderful snowy Sunday afternoon " horror " flick.

THE BARN is a supernatural / neo-slasher horror film, done in a 1980s homage style. It's about a trio of killer spooks: a scarecrow, a miner, and a pumpkin headed ghoul, that haunt the titular structure, awaiting those who dare to trespass on Halloween Night. As luck would have it, a group of teens decide to enter the forbidden farm, resulting in grisly death.

While the story is pretty bare-bones, and the acting and dialogue are a bit clunky, this only adds to the overall charm. Is it a perfect masterpiece? No, but it is worth a watch on a crisp, Halloween evening.

Gorehounds will be in the stratosphere over the gushy practical effects! They really kick into high gear during the "Harvest Hootenanny" sequence, and continue from there.

For those who appreciate and enjoy low-budget horror films...

I picked up a copy of "The Barn" given the movie's cover, and it did seem like it could be an interesting enough horror movie. It definitely had that throwback feel to it, back to the 1980s of horror movies.

And the movie definitely also had that ages feel to it. So that was at least counting in favor of the movie. But it was hardly enough to loom over everything that the movie was failing at.

First and foremost, the storyline in the movie was, and let me just be blatantly honest here, pointless and boring. The movie offered nothing new to the genre, and it felt like it was running on so much auto-pilot that it was derailing itself. Predictable to the core.

The characters in the movie were flaccid and one-dimensional, offering very little flavor to the movie.

As for the acting, well it was adequate enough, taking into consideration the type of movie and its budget size. Just don't go into watching "The Barn" with the hopes of seeing brilliant performances that will blow you away.

The creatures, monsters, call them what you will, in the movie were adequate enough. They weren't scary at all though. But the concept idea of them was interesting enough.

In terms of horror and shock value, then "The Barn" had absolutely zero of that, unless you've never seen a horror movie before in your life. Then, and only then, will you perhaps find some enjoyment in this movie.

I did manage to endure sitting to the very end of the movie, but it wasn't a particular satisfying ending to the movie. It was, in fact, also quite predictable.

A delightful horror film from 2016, brought to my attention by the esteemed Brett Petersel.

The team behind "The Barn" has infused every frame with a playful love letter to the horror films of yesteryear, a sentiment that will resonate deeply with cinephiles like myself who hold a particular fondness for 80s horror cinema.

This production is a potent cocktail of the sexual fervor of youth, the dusty allure of old barns, the mystique of cult mythology, and the raw essence of truly independent filmmaking. Granted, the effects and even some of the acting might leave a bit to be desired, but for those who, like me, prioritize the spirit and essence of what the film represents, these minor imperfections won't detract from the overall experience.

For those who cherish the 80s horror aesthetic, this film is a must-watch. It's a nostalgic trip down memory lane, filled with nods to classic tropes and iconic imagery. The film's soundtrack, a synth-heavy homage to the era, further enhances the retro vibe.

The characters, while perhaps not the most nuanced, are endearing in their own right. They embody the archetypes of 80s horror, from the rebellious teenagers seeking thrills to the wise old caretaker who warns of the dangers lurking in the shadows. The film's villains, a menagerie of classic monsters, are brought to life with a blend of practical effects and CGI, creating a delightfully campy and nostalgic experience.

The film's narrative, while simple, is effective in its execution. It's a tale of youthful folly and the consequences of tempting fate. The pacing is brisk, the scares are plentiful, and the ending is satisfyingly gruesome.

"The Barn" is a film that wears its heart on its sleeve, a celebration of the horror genre and its enduring appeal. It's a film that will leave you grinning from ear to ear, even as you jump at the jump scares and revel in the nostalgic atmosphere.

So, gather your friends, pop some popcorn, and prepare to be transported back to the golden age of horror cinema. "The Barn" is a film that's sure to delight and terrify in equal measure, a testament to the enduring power of independent filmmaking and the timeless allure of a good old-fashioned scare.