Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis

Fernsehfilm
2013
Unrated
1 Std. 41 Min.

IMDb-BEWERTUNG

8,1/10

636

IHRE BEWERTUNG

Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (2013)

Watch a trailer for the Showtime documentary that goes behind the scenes on a concert featuring the music from the Coen Bros.' film Inside Llewyn Davis.

trailer wiedergeben1:05

2 Videos

8 Fotos

Documentary Music Musical

Füge eine Handlung in deiner Sprache hinzuA concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well a... Alles lesenA concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawli... Alles lesenA concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus... Alles lesen

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

8,1/10

636

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Videos2

Trailer 1:05

Trailer #1

Trailer 1:58

Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis

Trailer 1:58

Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis

Fotos7

+ 2

Benutzerrezensionen4

8,1636

Empfohlene Bewertungen

joehaun1

1960's era folk music concert

Excellent way to spend an evening. The performances were spot on & genuine. I can't stop watching it. It is acoustic music at it's very best & it introduces people to the folks who are young & continuing the tradition. A particular hat's off to T Bone Burnett, Marcus Mumford & Chris Thile. I also enjoyed seeing Joan Baez again who is still in good form. There was not one bad performance in the entire concert. The editing was seamless, cutting back & forth between the rehearsal & the concert: not a beat was missed. I was shocked at first to see Patti Smith (whom I adore) but her performance was flawless singing a Dylan tune. I had an ear to ear grin the whole time I was watching this concert. As a result of this concert I am now addicted to The Milk Carton Kids & Rhiannon Geddens. As my dear old mother used to say, "Try it. You'll like it!"

8john3-2

Might be better than the movie

I enjoyed "Inside Llewyn Davis", but it was an average Coen brother's film. I had moderate expectations for this documentary-style film and was pleasantly surprised. The performances are all excellent, and a nice blend of stage performances, backstage improvisation and jam sessions, and recording sessions in the studio. The Punch Brothers and The Avett Brothers were standouts for me, but all the artists put their own spin on the tune they tackled.

One thing in particular I liked was that the editing was thoughtful, with no fast cutting, allowing the camera to linger on a performer for 15 to 30 seconds or longer for most of the shots. Compared to the way most live music is edited lately it was a nice surprise.

9lostyourapples

Great

Fantastic accompaniment to Inside Llewellyn David, one star knocked off because the DVD doesn't show "Please Mr Kennedy" even though it was recorded, shame. Brilliant if you want to broaden your musical horizons folk wise

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Included on the Criterion edition of 'Inside Llewyn Davis' (2013), spine #794.

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Colin Meloy: There was a connection between the folk movement and the punk movement in that folk music... I mean initially, you know think about Pete Seeger was all about "Let's get as many people as possible singing these songs. It's very easy to play these instruments. These are three chords. You know? And they're for folk. They're for everybody to sing." And I think that was his attitude. And to a certain respect that's kind of the punk ethos.