19-2

I LOVE 19-2 and I'm bummed that the fourth season is the final season. I wish it would go on forever. There is a special quality to this show that is rarer than rare, as if all concerned are concerned with just doing their jobs and keeping it real, because real is the operative element here. I am going to watch this series again, it's that good! The only series I've watched twice are The Sopranos, when I got a big screen TV, and Prime Suspect, which is amazing. Come to think of it, it may be time to re-watch a few more of Lynda LaPlante's series. Acorn TV has them, as they have 19-2. TV is ten times better than movies now. We're all very lucky.

Commencing season 4 via Crave TV, I've really been enjoying this series. I think the casting is superlative, acting excellent and most of the writing is very credible, I'm less inclined to nit-pick this series than many I've watched, especially Canadian ones. I've a Quebecois friend who tells me the French series on which this is based was much stronger. If true, the Francophone original must have been really special. I'm going to be watching for a change in tone in this final season with its switch to CTV from Bravo. Already, in the first episode I think I might be seeing a bit of a change in tone, perhaps less credible action on the part of at least one of the characters, and one improbable action event. That might reflect my prejudices about these networks, though. I miss Bravo network which we used to get before the cable service for our building was changed to a different provider. Another series that took a distinct nosedive switching to another network from its Bravo originator is Inspector Murdoch. Under CBC's watch the whole thing seemed to change emphasis to splashy production values and writing stereotypes. The main character Murdoch is awfully prettified.

From the first episode 19-2 distinguishes itself as a unique look inside a unit of urban patrolmen, giving equal glimpses of their lives on and off the job. This show is more character study than police procedural-- yes there are calls to answer and nerve wracking situations, but they exist as vehicles for developing our understanding of what makes these men and women tick as individuals and partners. The dialog is extremely well written and acted--the actors speak like real people in real situations. Occasionally scenes switch from what is happening IN the moment to what the characters are thinking OF the moment, a plot device that only works if a scene is expertly written,which is definitely the case here! Episode 10 just aired this week and a major (yet completely unanticipated) revelation occurred that I suspect will shift alliances and friendships within the unit. I have no idea what will happen next, but I'm sure it will be interesting!

This series is developing quite well, and I wouldn't be surprised if it's around for quite awhile!

It's refreshing to finally see an English language show that's filmed in Montreal actually be based in Montreal storyline wise. This show steers clear of the stereotypical cop characters and shows us many shades of grey rather than the standard black and white we too often see. I love the cold blueness of the shots.

Seems like this might be shot with no filters and I love that look. Looking forward to seeing how the show plays out. It almost feels like we're getting a behind the scenes glimpse into the day to day lives of police officers. The show seems to be staying true to The French version and that's a good thing since I also really have liked that show too. Good stuff!

This show seriously deserves the great reviews, a brilliant show with incredible actors who give outstanding performances all through the series. This show surprised me on a grand scale, with impeccable story lines and even better executed characters. The character development throughout the show keeps you second guessing everything you are ever told about the shows' protagonists and have you yearning for more. The portrayal of street life is what I imagine it to be like in the real world. 19-2 has amazing twists and turns, it shows that even the black and white cases have some grey areas. The cinematography within the episodes themselves is beautiful and seriously warrants recognition. Each and every episode tackles a fresh angle and perspective on a story which is both realistic and completely fictional, through the balance is not perfect, it does come close.