19-2

From the first episode 19-2 distinguishes itself as a unique look inside a unit of urban patrolmen, giving equal glimpses of their lives on and off the job. This show is more character study than police procedural-- yes there are calls to answer and nerve wracking situations, but they exist as vehicles for developing our understanding of what makes these men and women tick as individuals and partners. The dialog is extremely well written and acted--the actors speak like real people in real situations. Occasionally scenes switch from what is happening IN the moment to what the characters are thinking OF the moment, a plot device that only works if a scene is expertly written,which is definitely the case here! Episode 10 just aired this week and a major (yet completely unanticipated) revelation occurred that I suspect will shift alliances and friendships within the unit. I have no idea what will happen next, but I'm sure it will be interesting!

This series is developing quite well, and I wouldn't be surprised if it's around for quite awhile!

OK I have read the other reviews and agree that this show can be depressing. I'm not even sure why I started to watch this but I then discovered each of the characters had their own crosses to bear, whether self-inflicted or through a series of circumstances and events, they all fight the daily fight of life, and the fight to stay alive in their jobs, stay faithful to friends and just do the right thing. The storyline makes this really hard and that's what makes this show so compelling. The actors are good, the script more realistic than most other police shows because people in real life have personal problems and jobs to cope with at the same time. I know this is set in Monteal and was a show in french first but my french is so rusty I would have given up after a few minutes, so, thank you for letting us poor English speakers into the world of 19-2.

I really didn't like this show at first. My first bad impression was "Montreal Police that speak English, with most cops having zero French accent... lame"

Well, everything else about this show out-weighed that obvious flaw.

I'm not a fan of slow paced films, but this one did it very well. The sound was on point with the tension, directing and cinematography perfect, and the acting spot on!

What's even more intriguing, how Jared Keeso has evolved from a serious playing cop to his character in Letterkenny... wow.

Props to all those involved for yet another top-notch Canadian production! 9/10 from me

I feel like Canadian TV has really stepped up its game in the last few years. I was blown away by 19-2 from the first scene and have not looked back. The character development has me fully committed to the outcomes of their lives. The story line really taps into the grittiness of real life and the challenges of the not so generic population. I love that this steps away from the white picket fence middle America and expresses some serious honesty. This show could have been really typical but it has been anything but - the feeling when I sit down and watch every week is that of a movie. I would rival this show to some original Netflix series that have done very well (Orange is the New Black). I will also never complain about a Nick Barron "butt" shot or watching Beatrice throw down for all of us girls out there. Bravo is setting a new standard with its actors as well and the attention to the details. I say Bravo - to Bravo and the cast of 19-2. You should all be proud, I know I am.

Commencing season 4 via Crave TV, I've really been enjoying this series. I think the casting is superlative, acting excellent and most of the writing is very credible, I'm less inclined to nit-pick this series than many I've watched, especially Canadian ones. I've a Quebecois friend who tells me the French series on which this is based was much stronger. If true, the Francophone original must have been really special. I'm going to be watching for a change in tone in this final season with its switch to CTV from Bravo. Already, in the first episode I think I might be seeing a bit of a change in tone, perhaps less credible action on the part of at least one of the characters, and one improbable action event. That might reflect my prejudices about these networks, though. I miss Bravo network which we used to get before the cable service for our building was changed to a different provider. Another series that took a distinct nosedive switching to another network from its Bravo originator is Inspector Murdoch. Under CBC's watch the whole thing seemed to change emphasis to splashy production values and writing stereotypes. The main character Murdoch is awfully prettified.