Pabrik Gula

Sugar factory is kkn in the village of dancers but only different title and different setting place, this film has a trash plot but it is replaced by the music scoring and cinematography that spoils the eye but that does not guarantee that this film will be a good film, to hell with the character development everything is bland in this film, the jumpscare does not occasionally make me surprised and is just ordinary, maybe this is the 2nd worst film on Eid yesterday. I don't know what the writer of the story in this film was thinking, the purpose of this film is only money milking but this is still better than most trashy horror films in Indonesia, maybe I think this film can still be enjoyed by ordinary people and so on but this is not a quality horror film.

Pabrik Gula may carry the look and feel of a horror film, but it's much more than that. With a slow-building tension and eerie visuals, the film still finds room to entertain - largely thanks to Franky and Dwi, the comedic duo who manage to steal scenes without disrupting the overall tone.

Their presence adds warmth and personality, giving the audience time to laugh and reset before diving back into the film's unsettling layers. It's a refreshing approach that adds depth rather than distraction.

In the end, Pabrik Gula is perfect for those who crave both thrills and light-hearted moments. It's not just about fear - it's about the ride, the balance, and the surprises along the way.

I can scared , laughed and cry angry with the same movie. 1st experience with horror like that and it was really good.

And its bring lot of indonesian culture so its excited when i see it in cinema.

The adult scene is just a minor to complete story but i dont care about it cause the story was so good.

And the jump scare was like bam bam bam never stop but and then i get into the story with laugh, curious about pabrik gula and suddenly there is mini jump scare with twist and bam bam bam wow i couldnt rest one bit but its true experience with rest and laugh after that and then ready again for another sequence WOW.

Some critics seem to be blindly judging this film without knowing the reasons and why it was made. It is clear that this film is based on true events,which happened in the sugar factory. And some people don't like the way the story goes. How can people change the true story? The main key to making this film is to retell what happened rather than changing the storyline to make it more interesting. To be honest, this film has very good quality, in terms of the storyline I don't care, because it's a true story. I like his jumpscare the most, very effective, even the ghost faces are scary, and a very good experienced. The audio visual is good.

Pabrik Gula boldly brings local folklore to the screen, offering a horror story that feels relatable and grounded for Indonesian audiences. While it shares a similar tone with KKN di Desa Penari, it doesn't merely follow a trend-instead, it presents a storyline and message that are easy to grasp. At its core, this film isn't just about scares, but about the power of human goodness. It reminds us that supernatural beings aren't always enemies-they can be challenged by acts of kindness and even coexist with humans when mutual respect is upheld.

What's commendable is the film's clear audience segmentation: rated 17+ for the regular version and 21+ for the uncut. This responsible decision is rare in local horror films and serves as a healthy guide for viewers to choose based on their age.

Although the film received negative reviews, many of them come off as repetitive and overly critical-more like an agenda than fair analysis. When we look at its craftsmanship, cinematography, strong acting performances, and the way it balances horror, drama, and comedy, Pabrik Gula stands as a complete entertainment package.

In conclusion, if you're looking for a film that combines suspense, cultural identity, and refined execution, Pabrik Gula delivers. It's not just a horror movie-it's an experience that merges spirituality, local wisdom, and cinematic storytelling into one impactful narrative.