Füge eine Handlung in deiner Sprache hinzuAn adaptation of Alex Haley's "Roots" chronicles the history of an African man and his descendants sold into slavery in America.An adaptation of Alex Haley's "Roots" chronicles the history of an African man and his descendants sold into slavery in America.An adaptation of Alex Haley's "Roots" chronicles the history of an African man and his descendants sold into slavery in America.
- Für 7 Primetime Emmys nominiert
- 5 Gewinne & 52 Nominierungen insgesamt
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The Roots reboot (it's not a remake) was such an amazing piece of television that, despite several users' reviews, was (sadly) historically accurate. Decades of additional research has gone into slavery since the original Roots which allows for a more historically accurate depiction of slavery, although that means it's not necessarily as true to Alex Haley's book (a fair trade-off, if you ask me). Regardless, it is a compelling piece of storytelling based on the facts of the US's shameful past.
That said, some of the negative reviews on here are stunning in their idiocy. My two favorite being the one who asks why there's no depiction of the "good Christian slave owner" and the one who claims there are historical inaccuracies and claims the fact that he "lives with a black woman" as proof that he is an expert on the subject. Basically, what I'm saying is that you should take that 7.whatever overall rating with a grain of salt. Pretty sure the rating for this miniseries should be nearer a 9 overall.
That said, some of the negative reviews on here are stunning in their idiocy. My two favorite being the one who asks why there's no depiction of the "good Christian slave owner" and the one who claims there are historical inaccuracies and claims the fact that he "lives with a black woman" as proof that he is an expert on the subject. Basically, what I'm saying is that you should take that 7.whatever overall rating with a grain of salt. Pretty sure the rating for this miniseries should be nearer a 9 overall.
Such a delight! Both my young daughters we're able to follow and stay interested; now they both have lots of questions about American history... Very nicely re-made. Hopefully now they will be interested in watching the original (although not in HD), or they will ask to actually read the book.
Oldest daughter is currently in APUSH and concerned about the lack of quality information regarding this period of time. My youngest tends to be in denial about this era, as she can't quite understand cruelty amongst people, in general. This was a great way to introduce her to this country's past (and maybe explain how it relates to the present).
Oldest daughter is currently in APUSH and concerned about the lack of quality information regarding this period of time. My youngest tends to be in denial about this era, as she can't quite understand cruelty amongst people, in general. This was a great way to introduce her to this country's past (and maybe explain how it relates to the present).
What to make of this much-heralded remake of the Alex Haley classic? It has a lot going for it - a starry cast led by Jonathan Rhys Meyers, Malachi Kirby, Forrest Whittaker and Lawrence Fishburne; atmospheric photography Peter Menzies jr. and Sharone Meir; and an authentic production design by Ida Random, David Barkham and Jonathan Hely-Hutchinson.
Yet the overall impression of this four-parter is one of blandness; a sense that the directors Bruce Beresford, Phillip Noyce, Mario van Peebles and Thomas Carter are simply retelling the story without any feeling for its historical significance. There are too many dramatic set-pieces strongly reminiscent of TWELVE YEARS A SLAVE, especially when the African American characters are assaulted by their white masters, while the settings (a plantation; the white slave-owner's house; the cattle-market) are shot in such a way - using bright light accompanied by atmospheric music - as to encourage the belief that we are watching a pared-down version of the Steve McQueen film.
The narrative lumbers on throughout each episode, with a pronounced lack of dramatic incident. The directors seem to have been so concerned with atmosphere (or lack thereof), that they have not really encouraged the actors to flesh out their roles. Too often we see performers simply going through the motions of performing with little concern for historical verisimilitude.
This is a real shame, because the idea to remake ROOTS seemed in principle to be such a good one, as a way of reminding viewers that the racial conflicts taking place in the antebellum United States have still not been resolved today. What a shame, therefore, that the creative personnel involved in this miniseries failed to take advantage of the opportunities presented to them.
Yet the overall impression of this four-parter is one of blandness; a sense that the directors Bruce Beresford, Phillip Noyce, Mario van Peebles and Thomas Carter are simply retelling the story without any feeling for its historical significance. There are too many dramatic set-pieces strongly reminiscent of TWELVE YEARS A SLAVE, especially when the African American characters are assaulted by their white masters, while the settings (a plantation; the white slave-owner's house; the cattle-market) are shot in such a way - using bright light accompanied by atmospheric music - as to encourage the belief that we are watching a pared-down version of the Steve McQueen film.
The narrative lumbers on throughout each episode, with a pronounced lack of dramatic incident. The directors seem to have been so concerned with atmosphere (or lack thereof), that they have not really encouraged the actors to flesh out their roles. Too often we see performers simply going through the motions of performing with little concern for historical verisimilitude.
This is a real shame, because the idea to remake ROOTS seemed in principle to be such a good one, as a way of reminding viewers that the racial conflicts taking place in the antebellum United States have still not been resolved today. What a shame, therefore, that the creative personnel involved in this miniseries failed to take advantage of the opportunities presented to them.
Back in 1977 alex haley and the cast changed the face of television and the world by introducing the miniseries roots featuring great acting and great storytelling, now it's been rebooted and it's great once again, it's a story about slavery and true honesty, Laurence fishbourne, forest whitaker and the rest of them including newcomer Malachi Kirby are all standouts in this one, brilliant characterization, brilliant teleplay and everything else was magnificent, you know television these days have become terrible that we need a reboot of a classic and this is a classic right, this reboot of roots is definitely the years best TV and perhaps the year's most controversial and I Give it my highest rating A+
This show is absolutely brilliant. It really shows America's sad and dark history with slavery. The beginning sort of reminded me of the Amistad movie starring Djimon Hounsou and Anthony Hopkins, the gore violence and details really showed how people back then lived like mere products simply because of their skin color. I especially liked how it shows the lives of these slaves back in their homeland from where they were kidnapped from; the lives they once had but were ripped apart from at no warning. It's a part in history no one likes remembering, a part in history we'd all rather forget than remember. Movies and shows like these are very violent and filled with so much gore details, but it is a remembrance of the hard reality people once faced, lived, and died in.
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- WissenswertesLeVar Burton: as the slave Ephraim, who is being transported in the caged wagon from the Waller plantation. He stars at Kunta Kinte. Burton played Kunta Kinte in both Roots: The Complete Miniseries (1977) and Roots - Das Geschenk der Freiheit (1988).
- PatzerWhen Kunta Kinte is on the ship heading for America in 1767, the flag used has the red diagonals in the Union Jack. These we not added until the Act of Union with Ireland in 1801.
- VerbindungenFeatured in The 68th Primetime Emmy Awards (2016)
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