The Falling

Maisie Williams is a good actress but the film is slow moving and almost nothing really happens other than closed minded people not wanting to talk about the realities of life.

That being said, there is an actually problem and it's not with the film itself but rather with those that have watched it and how clueless the conclusions seem to be.

1. The reason Lydia is acting the way she is is obvious. Because her semi lesbian relationship was in the process of disintegration when the other girl died after cheating on her. She doesn't know how to deal with it so she begins acting out. She is, after all, only a child.

2. The fainting spells are also rather obvious. They are real for some of the girls and not for others. They have been picking at the wall in one of the rooms. Obviously there must be mold or something in the crack. It could also be lead poisoning given the time period. And then they are sticking their fingers into each others mouths or their own. It's quite obvious that some of them have ingested something that will harm them.

3. Not all of them die, so there is another issue. Abigail was pregnant. There is a blood toxicity that can happen while pregnant. When I was little my best friends mum was confined to bed for months while she was pregnant because this almost killed her. She ended up in the hospital for almost a month. This, combined with what might be in that wall, is likely the cause of Abigails death. Given that technology wasn't nearly as sophisticated at the time this movie takes place, they may not have known what caused it.

The movie may be boring but thinking through the answers shouldn't be so difficult.

One of the London Film Festival's handful of world premieres, The Falling had naturally generated buzz as it's a film funded by the BFI, which is quite unusual for them. Unfortunately, while it has its merits, it doesn't quite live up to expectation as a whole. That said, the limited budget is impressively spread out with a solid cast including Game of Thrones' Maisie Williams and convincing 1960s production and costume design. The creativity of director/writer Carol Morley is less striking. It's a film interested in starting a lot of tangents without finishing them, or instead giving us underwhelming payoffs. It's built on the backbone of an odd mystery, one it's uninterested in resolving, but interested in escalating.

Set in a 1969 girls school, when the promiscuous student Abbie, played by Florence Pugh, accidentally gets pregnant, she begins to suffer from fits of fainting seemingly at random. Her best friend Lydia, played by Williams, deals with the consequences after the epidemic spreads across the school with girls fainting out of control. The film appears to be a story about the friendship between Lydia and Abbie, but it fractures off into different directions, some more engaging than others. Most dramatically is exploration into Lydia's past, or rather, how she came into this world. Her relationship with her agoraphobic mother, played by Maxine Peake, is a key aspect of the film and one of the few things that eventually pay off in a satisfying way, if a disturbing one. It needed some more development beforehand to feel fully fleshed out, but the delivery of it in the third act is the film's greatest strength.

While kept deliberately ambiguous, it appears that the fainting is somewhat of a punishment for early sexual behaviour (which incidentally appears to mostly be instigated by Lydia's brother, played by Joe Cole). There's no charm in its apparent disdain and shaming for the young girls' urges and it doesn't feel like a thought thoroughly argued through enough. It's most interesting for the way the authority figures react, which is in complete denial that anything is wrong, even when Lydia is on her knees in the hallway. Even so, characters don't react the way people would react to others fainting, though perhaps it's supposed to hint about how it's become so tiresome. It contributes to the uneasy atmosphere of the film with its dreamlike eeriness.

It is quite rewarding to see Maisie Williams in this type of environment for a change. It's clear that she's making the most of it and trying her best to feel natural, but she doesn't quite have the conviction to make it work just yet. In time she'll be a great actress. It just feels as though Morley has misjudged what the film was trying to do for the most part, thematically and tonally. It does have some good aspects and interesting tidbits, existentialism that's valid if unremarkable, but as a whole it brings nothing new stylistically to the table and is often too uninspired in execution. It has a bizarre sense of humour that doesn't quite gel with its thoughtfulness and mystery. Solid production for the budget, interesting and engaging moments here and there, but The Falling is misguided from the script's initial intentions direction.

6/10

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Starring two actresses who will likely be up for awards in years to come, The Falling is an offbeat psychological thriller whose intentions are not even fully clear after viewing. Two young teenagers, played by Maisie Williams and Florence Pugh, are stuck in the middle of school crisis when students start passing out for no apparent reason. For the life of me, I only had one thing going through my mind throughout the entirety of the 100 minutes, why was nobody catching these students as they would faint? It's not like it was a few seconds, they would wobble for 15-20 seconds and then finally fall to the ground. Alas, the movie is nothing too special, an interesting watch that is ultimately forgettable at the end of the day.

5.3/10

"Picnic at Hanging Rock" a fine film of the 70s, telling a story of how a group of schoolgirls disappeared on a visit to Ayers Rock. This film had it eerie, creepy, atmospheric, less talky than this; in other words classy.

Alas this film, which I thought would match this from the reviews I read, did not come anywhere near it. Whereas this was certainly a personal project to writer / director, to everyone else it really is a non-sensical load of tosh. Neither eerie, classy, engaging or atmospheric.

The school group was similar to "Picnic" i.e. pretty centre of attention girl, mixed up clever girl down to fat eat a lot girl...pretty stereotypical characters.

When the fainting/shaking actually occurs, especially in the school assembly scene I'm afraid it became comical. They were obviously well drilled on how to faint.

The Director did try to convey a sense of nature at work here. For example, intimating that Abbie's spirit lingered among the old oak tree, straight through to hearing fox cries, owls hooting, even in the scenes shot in Lydia's house! Needless to say the (step)brother and (step)sister "getting it on" scenes were pretty uncomfortable. On that point was not convinced on the Mother character, especially the acting.

Major plus however, Florence Pugh, she is going to go far. A great looking girl with a distinctive voice and she can sing play guitar.

In all truth I came by this film due to the fact that I was actually a boarder at the school where this was filmed! Spent 5 years there (MANY moons ago), and ultimately the school closed, so me and a ton of other former-pupils were doing the rounds to watch the movie and see our old school!

I then noticed that Maisie Williams and Florence Pugh were in it, so had SOME degree of expectation.

As an ex-Director myself, I can whole-heartedly say that this was the worst directing I have ever seen. Period! The shot selection and scene setting (of which there was almost none) was frankly dreadful and in truth - amateurish.

The story itself lacked ANY sense of position, location, scene setting, plot - I could go on...

It is totally beyond me what the BFI were thinking when they agreed to fund this piece of simply utter rubbish.